Aside from issue 1, all of these issues are permanently out of print! PLUS: 2 new pages and a new "cleaned up" look to issue 3. Foreword and scathing letters column by Dan Harmon. Idiot guide to the cast list and Jeff's samples. Scud's top ten influences. Fan mail. Fan art. Fan-tastic book.

    In his award-winning work on Y THE LAST MAN and EX MACHINA (one of Entertainment Weekly’s 2005 Ten Best Fiction titles), writer Brian K. Vaughan has displayed an understanding of both the cost of survival and the political nuances of the modern world. Now, in this provocative graphic novel, Vaughan examines life on the streets of war-torn Iraq. In the spring of 2003, a pride of lions escaped from the Baghdad zoo during an American bombing raid. Lost and confused, hungry but finally free, the four lions roamed the decimated streets of Baghdad in a desperate struggle for their lives. In documenting the plight of the lions, PRIDE OF BAGHDAD raises questions about the true meaning of liberation – can it be given or is it earned only through self-determination and sacrifice? And in the end, is it truly better to die free than to live life in captivity? Based on a true story, VAUGHAN and artist NIKO HENRICHON (Barnum!) have created a unique and heartbreaking window into the nature of life during wartime, illuminating this struggle as only the graphic novel can.

    And now join us, in a world where reality is dead…and anything is possible...

    Once you put on The Mask, you're a homicidal lunatic with a bad taste for bad jokes and seriously deranged violence. And nothing -- but nothing -- can kill you!When her boyfriend Stanley died, Kathy thought the weird mask had been lost forever. Now gangsters are dying like flies, victims of everything from comic-book bombs to crossbow shafts, and she knows that somehow it's back. Only Kathy can stop the rampage, but first she has to get around the gangwar erupting around her, the new Mask -- whoever he is -- and the worst bad-guy of all, Walter!

    As Dovie’s longtime love, Gabe Pearce, and her adoptive son, Elmer Brewer, return home, the family is overjoyed. The happiness of their reunion is cut short when the news that Dovie’s son-in-law, Evalyn’s husband, Robert, is missing in action. Even with Robert MIA, there is a ray of light when the Brewer’s long lost sister, Ellie arrives in their hometown, Knollwood, TX. With little information regarding her troubled past, Dovie takes Ellie home to Quail Crossings without hesitation, hoping to start the healing process for the young girl who now refuses to speak. As Ellie deals with a lifetime of abuse, Elmer adjusts to life off the battlefield, and Evalyn aches for her lost love. Dovie is quickly realizing that the Germans may have surrendered but the battle at home is just beginning.

    Holmes'' enemy - Professor James Moriarty - is a lost man. MI5 blackmails Moriarty into finding Holmes'' long-lost brother, Mycroft, but what at first appears to be a routine case leads to a web of intrigue that involves a psychic box and its creator, a woman from Moriarty''s past, and a new villain that threatens to be greater than Moriarty ever was

    There they discover a truth that neither expected, but both must come to accept. Previously published by D.C. Comics.

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    Given half a choice, he would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: “Choose a man. Let him come to me that we may fight. If he be able to kill me then we shall be your servants. But if I kill him, then you shall be our servants.” Day after day he reluctantly repeats his speech, and the isolation of this duty gives him the chance to banter with his shield-bearer and reflect on the beauty of his surroundings. This is the story of David and Goliath as seen from Goliath’s side of the Valley of Elah. Quiet moments in Goliath’s life as a soldier are accentuated by Tom Gauld’s drawing style, which contrasts minimalist scenery and near-geometric humans with densely crosshatched detail reminiscent of Edward Gorey. Goliath’s battle is simultaneously tragic and bleakly funny, as bureaucracy pervades even this most mythic of figures. Goliath displays a sensitive wit, a bold line, and a traditional narrative reworked, remade, and revolutionized.

    Marcus Lopez hates school. His grades suck. The jocks are hassling his friends. He can’t focus in class. But the jocks are the children of Joseph Stalin’s top assassin, the teachers are members of an ancient league of assassins, the class he's failing is “Dismemberment 101,” and his crush has a double-digit body count. Welcome to the most brutal high school on earth, where the world’s top crime families send the next generation of assassins to be trained. Murder is an art. Killing is a craft. At Kings Dominion School for the Deadly Arts, the dagger in your back isn’t always metaphorical. Collecting the first arc of the most critically acclaimed new series of 2014, by writer RICK REMENDER (BLACK SCIENCE, Fear Agent) and rising star artist WESLEY CRAIG (Batman). Experience the 1980s underground through the eyes of the world’s most damaged and dangerous teenagers.Collects DEADLY CLASS #1-6.

    Having finally acquired the sacred weapons and approval he needed from the three other kings of Tir-Nan-Og, Slaine ascends to the position of High King - to immediately face his greatest threat, an army of Drunes, Sea Demons and other foul creatures! But Slaine's mission is two-fold; as High King, he must also lead his people away from the darkness and mystery of their old religions, back to a oneness with nature... not that he won't be breaking a few heads along the way!

    Sock Monkey And The Other Toys Marvel At The Prismatic Spectrum On The Parlour Floor, Coming From The Glass Door Knob. Winter Turns To Spring, And The Apple Tree Sprouts New Leaves, Casting A Warm Green Shadow On The Door. The Door Knob Seems To Be Broken, Ending The Light Show, Until Mr Crow Plans To End The Door Knob With Scientific Techniques.

    The great city of Constantinople, last remnant of the once-mighty Roman Empire, falls to the Ottoman armies of Sultan Mehmed the Conqueror. An English knight named Sir John Page is taken prisoner by the Ottomans, and forced to entertain the Sultan with tales of the West. Page chooses to tell the story of his own long career as a soldier of fortune in France, Bohemia and the Italian city-states. Page’s tale begins in the year of Agincourt, Henry V’s famous victory over the French. As the bastard son of Thomas Page, a famous mercenary captain known as The Half-Hanged Man or The Wolf of Burgundy, Page soon acquires the nickname of The Wolf Cub. After slaying his cousin in a duel, Page flees his home and joins a band of outlaws in the forests of Sussex. At last - tired of the brutality of his companions - he decides to leave England and join the English army in Normandy. There he endures brutal sieges, vicious combats, torture, betrayal and imprisonment, all to win glory and redeem his father's name. Trapped in the Sultan’s prison, Page must hope his story is enough to save him from the executioner’s blade....at least for another three days...

    SKIN - An angry and violent book, a tragedy shot through with bitter humour. SKIN - is Martin Atchitson's story: some of his mates called him a spatic - most of them called him Martin 'Atchet. He was a SKIN SKIN - Banned before publication. Rejected by other publishers who thought it 'Too Disturbing'. SKIN - is the most important comic book you will read this year.

    Now, writer Morales pursues this idea and also draws inspiration from U.S. government experiments in the 1930s that left unwitting African-Americans infected with syphilis, leading to many deaths. Beginning his story in 1940, Morales incisively depicts the racism his various African-American characters confront both in civilian life and in the military. These black soldiers are compelled to act as test subjects for the super-soldier serum; some die, while others become deformed. Ultimately only one survives, Isaiah Bradley. Substituting for Captain America on a mission, Bradley discovers Jewish concentration camp inmates subjected to experiments. Ranging from heroic figures to pointed caricatures, artist Baker makes his varied styles gel. Drawing on copious research, Morales dramatizes how racism corrupted American history, yet verges close to asserting moral equivalency between America and Nazi Germany. Roosevelt was ultimately in charge of the super-soldier program: would he have approved these human experiments? Besides, how can one talk about "truth" regarding a fictional creation? Simon and Kirby devised a fable about an American everyman tapping his inner strength to combat genocidal fascism; Kirby helped pioneer positive depictions of blacks in comics. By adding Morales's backstory to Captain America's origin, Marvel has turned the character into a white superman who owes his powers to the deaths and exploitation of African-Americans.