Newly wedded Zachary McCaltex (a librarian in Miami) and Twang Panattapam (originally from the Southeast-Asian country of Pan-Nam, but residing in Italy) try to trace the whereabouts of a treasure supposedly lost off the coast of Florida in the sixteenth century, while navigating a relationship separated by an ocean as well as their different cultures. In the end, the postal service may be responsible for what gets lost (including Zachary's sanity) along the way.

    First US publication for the Scottish Spence.Neil McGraw is a lad in Glasgow, an only child, the son of a dour undertaker permanently embittered by his wife's death during childbirth. Whenever the boy misbehaves, he's locked in the basement among the coffins, so it's not surprising he asks every body: What happens when you die? Against his will, he finds himself learning the trade. This is less gloomy than it sounds. The story moves at a good clip as the resilient Neil experiments with drinking and dating.The crisis comes when his dad finds him and his girl making out in a coffin. Soon, it's Neil's turn to lock his old man, dead drunk, into the basement, before hightailing it to the London of the Swinging '60s. A friendly queer, Abe Morris, offers him a crash pad, no strings attached, where Neil finds drugs, straight sex, and Zen. The party ends when Abe, stoned, is killed in traffic and Spence abandons conventional narrative to send Neil hopscotching around the world before depositing him, 15 years later, beside the funeral pyres of the Ganges. Here, he gets very sick but is rescued by a vision in a sari: Lila, a Londoner, back home for her father's funeral. The two fall in love and marry, lickety-split, before Neil is summoned back to Glasgow. His father has died, leaving him the business, which Neil gives a hippie twist, producing brightly painted coffins in unusual shapes, with Lila a business partner.The mood is light and buoyant, but novelistic concerns (what makes Lila tick? why do the couple decide not to have kids?) are shelved in favor of a scrapbook of original last rites, seasoned with Eastern mysticism. There's an appealing freshness to Spence's writing; too bad he gives up on credible plotting and characterization.

    

    For Emily, romance is in the air. For the mysterious Mrs Forester, there is scandal brewing. And for the Bishop of Simla, rainclouds are not the only storms on the horizon...The Hill Station is the novel on which J.G. Farrell was working at the time of his tragically early accidental death. It demonstrates powerfully what a great loss to world literature this was.

    When her parents found out, they decided to uproot them to another city. After losing contact with Dreon, she experienced her first heartbreak and decided to shift her focus back on her education. Now twenty-three, Niya is in her final year of law school, but over the years she continued to experience the short end of any relationship she was in, including the relationship with her parents. She finally accepts that her heart has never fully healed, but that all changes once she sees Dreon again. She doesn’t know how he will feel about the secret she’s been keeping from him. Dreon Carter was known for the havoc he wreaked growing up. But after being abandoned by his mother on his grandmother’s steps, he was angry and released that anger on other kids. Sometimes, even letting Niya tag along. Barely graduating high school, due to poor attendance, he went into the streets full time and was now known by the street name Menace. He ended up serving some time in prison, but now at twenty-five, he is the king of the dope game in Cleveland, running the streets with his right-hand man, Renzo. He has a two-year-old daughter by a crazy baby mama who’s set on being a pain in his ass and causing friction between him and Niya. Along with running the streets, he’s trying to run his home, but with the streets and his home life trying to cross, he runs into problems. The bond of Menace and Niya is undeniably unbreakable, but is Niya strong enough to be the woman of a thug, going against everything she’s about, and dealing with the drama that comes along? Can Menace avoid the pressures of the street life and be the man Niya wants him to be, while also not giving up his streets, or will it all be too much?

    Her last visit here was twelve years ago when, through whispering mangroves, past flocks of exotic birds, skirting bobcat trails and precious mounds of turtle eggs, four children played in this earthly paradise – as explorers, naturalists, boat-builders... and eventually, as lovers. Over the intervening years, Carrie has tried to forget those summer idylls and the children who were her friends – Phoebe, who believed herself to be a mermaid, her aloof older brother Bradley, and Tristan, son of the Native American wisewoman, Tanta. Now two of them are dead and gone. In the cemetery, however, there is only one grave; in Tanta’s backyard, a mourning cradle hangs, stuffed with black raven feathers; and over at Bud’s Landing lives a small boy who has mysteriously been struck dumb. Legend says that pirates buried treasure on a sister island, but here on Sanibel, where a great storm is gathering, Carries is about to unearth some treasure of her own.