Grab these four small town, contemporary romances and a brand new Christmas extended epilogue in this box set from bestselling author Carrie Aarons.The Nash Brothers Box Set includes four standalones:FleetingForgivenFlutterFalterPLUS: A brand new, never-before-released Christmas extended epilogue featuring a chapter from each brother!More about the books inside:FLEETINGPresley McDaniel lives her life from moment to moment.Love and commitment are predictable.So why, the moment she lays eyes on him, are they all she wants?Keaton Nash has never questioned his steady path.Except for the first time ever, he wants to abandon stability.She makes him want to be reckless.FORGIVENIn a split-second, a car crash killed almost everything between them. Ten years later, can one accidental ride fix tattered spirits, uncertain futures, and broken hearts?Lily Grantham has always done what she’s been told.Bowen Nash never wanted the life he’s trapped in.They’ve been fighting fate for as long as it’s been chasing them. And now, time is up.FLUTTERHe can’t stand her, and best believe, the feeling is mutual.Her life is the complete opposite of what he desires.So, why can’t they keep their hands off each other?Forrest Nash is a smug know-it-all.Penelope Briggs is one bossy, obnoxious woman.What started as a convenient friends-with-benefits situation is quickly growing wings. Even if both parties are trying hard to ignore the flutter.FALTERRyan Shea has sworn off men.Fletcher Nash vowed not to fall in lust.They pledged not to love anyone until it was the real thing.So what happens when two people terrified of falling head-over-heels, actually do?

    See the books that made APJ Abdul Kalam

    As their wedding day grows near, Alfred finds himself embroiled in an urban nightmare not the least of which is his fiance's family, the possiblity of marriage without Faith, muggings, and a sniper's bullet.

    . . Everybody's got a weakness and Chandelle Hutchins' is a love of material possessions--a love that is causing serious trouble in her marriage. Chandelle's latest object of desire is an expensive new house. Her husband Marvin knows they can't afford it--and he also knows he can't talk Chandelle into giving it up. With their relationship crumbling under a mountain of debt, it may just be easier for Marvin to walk away. But with Chandelle's scheming cousin Dior in town, money may be the least of the couple's problems. . .Dior's weakness is her insatiable appetite for causing trouble--and her latest target is her cousin's marriage. When the time is right, Dior would like nothing more than to seduce Marvin on the rebound. But Dior is being trailed by her own troublemaker: a crazed female employer who refuses to release Dior from her twisted duties as nanny to her children and late night mistress to her kinky husband. Fortunately for everyone involved, the Lord works in mysterious ways. For despite a tangle of lies, manipulation, and mayhem, a series of unexpected events is about to bless everyone with a much needed second chance. . .

    Forced to abandon the life he has built, he embarks on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out.One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, this new adaptation by Poet Laureate Carol Ann Duffy was presented at the National Theatre, London, in April 2015.

    Hope and humanity confront cold reality in three intricately connected stories: Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.Helen Edmundson’s stage adaptation of Andrea Levy's novel traces the tangled history of Jamaica and the UK throughout the Second World War until 1948 – the year HMT Empire Windrush docked at Tilbury.

    R. Gurney has wittily captured the manners of upper-middle-class WASP America, but never as gracefully or with such dazzling economy as in Love Letters. Tracing the lifelong correspondence of the staid, dutiful lawyer Andrew Makepeace Ladd III and the lively, unstable artist Melissa Gardner, the story of their bittersweet relationship gradually unfolds from what is written--and what is left unsaid--in their letters. A smash hit both off and on Broadway, Love Letters captures Andy and Melissa with a precision of detail and depth of feeling that only Gurney can command. Two other, thematically related plays by Gurney, The Golden Age and What I Did Last Summer, are included, providing a trio of wry and affectionate paeans to love lost, found, and fleetingly glimpsed.

    Claire finally finds the courage to move on; then she discovers among the remnants of her shattered world her husband’s last manuscript. It’s intimate, stirring—and unfinished. An idea comes to her…What if she can find someone to give David’s novel the ending it deserves?Whitaker Grant is famous for his one and only bestselling novel—a masterpiece that became a hit film. But after being crippled by the pressure of success and his failed marriage, Whitaker retreated from the public eye in his native St. Petersburg, Florida. Years later, he’s struggling through a deep midlife crisis. Until he receives an intriguing request from a lonely widow. To honor David’s story, Whitaker must understand, heart and soul, the man who wrote it and the woman he left behind.There’s more to the novel than anyone dreamed. Something personal. Something true. Maybe, in bringing a chapter of David’s life to a close, Claire and Whitaker can find hope for a new beginning.

    Something else.'A remote cabin on the cliffs, a man and a woman, and a moonless night.The River is a bewitching new play from the writer of the international smash-hit Jerusalem. It premiered at the Royal Court Theatre, London, in October 2012, in a production directed by Ian Rickson.Jez Butterworth's first play Mojo opened at the Royal Court, winning five awards including the Evening Standard and Critics' Circle Awards for Most promising Playwright and the Olivier Award for Best Comedy. His most recent play Jerusalem also premiered at the Royal Court, before taking the West End and Broadway by storm.