Formerly a governess, she has landed on the occupation of prestidigitator, and thanks to her overwhelming beauty—and to a lesser extent her professional talents—she takes the town by storm, gaining admittance to her grandfather's college. It is there, at the institution inspired by Beerbohm's own alma mater, that she falls in love with the Duke of Dorset, who duly adores her in return. Ever aware of appearances, however, Zuleika breaks the Duke's heart when she decides that she must abandon the match. The epidemic of heartache that proceeds to overcome the academic town makes for some of the best comic writing in the history of English literature.

    But when her brother's love match is thwarted by the impossibly proper Duke of Kerstone, Miranda sets off to convince the duke to champion her brother's cause for love. Unfortunately, he is too proper to consider love a suitable reason for marriage, and too proper not to marry Miranda when they find themselves compromised. Now, Miranda has a second chance for happily-ever-after, if she can uncover her new husband's darkest secret.

    Conrad's deeply moral consciousness and masterful narrative technique are at their best in this, one of his finest works.

    Greater than a historical chronicle, War and Peace is an affirmation of life itself, `a complete picture', as a contemporary reviewer put it, `of everything in which people find their happiness and greatness, their grief and humiliation'. Tolstoy gave his personal approval to this translation, published here in a new single volume edition, which includes an introduction by Henry Gifford, and Tolstoy's important essay `Some Words about War and Peace'.

    A retelling of The Canterbury Tales