Now celebrating its fiftieth anniversary, Lafcadio is being reissued with a full-color cover featuring vintage art from Shel Silverstein discovered in the archives.Lafcadio, the Lion Who Shot Back is the book that started Shel Silverstein's incomparable career as a bestselling children's book author and illustrator. He is also the creator of picture books such as A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, The Missing Piece, The Missing Piece Meets the Big O, and the perennial favorite The Giving Tree and of classic poetry collections such as Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, Don't Bump the Glump!, and Runny Babbit.And don't miss Runny Babbit Returns, the new bookk from Shel Silverstein!

    Despite a difficult start, Pollyanna's exuberance and positivity affect everyone who meets her, and she spreads joy and love wherever she goes. But when tragedy strikes, Pollyanna finds her optimistic attitude tested, and she must learn to find happiness again.A heartwarming tale that has become one of the most loved children's stories of all time, Eleanor H. Porter's 1913 best-seller—the first in a long series of Pollyanna novels by the author and other writers—is a beautiful story with a powerful moral message.

    Everyone, that is, except Jane Doe, the most average ten-year-old who ever lived. But everything changes when the mischievous, downright criminal Grimlet twins enroll in Jane’s school and a strange pirate captain appears in town.Thus begins a series of adventures that put some of Remarkable’s most infamous inhabitants and their long-held secrets in danger. It’s up to Jane, in her own modest style, to come to the rescue and prove that she is capable of some rather exceptional things.With a page-turning mystery and larger-than-life cast of characters, Lizzie K. Foley’s debut is nothing short of remarkable.

    Joey's parents love rescuing things and making them beautiful – their house is full of things made from driftwood, old glass and shells from the beach. Which is why the scraggy kittens the girls find in a bin at school end up living there. And when Paul moves in as Joey's foster brother, everyone thinks that maybe he needs rescuing too. But nobody knows quite how badly. At first, it's great – Hannah's brother befriends Paul, and the four of them hang out together. But then things start to go wrong. Paul is being bullied. Subtly at first – but quickly it gets dangerous. People aren't like driftwood or abandoned kittens and Hannah doesn't know how to rescue him. Paul doesn't want to be rescued – but with help, he can find a way to save himself.

    When she shares her secrets, strange things start happening in their old house. They suspect Amanda until they learn the house was long ago haunted by a ghost that cut off the head of a wooden cupid on the stairway. A Newbery Honor Book.

    Maybe it’s true. But what is he now? A terrifying monster running wild in the sewers? The Daily Scourge is sure of it. A victim of “Rodent Delusion”? The hospital nurse says yes. A lucrative fairground freak? He is to Mr. Tapscrew. A champion wriggler and a budding thief? That’s what Billy thinks. Or just an ordinary small boy, though a little ratty in his habits? Only three people believe this version of the story. And it may take a royal intervention—and a bit of magic—to convince the rest of the world.Set against the backdrop of a Royal Wedding—and a playful parody of the press, I Was a Rat! is a magical weaving of humor, fairy tale, and adventure.

    When Heidi goes to Frankfurt to work in a wealthy household, she dreams of returning to the mountains and meadows, her friend Peter, and her beloved grandfather.

    As they start the summer before seventh grade (also before they start the BSC), each of them is on the cusp of a big change.

    Now the kids want to tell their story but the faeries will do everything they can to stop them.

    True, there were no other recorded female survivors from the shipwreck which left baby Sophie floating in the English Channel in a cello case, but Sophie remembers seeing her mother wave for help. Her guardian tells her it is almost impossible that her mother is still alive, but that means still possible. You should never ignore a possible. So when the Welfare Agency writes to her guardian threatening to send Sophie to an orphanage, she takes matters into her own hands and flees to Paris to look for her mother, starting with the only clue she has - the address of the cello maker. Evading the French authorities, she meets Matteo and his network of rooftoppers - urchins who live in the sky. Together they scour the city for Sophie's mother before she is caught and sent back to London, and most importantly before she loses hope.

    It's been there for an age. I keep on saying that I'll write a journal. So I'll start right here, right now. I open the book and write the very first words: My name is Mina and I love the night. Then what shall I write? I can't just write that this happened then this happened then this happened to boring infinitum. I'll let my journal grow just like the mind does, just like a tree or a beast does, just like life does. Why should a book tell a tale in a dull straight line?And so Mina writes and writes in her journal, and through her stories and poems there grows an opus of her life - her lessons, her loves, her beliefs, her mum, her dad, her thoughts and her dreams.In this stunningly designed book, David Almond revisits Mina before she has met Michael, before she has met Skellig, in what is a thought-provoking and extraordinary prequel to his best-selling debut novel, Skellig. From the winner of the Whitbread Children's Book Award the Carnegie Medal and the 2010 Hans Christian Andersen Award comes the extraordinary prequel to the award-winning Skellig.

    He can't pay attention, he can't follow the rules, and he can't help it -- especially when his meds aren't working. Joey's had problems ever since he was born, problems just like his dad and grandma have. And whether he's wreaking havoc on a class trip or swallowing his house key, Joey's problems are getting worse. In fact, his behavior is so off the wall that his teachers are threatening to send him to the special-ed center downtown.Joey knows he's really a good kid, but no matter how hard he tries to do the right thing, something always seems to go wrong. Will he ever get anything right?

    When they learn that their grandmother's quiet Vermont inn, where they re spending the summer, has a history of ghost sightings, they decide to do a little haunting of their own. Before long, their supernatural pranks have tourists flocking to the inn, and business booms. But Travis and Corey soon find out that they aren't the only ghosts at Fox Hill Inn. Their thoughtless games have awakened something dangerous, something that should have stayed asleep. Restless, spiteful spirits swarm the inn, while a dark and terrifying presence stalks the halls and the old oak grove on the inn s grounds. Only Travis and Corey can lay to rest the ghosts they've stirred. This means discovering the secret of Fox Hill and the horrors visited on its inhabitants years before... Once again, Mary Downing Hahn has created a chilling and gripping ghost story in the tradition of The Old Willis Place, Witch Catcher, and Deep and Dark and Dangerous.

    Nearly seven hundred years later, he is acknowledged as the greatest Alchemyst of his day. It is said that he discovered the secret of eternal life. The records show that he died in 1418. But his tomb is empty and Nicholas Flamel lives. The secret of eternal life is hidden within the book he protects—the Book of Abraham the Mage. It's the most powerful book that has ever existed. In the wrong hands, it will destroy the world. And that's exactly what Dr. John Dee plans to do when he steals it. Humankind won't know what's happening until it's too late. And if the prophecy is right, Sophie and Josh Newman are the only ones with the power to save the world as we know it. Sometimes legends are true. And Sophie and Josh Newman are about to find themselves in the middle of the greatest legend of all time.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.