Set in the steamy monsoon heat of Calcutta, it brings together three suffering characters. There is Anne-Marie Stretter, beautiful wife of the French ambassador, seeking the love of younger men as if desperate for a carefree youth she never had. One of those men who falls for her is the former Vice-Consul of Lahore, an awkward, solitary man prone to irrational, violent rages. And there is a mysterious Cambodian beggar woman whose presence in India intrigues the Europeans, just as the woman herself seems drawn to them. Excerpted from a review at Amazon.com

    As recounted in this haunting novel, the death of a young child of the Moolman tribe and the ensuing inquest transcend the conventions of the murder mystery, giving us a stark protrayal of a suicidally insular clan.

    Matigari is in search of his family to rebuild his home and start a new and peaceful future. But his search becomes a quest for truth and justice as he finds the people still dispossessed and the land he loves ruled by corruption, fear, and misery. Rumors spring up that a man with superhuman qualities has risen to renew the freedom struggle. The novel races toward its climax as Matigari realizes that words alone cannot defeat the enemy. He vows to use the force of arms to achieve his true liberation. Lyrical and hilarious in turn, Matigari is a memorable satire on the betrayal of human ideals and on the bitter experience of post-independence African society.

    'In this new work by the foremost Portuguese novelist, the reunion of five men on the tenth anniversary of their battalion's return from Mozambique, Portugal's Vietnam, ends in a fatal stabbing - which ultimately serves as an act of liberation for the corrupt city of Lisbon.' Newsday

    Mary and her mother live in a one-room tenement flat that is home to the rituals of their bitter love. By day her mother cleans the houses of the Dublin rich, while Mary makes observations as she walks through the city. The imaginitive richness of her insight makes the city come alive as a place that is both strange and wonderful, remote yet friendly. It is this sense of discovery and the bittersweet richness it brings with it that makes this such an unusual but compelling Dublin novel."--Dr. Patricia McManus, 1001 Books You Must Read Before You Die

    Lily Bloom is an angry, aging American transplanted to England, now losing her battle with cancer. Attended by nurses and her two daughters -- lumpy Charlotte, a dour, successful businesswoman, and beautiful Natasha, a junkie -- Lily takes us on a surreal, opinionated trip through the stages of a lifetime of lust and rage. From '40s career girl to '50s tippling adulteress to '70s PR flak, Lily has seen America and England through most of a century of riotous and unreal change. And then it's over. Lily catches a cab with her death guide, Aboriginal wizard Phar Lap Jones, and enters the shockingly banal world of the dead: the suburbs. She discovers smoking without consequences and gets another PR job, where none of her coworkers notices that she's not alive. She gets to know her roommates: Rude Boy, her terminally furious son who died in a car accident at age nine; Lithy, a fetus that died before she ever knew it existed; the Fats, huge formless shapes composed of all the weight she's ever gained or lost. How the Dead Live is Will Self's most remarkable and expansively human book, an important, disturbing vision of our time.

    . . tells the story of Pedro Archanjo, mestizo, self-taught ethnologist, apostle of miscegenation, laborer, cult priest, and bon vivant. . . . Amado’s joyous, exuberant, almost magical descriptions of festivals, puppet shows, African rituals, local legends, fascinating customs, strange and wonderful characters . . . result in a richness and warmth that are impossible to resist.

    His administration has been denounced by the liberal press in Sydney, but he scorns such criticism. How can it harm him when he had governed according to the rules?Flogged and brutalised, some convicts escape to the bush and take refuge with the Aborigines.Logan cannot continue to ignore the reaction to his harsh discipline after the arrival of his wife's younger sister, Frances. She cannot accept the brutality of chained and toiling men, punishment parades and the lash, and it is she who precipitates the crisis from which the final drama springs.

    Although known principally as a writer, he was closely associated with the tumultuous revolutionary period of his own country. Of all Gorky's novels, The Artamonov Business ('Decadence' in the USA edition) is the most impressive & dramatic. Here in concentrated form is the tragic failure of Russia's middle classes in the decades before the Revolution, seen in the small town microcosm of a family of textile manufacturers.

    Lovingly, poignantly, satirically and with much humor, Pym conducts us through their small lives and the facade they erect to defend themselves against the outside world. There is nevertheless an obstinate optimism in her characters, allowing them in their different ways to win through to a kind of hope. Barbara Pym’s sensitive wit and artistry are at their most sparkling in Quartet in Autumn.

    Castle Richmond was written between 4 August 1859 and 31 March 1860, and was published in three volumes on 10 May 1860. It was his tenth novel. Trollope signed the contract for the novel on 2 August 1859. He received �600, �200 more than the payment for his previous novel, The Bertrams, reflecting his growing popular successCastle Richmond is set in southwestern Ireland at beginning of the Irish famine. Castle Richmond is situated on the banks of the Blackwater River in County Cork. Trollope's work in Ireland from 1841 to 1859 had given him an extensive knowledge of the island, and Richard Mullen has written that "All the principal strands of his life were formed in Ireland

    Among the cast of DeLillo's bizarre yet fully realized characters in The Names are Kathryn, the narrator's estranged wife; their son, the six-year-old novelist; Owen, the scientist; and the neurotic narrator obsessed with his own neuroses. A thriller, a mystery, and still a moving examination of family, loss, and the amorphous and magical potential of language itself, The Names stands with any of DeLillo's more recent and highly acclaimed works. "The Names not only accurately reflects a portion of our contemporary world but, more importantly, an original world of its own is created."--Chicago Sun-Times"DeLillo sifts experience through simultaneous grids of science and poetry, analysis and clear sight, to make a high-wire prose that is voluptuously stark."--Village Voice Literary Supplement"DeLillo verbally examines every state of consciousness from eroticism to tourism, from the idea of America as conceived by the rest of the world, to the idea of the rest of the world as conceived by America, from mysticism to fanaticism."--New York Times

    If a novelist's first duty is to tell the truth, then the author has done his duty with unflinching courage. Intimacy gives us the thoughts and memories of a middle-aged writer on the night before he walks out on his wife and two young sons for of a younger woman. A very modern man, without political convictions or religious beliefs, he vaguely hopes to find fulfillment in sexual love. No one is spared Kureishi's cold, penetrating gaze or lacerating pen. "She thinks she's feminist, but she's just bad-tempered," the unnamed narrator says of his abandoned wife. A male friend advises him, "Marriage is a battle, a terrible journey, a season in hell, and a reason for living." At the heart of Intimacy is this terrible paradox: "You don't stop loving someone just because you hate them." Male readers will wince with recognition at the narrator's hatred of entrapment and domesticity, and his implacable urge towards freedom, escape, even loneliness. Female readers may find it a truly horrific revelation. Kureishi is only telling it like it is, in staccato sentences of pinpoint accuracy. By far the author's best yet: a brilliant, devastating work. --Christopher Hart, Amazon.co.uk

    A man of simple needs whose greatest ambition is to one day own his own rickshaw, Xiangzi is nonetheless thwarted, time and again, in his attempts to improve his lot in life.One of the most important and popular works of twentieth-century Chinese literature, Rickshaw Boy is an unflinchingly honest, darkly comic look at a life on the margins of society and a searing indictment of the philosophy of individualism.

    Intent upon his private dream he is unaware that he, his laboratory, and his accomplishments are pawns in a savage game of espionage and nuclear terror.