It is narrated from the perspectives of multiple characters, a technique used to create suspense in many of the "sensation novels" pioneered by Wilkie Collins and others in the 1860s, as well as in many late nineteenth-century novels such as Dracula.Richard Marsh was the pseudonym of the British author, Richard Bernard Heldmann.

    When newlywed begins to fill her days with fashion and frivolity, her husband has to wonder whether she really did marry him for his money, as his family so helpfully suggests. He thought they were marrying for love, but as the bills and extravagant debts begin to mount up, Giles begins to suspect that perhaps his adored wife isn't as innocent as he supposed. Especially since, as of late, she's been unable to look him in the eye...Impetuous Lady Helen Cardross had collected quite a basket of little white lies in her efforts to help those less fortunate than herself. There were, for example; her own dashing, debt-ridden brother, and her husband's love-sick, youthful sister. But to her adored (and adoring) lord and master, there could be no dissembling of integrity, honor, or truth. One faced up to grim reality -- unless one were Lady Helen.When his family's priceless jewels disappear, Lord Cardross is aghast at the idea that his lovely new wife might be the culprit, but he soon discovers the truth about Lady Nell's situation. And between his concern over his wife's spending sprees, rescuing her impulsive brother from one scrape after another, and attempting to prevent his own half--it's no wonder the much-tried earl can't see where he's gone wrong. And now owing a shocking amount of money, Nell doesn't dare tell him the truth--that she's loved him from the first, and thought he'd married her for convenience.

    This early novel explores the cavernous landscapes and labyrinthine passages of Sicily's castles and convents to reveal the shameful secrets of its all-powerful aristocracy.

    In the Daily Mail Angela Huth called "Good Evening, Mrs Craven" 'my especial find' and Ruth Gorb in the "Ham & High" contrasted the humour of some of the stories with the desolation of others: 'The mistress, unlike the wife, has to worry and mourn in secret for her man; a middle-aged spinster finds herself alone again when the camaraderie of the air-raids is over ...'

    John Galsworthy, a Nobel Prize-winning author, chronicles the ebbing social power of the commercial upper-middle-class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s.

    Rider Haggard's King Solomon's Mines has entertained generations of readers since its first publication in 1885. Following a mysterious map of dubious reliability, a small group of men trek into southern Africa in search of a lost friend-and a lost treasure, the fabled mines of King Solomon. Led by the English adventurer and fortune hunter Allan Quartermain, they discover a frozen corpse, survive untold dangers in remote mountains and deserts, and encounter the merciless King Twala en route to the legendary hoard of diamonds.

    In the winter of 1859, Anna Palmer becomes its newest patient. To Anna’s dismay, her new husband has declared her in need of treatment and brought her to this shabby asylum. Confused and angry, Anna is determined to prove her sanity, but with her husband and doctors unwilling to listen, her freedom will notbe easily won. As the weeks pass, she finds other allies: a visiting physician who believes the new medium of photography may reveal the state of a patient’s mind; a longtime patient named Talitha Batt, who seems, to Anna’s surprise, to be as sane as she is; and the proprietor’s bookish daughter, who also yearns to escape. Yet the longer Anna remains at Lake House, the more she realizes that—like the ethereal bridge over the asylum’s lake—nothing and no one is quite as it appears. Not her fellow patients, her husband, her family—not even herself. Locked alone in her room, driven by the treatments of the time into the recesses of her own mind, she may discover the answers and the freedom she seeks . . . or how thin the line between madness and sanity truly is. Wendy Wallace’s taut, elegantly crafted first novel, The Painted Bridge is a story of family betrayals and illicit power; it is also a compelling portrait of the startling history of the psychiatric field and the treatment of women— in society and in these institutions. Wallace sets these ideas and her characters on the page beautifully, telling a riveting story that is surprising and deeply moving.

    She provides comfort for the grieving, advises them on funeral fashion and etiquette, and arranges funerals.Unbeknownst to his wife, Graham, who has nursed a hatred of America since his grandfather soldiered for Great Britain in the War of 1812, becomes involved in a scheme to sell arms to the South. Meanwhile, Violet receives the commission of a lifetime: undertaking the funeral for a friend of Queen Victoria and Prince Albert. But her position remains precarious, especially when Graham disappears and she begins investigating a series of deaths among the poor. And the closer she gets to the truth, the greater the danger for them both…

    But to succeed, she’ll need to wrangle kilt-wearing villagers, dangerous sheep, a disaster of a dog, and the reclusive laird who refuses to open his property to the public for the ancient tradition of “Sighting.”For centuries, Loch Fàil in Balwhither has been known to locals as a "thin" place, one where the veil between worlds peels back on Beltane morning to show the face of a person's one true love. The tradition could draw tourists by the busload, but that’s exactly what Connal MacGregor fears will reveal the two secrets he's been desperately keeping hidden.While Anna struggles to mediate between the needs of the village and Connal’s need to protect his identity and his child, Anna finds herself falling in love with all of them: Connal and his daughter, the magical glen, the villagers. But day by day, opening herself to love exposes deep scars from Anna’s childhood, and confronting those wounds could finally set her free--or endanger her every chance of happiness.

    He imagines us capable of disinterested curiosity in the behaviour of our kind.' In this, the most dazzlingly intellectual of all his novels, Meredith tries to illuminate the pretensions of the most powerful class within the very citadel of security which its members have built. He develops to their logical extremity his ideas on egoism, on sentimentality and on the power of comedy. Meredith saw egoism as the great enemy of truth, feeling and progress, and comedy as the great dissolver of artifice. The Egoist is the extreme expression of his recurrent theme: the defeat of egoism by the power of comedy.

    Lawrence's frank portrayal of an extramarital affair and the explicit sexual explorations of its central characters caused this controversial book, now considered a masterpiece, to be banned as pornography until 1960.

    The manner is what Goethe called 'a cultured comic language'-a genre which he regarded as not possible in Geman and which he felt Byron managed superbly.

    They find each other—and the castle of their dreams—through a classified ad in a London newspaper one rainy February afternoon. The ladies expect a pleasant holiday, but they don’t anticipate that the month they spend in Portofino will reintroduce them to their true natures and reacquaint them with joy. Now, if the same transformation can be worked on their husbands and lovers, the enchantment will be complete.The Enchanted April was a best-seller in both England and the United States, where it was a Book-of-the-Month Club selection, and set off a craze for tourism to Portofino. More recently, the novel has been the inspiration for a major film and a Broadway play.

    Set in Shropshire in the 1800s, it is alive with the many moods of Nature, benevolent and violent and the many moods -- equally benevolent and violent -- of the people making lives there. Prue Sarn is an unlikely heroine, born with a facial disfiguration which the Fates have dictated will deny her love. But Prue has strength far beyond her handicap, and this woman, suspected of witchcraft by her fellow townspeople, rises above them all through an all-encompassing sweetness of spirit. Precious Bane is also the story of Gideon, Prue's doomed brother, equally strong-willed, but with other motives. Determined to defeat the poverty of their farm, he devotes all his energies to making money. His only diversion from this ambition, he abandons her for the stronger drive of his money lust. And finally, it is the story of Kester Woodseaves, whose steady love for all created things leads him to resist people's cruelty toward nature and each other, and whose love for Prue Sarn enables him to discern her natural loveliness beneath her blighted appearance. Rebecca West, a contemporary of Mary Webb, called her, simply, "a genius," and G. K. Chesterton, another contemporary, asserted: "the light in the stories . . . is a light not shining on the things but through them." Critic Hilda Addison summed up Precious Bane: "The book opens with one of those simple sentences which haunt the mind until the curiosity has been satisfied . . . It strikes a note which never fails throughout; it opens with a beauty which is justified to the last sentence." When the book was first published in 1926 in America, the New York Times Book Review predicted: " on some bookshelves, we feel sure, Precious Bane will find almost a hallowed place."

    George traces his mysterious traveling companion to Belpher Castle, home of Lord Marshmoreton, where things become severely muddled. Maud’s aunt, Lady Caroline Byng, wants Maud to marry Reggie, her stepson. Maud, meanwhile, is known to be in love with an unknown American she met in Wales. So when George turns up speaking American, a nasty case of mistaken identity breaks out. In fact, the scene is set for the perfect Wodehouse comedy of errors.