Mirabel is the smartest person anyone knows, and no one doubts it just because she can’t speak. Monday is the town’s purveyor of books now that the library’s closed―tell her the book you think you want, and she’ll pull the one you actually do from the microwave or her sock drawer. Mab’s job is hardest of all: get good grades, get into college, get out of Bourne.For a few weeks seventeen years ago, Bourne was national news when its water turned green. The girls have come of age watching their mother’s endless fight for justice. But just when it seems life might go on the same forever, the first moving truck anyone’s seen in years pulls up and unloads new residents and old secrets. Soon, the Mitchell sisters are taking on a system stacked against them and uncovering mysteries buried longer than they’ve been alive. Because it's hard to let go of the past when the past won't let go of you.Three unforgettable narrators join together here to tell a spellbinding story with wit, wonder, and deep affection. As she did in This Is How It Always Is, Laurie Frankel has written a laugh-out-loud-on-one-page-grab-a-tissue-the-next novel, as only she can, about how expanding our notions of normal makes the world a better place for everyone and how when days are darkest, it’s our daughters who will save us all.

    Taro is a talented violinist and a kamikaze pilot in the days before his first and only mission. He believes he is ready to die for his country . . . until he meets Hana. Hana hasn't been the same since the day she was buried alive in a collapsed trench during a bomb raid. She wonders if it would have been better to have died that day . . . until she meets Taro.A song will bring them together. The war will tear them apart. Is it possible to live an entire lifetime in eight short days?

    She never knew her father, and her ex-addict mother has always seemed more interested in artistic endeavors than in bonding with her only daughter. Jules’s life and future look as flat and unchanging as her small Illinois town. Then a simple quest to find a baby picture for the senior yearbook leads to an earth-shattering discovery: for most of the first two years of her life, Jules lived in foster care. Reeling from feelings of betrayal and with only the flimsiest of clues, Jules sets out to learn the truth about her past. What she finds is a wonderful family who loved her as their own and hoped to adopt her — including a now-adult foster brother who is overjoyed to see his sister again. But as her feelings for him spiral into a devastating, catastrophic crush — and the divide between Jules and her mother widens — Jules finds herself on the brink of losing everything.

    Part Mad Men, part Grace of my Heart, part murder mystery, I'm Glad I Did is a coming-of-age story at an unforgettable cultural tipping point: the summer of 1963.JJ Greene, a gifted 16-year-old songwriter, defies her lawyer parents by secretly applying for a job in the famed Brill Building-the epicenter of songwriting for a new genre called rock-n-roll. But their warnings about the evils of the music industry prove far darker than she imagined when she finds herself at the heart of a cover-up that involves hidden identity, theft, and possibly murder.Story Locale: New York, NY

    Her mom left town. She has bills to pay and a little sister to look after. Now is not the time for level-headed seventeen-year-old Lucille to fall in love. But love—messy, inconvenient love—is what she's about to experience when she falls for Digby Jones, her best friend's brother.

    He also specializes in getting things people want---term papers, a date with the prom queen, fake IDs. He has few close friends and he never EVER lets emotions get in the way. For Jesse, life is simply a series of business transactions.But when Ken Foster, captain of the football team, leading candidate for homecoming king, and all-around jerk, hires Jesse to help him win the heart of the angelic Bridget Smalley, Jesse finds himself feeling all sorts of things. While following Bridget and learning the intimate details of her life, he falls helplessly in love for the very first time. He also finds himself in an accidental friendship with Bridget’s belligerent and self-pitying younger brother who has cerebral palsy. Suddenly, Jesse is visiting old folks at a nursing home in order to run into Bridget, and offering his time to help the less fortunate, all the while developing a bond with this young man who idolizes him. Could the tin man really have a heart after all?A Cyrano de Bergerac story with a modern twist, Sway is told from Jesse’s point of view with unapologetic truth and biting humor, his observations about the world around him untempered by empathy or compassion---until Bridget’s presence in his life forces him to confront his quiet devastation over a life-changing event a year earlier and maybe, just maybe, feel something again.

    It’s the end of senior year and they’re spending more time at the beach than in the classroom. They can already feel the sunny days and endless possibilities of summer. Everything changes one afternoon in April, when four LAPD officers are acquitted after beating a black man named Rodney King half to death. Suddenly, Ashley’s not just one of the girls. She’s one of the black kids. As violent protests engulf LA and the city burns, Ashley tries to continue on as if life were normal. Even as her self-destructive sister gets dangerously involved in the riots. Even as the model black family façade her wealthy and prominent parents have built starts to crumble. Even as her best friends help spread a rumor that could completely derail the future of her classmate and fellow black kid, LaShawn Johnson. With her world splintering around her, Ashley, along with the rest of LA, is left to question who is the us? And who is the them?

    Her family is part of a community of doomsday preppers, a neighborhood that prioritizes survivalist training over class trips or senior prom. They’re even arranging Becca’s marriage with Roy Kang, the only eligible boy in their community. Roy is a nice guy, but he’s so enthusiastic about prepping that Becca doesn’t have the heart to tell him she’s planning to leave as soon as she can earn a full ride to a college far, far away.Then a devastating accident rocks Becca’s family and pushes the entire community, including Becca’s usually cynical little sister, deeper into the doomsday ideology. With her getaway plans thrown into jeopardy, the only person Becca can turn to is Roy, who reveals that he’s not nearly as clueless as he’s been pretending to be.When Roy proposes they run away together, Becca will have to risk everything—including her heart—for a chance to hope for the best instead of planning for the worst.

    Haunted by losing everything in Hurricane Maria--and by an evil spirit, Ato. She fully expects the tragedy that befell her and her family in Puerto Rico to catch up with her in New York. Yet, for a time, she can almost set this fear aside, because there's this boy . . .Pheus is a golden-voiced, bachata-singing charmer, ready to spend the summer on the beach with his friends, serenading his on-again, off-again flame. That changes when he meets Eury. All he wants is to put a smile on her face and fight off her demons. But some dangers are too powerful for even the strongest love, and as the world threatens to tear them apart, Eury and Pheus must fight for each other and their lives.This is an #OwnVoices retelling of the Greek myth Orpheus and Eurydice.

    While her sisters were becoming wives and mothers, she was taught to hunt, track, and fight. On the day her village was burned to the ground, Janneke—as the only survivor—was taken captive by the malicious Lydian and eventually sent to work for his nephew Soren.Janneke’s survival in the court of merciless monsters has come at the cost of her connection to the human world. And when the Goblin King’s death ignites an ancient hunt for the next king, Soren senses an opportunity for her to finally fully accept the ways of the brutal Permafrost. But every action he takes to bring her deeper into his world only shows him that a little humanity isn’t bad—especially when it comes to those you care about.Through every battle they survive, Janneke’s loyalty to Soren deepens. After dangerous truths are revealed, Janneke must choose between holding on or letting go of her last connections to a world she no longer belongs to. She must make the right choice to save the only thing keeping both worlds from crumbling.

    But I’m not dead yet. I still need to keep things interesting. Sylvie, too. I mean, we’re kids, hospice-hostages or not. We freak out visitors; I get my uncle to sneak me out for one insane Halloween night. Stuff like that. And Sylvie wants to make things even more interesting. That girl’s got big plans.Only Sylvie’s father is so nuclear-blasted by what’s happened to his little girl, he glows orange, I swear. That’s one scary man, and he’s not real fond of me. So we got a major family feud going on, right here in hospice. DO NOT CROSS line running down the middle of the hall, me on one side, her on the other. It’s crazy.In the middle of all of this, really, there’s just me and Sylvie, a guy and a girl. And we want to live, in our way, by our own rules, in whatever time we’ve got. We will pack in some living before we go, trust me.

    She was the talented one, the one who had been training to be a star her whole life. Her best friend, Dana, was the level-headed one, always on the sidelines, cheering her best friend along. But everything changes when Dana tags along with Olivia to Orlando for the weekend, where superproducer Guy Monroe is holding auditions for a new singing group, and Dana is discovered too. Dana, who’s never sung more than Olivia’s backup. Dana, who wasn’t even looking for fame. Next thing she knows, she and Olivia are training to be pop stars, and Dana is falling for Alex, the earnest, endlessly talented boy who’s destined to be the next big thing. It should be a dream come true, but as the days of grueling practice and constant competition take their toll, things between Olivia and Dana start to shift . . . and there’s only room at the top for one girl. For Olivia, it’s her chance at her dream. For Dana, it’s a chance to escape a future that seems to be closing in on her. And for these lifelong best friends, it’s the adventure of a lifetime—if they can make it through. Set in evocative 1990s Orlando, New York Times bestselling author Katie Cotugno’s Fireworks brings to life the complexity of friendship, the excitement of first love, and the feeling of being on the verge of greatness.

    Featuring Sir Lucas of the Round Table(t). Astonishingly autobiographical. Remarkably personal. Profoundly irresponsible.Drawing from his teenage years, Todd Strasser's novel revisits a tumultuous era and takes readers on a psychedelically tinged trip of a lifetime.With his girlfriend, Robin, away in Canada, eighteen-year-old Lucas Baker's only plans for the summer are to mellow out with his friends, smoke weed, drop a tab or two, and head out in his microbus for a three-day happening called the Woodstock Music and Art Fair. But life veers dramatically off track when he suddenly finds himself in danger of being drafted and sent to fight in Vietnam. If that isn't heavy enough, there's also the free-loving (and undeniably alluring) Tinsley, who seems determined to test Lucas's resolve to stay faithful to Robin; a frighteningly bad trip at a Led Zeppelin concert; a run-in with an angry motorcycle gang; parents who appear headed for a divorce; and a friend on the front lines in 'Nam who's in mortal danger of not making it back. As the pressures grow, it's not long before Lucas finds himself knocked so far down, it's starting to look like up to him. When tuning in, turning on, and dropping out is no longer enough, what else is there?

    The first step? Get into a super-selective summer music camp. In order to qualify, Elsie must “expand her musical horizons” by joining her high school’s marching band. Not only does this mean wearing a plumed hat and polyester pants, but it also means she can’t play her own instrument, can’t sit down, and can’t seem to say the right thing to anyone…let alone Jake, the cute trumpet player she meets on the first day. Plus, everything she does seems to cause a disaster. Surviving marching band is going to be way harder than Elsie thought.   For fans of funny, realistic, every-girl novels like Wendy Mass’s 13 Gifts and Lisa Greenwald’s My Life in Pink & Green.

    So she does what any self-respecting hot mess of a girl who wants to SMASH junior year does...After Liv shows up to a Halloween party in khaki shorts--why, God, why?--she decides to set aside her wack AF ways. She makes a list--a F*ck-It list.1. Be bold--do the thing that scares me.2. Learn to take a compliment.3. Stand out instead of back.She kicks it off by trying out for the school musical, saying yes to a date and making new friends. Life is great when you stop punking yourself! However, with change comes a lot of missteps, and being bold means following her heart. So what happens when Liv's heart is interested in three different guys--and two of them are her best friends? What is she supposed to do when she gets dumped by a guy she's not even dating? How does one Smash It! after the humiliation of being friend-zoned?In Liv's own words, "F*ck it. What's the worst that can happen?"A lot, apparently.#SMASHIT