During a season of unprecedented success on the football field, he becomes increasingly obsessed with the threat of nuclear war. Both frightened and fascinated by the prospect, he listens to his team-mates discussing match tactics in much the same terms as military generals might contemplate global conflict. Offering a timely and topical look at human beings' obsession with conflict and confrontation, "End Zone" is a clever, playful and, above all, funny novel, which confirms DeLillo's status as one of the great American writers of the twentieth and twenty-first centuries, and reaffirms the unerring incisive accuracy of his portrayal of the modern world.

    A daughter disappears in the middle of the night. What happens in the aftermath of this tragedy—after the search is abandoned, after the TV crews move on to cover the latest horrific incident—is the story of Coyote. There is a marriage and a detective. There is a storm, a talk show host, and a roasted boar. People are murdered and things are hidden. Coyotes skulk in the woods, a man stands by the fence, and a tale emerges within this familiar landscape of the violent unknown."Like a modern-day Poe, [Winnette] has fashioned a narrator whose pull on the reader’s sympathy gradually fades as she recounts the aftermath of her daughter’s mysterious disappearance….Winnette’s deeply affecting story is hard to put down and even harder to forget.” —Publishers Weekly (starred review)"Coyote has a strong and inviting voice and that voice wraps around a dark story, a contemporary story, and one that has its own velocity and fragmentation built in. I found myself swept along in it and impacted by its delicate/bleak movement.”—Aimee Bender, author of The Particular Sadness of Lemon Cake, The Girl in the Flammable Skirt, and Willful Creatures"While there’s a contemporary urgency to Winnette’s novel, it’s the small details (and how they’re revealed) that give this story its considerable sting."—Kirkus Reviews

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    He's smart and handsome, yet haunted by memories that plague his sleep and send him flying for cover at sudden noises. Kathy Woodbridge is a white student in one of Richard's classes. She's pretty, idealistic, and drawn irresistibly to Richard's combination of charm and aliveness. It leads her into a relationship different from any she had expected -- and to a tragedy greater than any she can face. Lacey Greer is a secretary in San Pedro, California. When Kathy shows up at her office and is hired with no record of her past, Lacey wonders what Kathy could be running from. She's determined to find out, and to help if she can. Set in the early seventies, "Pacific Avenue" explores themes of love, belonging, helpfulness, hope, forgiveness, reconciliation, interracial marriage, and healing from the trauma of war.  ///////////////////////////////////////////////// Anne L. Watson, a retired historic preservation architecture consultant, is the author of numerous novels, plus books on such diverse subjects as soapmaking and baking with cookie molds. Anne has lived at various times in New Orleans, Baton Rouge, and San Pedro, California, the settings of "Pacific Avenue." She currently lives in Friday Harbor, Washington, in the San Juan Islands, with her husband and fellow author, Aaron Shepard. ///////////////////////////////////////////////// SAMPLE I chose a window seat on the Greyhound, but I didn't look out. For almost the whole trip, I stared at the rough tan upholstery of the seat in front of me. It had a rip on one side and three dark stains.  A woman settled into the aisle seat. She raised her footrest, but it clunked back down. When I glanced her way, she caught my eye and smiled."How do you make these things stay put?" she asked. I meant to answer -- the words were lined up in my mind. But before I could say them, they slipped apart like beads when the string breaks. I gave up and studied the seat cover again. Still tan, still ripped, still stained. The next time I looked, the woman was gone. Evening came, but I didn't use my reading light. Late at night, awake in the breathing dark, I imagined running my fingers over the seat back, erasing the stains, mending the seam. In the morning, I almost believed I could fix it. So, I took care not to touch it, not to find out for sure. In the afternoon, the bus left the freeway and crept through downtown traffic. I turned then, and peered through the mud-spattered window. As far as I could see, Los Angeles was a city of warehouses. I sank back into my seat. When we reached the station, I claimed my suitcase and dragged it through the waiting room to the street. Outside I found blank walls and empty sidewalks. No direction and no one to ask.  Well, I ran away from college, then from New Orleans, and then Baton Rouge. Is it too soon to run away from here?

     Hayley Martin and Fiona Chambers have been best friends since they were ten. From the moment that beautiful Fiona stood up to the school bullies for Hayley, the misfit, the two have been inseparable. Twenty years on, they still share everything, and even run their own business together. Until a dark secret threatens to test their loyalty to breaking point… What would you do if you discovered that your best friend could be your worst enemy? Cover design by Kristen Radtke.

    This is the hotly anticipated followup to Hyde's critically acclaimed novel FUNERALS FOR HORSES.

    In the years since, he’s written a third collection, The Night in Question, as well as a pair of genre-defining memoirs (This Boy’s Life and In Pharaoh’s Army), the novella The Barracks Thief, and, most recently, a novel, Old School.Now he returns with fresh revelations—about biding one’s time, or experiencing first love, or burying one’s mother—that come to a variety of characters in circumstances at once everyday and extraordinary: a retired Marine enrolled in college while her son trains for Iraq, a lawyer taking a difficult deposition, an American in Rome indulging the Gypsy who’s picked his pocket. In these stories, as with his earlier, much-anthologized work, he once again proves himself, according to the Los Angeles Times, “a writer of the highest order: part storyteller, part philosopher, someone deeply engaged in asking hard questions that take a lifetime to resolve.”

    In “Long Distance,” a man finds himself relieved of the obligation to continue an affair that is no longer compelling to him, only to be waylaid by the guilt he feels at his easy escape. And in the incandescently wise and moving title novella, a dentist, aware that his wife has fallen in love with someone else, must comfort her when she is spurned, while maintaining the secret of his own complicated sorrow. Beautifully written, with a wry intelligence and a lively comic touch, The Age of Grief captures moments of great intimacy with grace, clarity, and indelible emotional power.

    From the author of Wild at Heart, a “wild, wacky, funny, well-written, and surreal” novel (Kansas City Star) about a woman struggling to make her way in “a New Orleans so feverishly peculiar that Anne Rice would feel at ease there” (Washington Post).

    Narayan's own publishing house, Indian Thought Publications; well told and humorous tales of the fictional small South Indian town of Malgudi.