Written in potent, raw prose that propelled the author to celebrity upon publication, the book has become almost completely forgotten.In the early 20th century, MacLane's name was synonymous with sexuality; she is widely hailed as being one of the earliest American feminist authors, and critics at the time praised her work for its daringly open and confessional style. In its first month of publication, the book sold 100,000 copies—a remarkable number for a debut author, and one that illustrates MacLane's broad appeal.Now, with a new foreword written by critic Jessa Crispin, I Await The Devil's Coming stands poised to renew its reputation as one of America's earliest and most powerful accounts of feminist thought and creativity.

    In doing so, England's reigning man of letters set in motion a series of events that would culminate in his ruin and imprisonment. For within a year the bewildered Wilde himself was on trial for acts of gross indecency and, implicitly--for a vision of art that outraged Victorian propriety. Expertly interweaving courtroom testimony with excerpts from Wilde's writings and the words of his contemporaries, Gross Indecency unveils its subject in all his genius and human frailty, his age in all its complacency and repression. The result is a play that will be read and studied for decades to come.

    The same family appears in Act Two 25 years older and back in London, only now it’s 1979. Cloud 9 is about relationships between women and men, men and men, women and women. It is about sex, work, mothers, Africa, power, children, grandmothers, politics, money, Queen Victoria, and Sex. Cloud 9 premiered in London at the Royal Court Theatre in 1979 and has since been staged all over the world.

    These essays explore and illuminate the roots of Lorde's intellectual development and her deep-seated and longstanding concerns about ways of increasing empowerment among minority women writers and the absolute necessity to explicate the concept of difference—difference according to sex, race, and economic status. The title Sister Outsider finds its source in her poetry collection The Black Unicorn (1978). These poems and the essays in Sister Outsider stress Lorde's oft-stated theme of continuity, particularly of the geographical and intellectual link between Dahomey, Africa, and her emerging self.

    At the time, Curie was in the throes of a scandal in France over her affair with Paul Langevin, which threatened to overshadow the accomplishment of her second Nobel Prize.Performed by Kate Mulgrew and Francesca Faridany, this play by Lauren Gunderson is an ode to two remarkable women who, despite tremendous personal and professional obstacles, continued to devote their lives to scientific innovation and social change.Playwright Lauren Gunderson was awarded a commission through the Audible Emerging Playwrights Fund, an initiative dedicated to developing innovative original plays driven by language and voice. As an Audible commissioned playwright, she received funding and creative support to develop The Half-Life of Marie Curie.Directed by Gaye Taylor UpchurchSound design by Darron L West

    Ellis and Vada have a friendship so consuming it’s hard to tell where one girl ends and the other begins. It’s intense. It’s a little codependent. And nothing can tear them apart.Until an accident on an icy winter road changes everything.Vada is left deeply scarred, both emotionally and physically. Her once-promising art career is cut short. And Ellis pulls away, unwilling to talk about that night. Everything Vada loved is gone.She’s got nothing left to lose.So when she meets some smooth-talking entrepreneurs who offer to set her up as a cam girl, she can’t say no. All Vada has to do is spend a couple hours each night stripping on webcam, and the “tips” come pouring in.It’s just a kinky escape from reality until a client gets serious. “Blue” is mysterious, alluring, and more interested in Vada’s life than her body. Online, they chat intimately. Blue helps her heal. And he pays well, but he wants her all to himself. No more cam shows. It’s an easy decision: she’s starting to fall for him. But the steamier it gets, the more she craves the real man behind the keyboard. So Vada pops the question:Can we meet IRL?Blue agrees, on one condition. A condition that brings back a ghost from her past. Now Vada must confront the devastating secrets she's been running from—those of others, and those she's been keeping from herself...

    Many of these works, long out of print or forgotten in what Miriam Schneir describes as a male-dominated literary tradition, are finally brought out of obscurity and into the light of contemporary analysis and criticism. Included are more than forty selections, coveting 150 years of writings on women's struggle for freedom -- from the American Revolution to the first decades of the twentieth century.This updated, wide-ranging collection encompasses the crucial issues of women's oppression. A surprising degree of continuity between the ideas of the old and the new feminism is evident throughout. In her selection, Miriam Schneir has by passed writings that deal exclusively with the outdated topic of suffrage in an effort to focus attention on the still unsolved feminist problems: marriage as an instrument of oppression; woman's desire to control her own body; the economic independence of women; the search for selfhood.This richly diverse collection contains excerpts from books, essays, speeches, documents, letters, as well as poetry, drama, and fiction. Extensive commentaries by the editor help the reader see the historical context of each selection.

    A masterful poet of the downtrodden, his plays portray life on New York's hardscrabble streets in a manner both tender and unflinching, while continually exploring the often startling gulf between who we are and how we perceive ourselves. Gathered in this volume is his current off-Broadway hit, Our Lady of 121st Street, a comic portrait of the graduates of a Harlem Catholic school reunited at the funeral of a beloved teacher, along with his two previous plays: the philosophical jailhouse drama Jesus Hopped the A Train and In Arabia, We'd All Be Kings, an Iceman Cometh for the Giuliani era that looks at the effect of Times Square's gentrification on its less desirable inhabitants.

    Banks learns that one of the young men he has seen occasionally about the house is about to become his son-in-law. Daughter Kay announces the engagement out of nowhere. Mrs. Banks and her sons are happy, but Mr. Banks is in a dither. The groom-to-be, Buckley Dunstan, appears on the scene and Mr. Banks realizes that the engagement is serious. Buckley and Kay don't want a "big" wedding just a simple affair with a few friends! We soon learn, however, that the "few" friends idea is out. Then trouble really begins. The guest list grows larger each day, a caterer is called in, florists, furniture movers and dressmakers take over, and the Banks household is soon caught in turmoil.

    Jeanne Duval, the ginger-colored entertainer, struggles with her lover poet Charles Baudelaire...Mer, plantation slave and doctor, both hungers for and dreads liberation...and Thais, a dark-skinned beauty from Alexandria, is impelled to seek a glorious revelation-as Ezili, a being born of hope, unites them all. Interweaving acts of brutality with passionate unions of spirit and flesh, this is a narrative that shocks, entertains, and dazzles-from an award-winning writer who dares to redefine the art of storytelling.A Nebula Award nominee -- A Locus Magazine recommended book

    A breathtakingly beautiful collection of contemporary poetry and prose, offering powerful insights into love, heartbreak, relationships, and self-empowerment. Filled with wisdom and encouragement, every single page is a testament to the power of words, and the impact they can have on the relationships you build with others. And most importantly, the one you have with yourself.Lang Leav captures the intricacies of emotions like few others can. It's no wonder she has been recognized as a major influencer of the modern poetry movement and her writing has inspired a whole new generation of poets to pick up a pen.Love Looks Pretty on You is truly the must-have book for poetry lovers all over the world.

    A graphic and uncompromising autobiographical bender, the story of Tea's years as a prostitute, with provocative illustrations by Laurenn McCubbin.

    . .Connie lost her words at the age of five, the day she witnessed her mother and father's untimely death.Since then she has been all but mute, only being able to choke out a few select words. Now, years on, Connie's husband is on his deathbed and all she can do is quietly sit by his side.But there are so many dreadful secrets locked up in Connie's silent prison. And time is running out to set them free . . .

    It is an exploration of intimacy, identity, and the courage it takes to be who you really are.

    The government uses terror and technology to control its people, and women must take multiple husbands to have children as quickly as possible.Yet there are women who resist, women who live in an underground collective and refuse to be part of the system. Secretly protected by the highest echelons of power, they emerge only at night, to provide to the rich and elite of Green City a type of commodity that nobody can buy: intimacy without sex. As it turns out, not even the most influential men can shield them from discovery and the dangers of ruthless punishment.This dystopian novel from one of Pakistan’s most talented writers is a modern-day parable, The Handmaid’s Tale about women’s lives in repressive Muslim countries everywhere. It takes the patriarchal practices of female seclusion and veiling, gender selection, and control over women’s bodies, amplifies and distorts them in a truly terrifying way to imagine a world of post-religious authoritarianism.