From one of Australia's most loved novelists. He felt like a pirate landing on an island of little maimed animals. A great wave had swept them up and dumped them here. All of them, like him, stranded, wanting to go home. It is 1954 and thirteen-year-old Frank Gold, refugee from wartime Hungary, is learning to walk again after contracting polio in Australia. At the Golden Age Children's Polio Convalescent Hospital in Perth, he sees Elsa, a fellow-patient, and they form a forbidden, passionate bond. The Golden Age becomes the little world that reflects the larger one, where everything occurs, love and desire, music, death, and poetry. Where children must learn that they are alone, even within their families. Written in Joan London's customary clear-eyed prose, The Golden Age evokes a time past and a yearning for deep connection. It is a rare and precious gem of a book from one of Australia's finest novelists.

    She is taken in by her estranged grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. But Alice also learns that there are secrets within secrets about her past. Under the watchful eye of June and The Flowers, women who run the farm, Alice grows up. But an unexpected betrayal sends her reeling, and she flees to the dramatically beautiful central Australian desert. Alice thinks she has found solace, until she falls in love with Dylan, a charismatic and ultimately dangerous man.The Lost Flowers of Alice Hart is a story about stories: those we inherit, those we select to define us, and those we decide to hide. It is a novel about the secrets we keep and how they haunt us, and the stories we tell ourselves in order to survive. Spanning twenty years, set between the lush sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, Alice must go on a journey to discover that the most powerful story she will ever possess is her own.

    As daughters of the lighthouse keepers, the two girls share everything, until a fisherman, McPhail, arrives in their small community. When Kate witnesses the desire that flares between him and Harriet, she is torn by her feelings of envy and longing. But one moment in McPhail’s hut will change the course of their lives forever. Inspired by a true story, Skylarking is a stunning debut novel about friendship, love and loss, one that questions what it is to remember and how tempting it can be to forget.‘Kate Mildenhall’s impressive debut novel takes an historical case and re-imagines it with such sensitivity and insight that we feel this must be how it truly happened.’ —Emily Bitto

    Pendle Hill, Lancashire.A mysterious gathering of thirteen people is interrupted by local magistrate, Roger Nowell. Is this a witches' Sabbat?Two notorious Lancashire witches are already in Lancaster Castle waiting trial. Why is the beautiful and wealthy Alice Nutter defending them? And why is she among the group of thirteen on Pendle Hill?Elsewhere, a starved, abused child lurks. And a Jesuit priest and former Gunpowder plotter, recently returned from France, is widely rumoured to be heading for Lancashire. But who will offer him sanctuary? And how quickly can he be caught?This is the reign of James I, a Protestant King with an obsession: to rid his realm of twin evils, witchcraft and Catholicism, at any price...

    On the second floor of the famous F.G. Goode department store, in Ladies' Cocktail Frocks, the women in black are girding themselves for the Christmas rush. Lisa is the new Sales Assistant (Temporary). Across the floor and beyond the arch, she is about to meet the glamorous Continental refugee, Magda, guardian of the rose-pink cave of Model Gowns.With the lightest touch and the most tender of comic instincts, Madeleine St. John conjures a vanished summer of innocence. The Women in Black is a classic.

    Except his agency is a front for the CIA. It’s 1959 and the cold war is going strong. But Will doesn’t think he’s a warrior—he’s just a good-hearted Detroit ad guy who can’t seem to figure out Parisian girls.Zoya is a beautiful young woman wandering les boulevards, sad-eyed, coming off a bad breakup. In fact, she impaled her ex on a spike. Zoya, it turns out, has been a beautiful young woman for hundreds of years; she and her far more traditionally witchy-looking companion, Elga, have been thriving unnoticed in the bloody froth of Europe’s wars.Inspector Vidot is a hardworking Paris police detective who cherishes quiet nights at home. But when he follows a lead from a grisly murder to the abode of an ugly old woman, he finds himself turned into a flea.Oliver is a patrician, fun-loving American who has come to Paris to start a literary journal with the help of friends in D.C. who ask a few favors in return. He’s in well over his head, but it’s nothing that a cocktail can’t fix. Right?Add a few chance encounters, a chorus of some more angry witches, a strung-out jazzman or two, a weaponized LSD program, and a cache of rifles buried in the Bois de Bologne—and that’s a novel! But while Toby Barlow’s Babayaga may start as just a joyful romp through the City of Light, it quickly grows into a daring, moving exploration of love, mortality, and responsibility.

    Her London colleagues find her distant and mysterious; her cool beauty the topic of conversations around its quiet halls. No one could imagine that she is a desperately damaged woman, hiding her trauma behind her chic, French image.It is only when some dramatic Byzantine pearls are loaned to the Museum that Severine’s poise is dashed and the tightly controlled life she’s built around herself is shattered. Her shocking revelation of their provenance sets off a frenzied hunt for Nazi Ruda Mayek. Mossad’s interest is triggered and one of its most skilled agents comes out of retirement to join the hunt, while the one person who can help her – the solicitor handling the Pearls – is bound by client confidentiality. As Severine follows Mayek’s trail, there is still one lifelong secret for her to reveal – and one for her to discover. From the snowy woodlands outside Prague to the Tuilieries of Paris and the heather-covered moors of Yorkshire comes a confronting and heart-stopping novel that explores whether love and hope can ever overpower atrocity in a time of war and hate.

    His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind.August Gondiwindi has been living on the other side of the world for ten years when she learns of her grandfather’s death. She returns home for his burial, wracked with grief and burdened with all she tried to leave behind. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save their land – a quest that leads her to the voice of her grandfather and into the past, the stories of her people, the secrets of the river.Profoundly moving and exquisitely written, Tara June Winch’s The Yield is the story of a people and a culture dispossessed. But it is as much a celebration of what was and what endures, and a powerful reclaiming of Indigenous language, storytelling and identity.

    But back on firm ground, their vastly different social strata become clear. Cait is a widow who because of her precarious financial situation is forced to chaperone two wealthy Scottish charges. Émile is expected to take on the bourgeois stability of his family's business and choose a suitable wife. As the Eiffel Tower rises, a marvel of steel and air and light, the subject of extreme controversy and a symbol of the future, Cait and Émile must decide what their love is worth. Seamlessly weaving historical detail and vivid invention, Beatrice Colin evokes the revolutionary time in which Cait and Émile live - one of corsets and secret trysts, duels and Bohemian independence, strict tradition and Impressionist experimentation. To Capture What We Cannot Keep, stylish, provocative, and shimmering, raises probing questions about a woman's place in that world, the overarching reach of class distinctions, and the sacrifices love requires of us all.

    This is the story of the girl who stole it.Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape the world and our experience of it.

    Some call her a witch. Others call her an angel. Even Mouse doesn’t know who—or what—she is. But she means to find out.When young King Ottakar shows up at the Abbey wounded by a traitor's arrow, Mouse breaks church law to save him and then agrees to accompany him back to Prague as his personal healer. Caught in the undertow of court politics at the castle, Ottakar and Mouse find themselves drawn to each other as they work to uncover the threat against him and to unravel the mystery of her past. But when Mouse's unusual gifts give rise to a violence and strength that surprise everyone—especially herself—she is forced to ask herself: Will she be prepared for the future that awaits her?A heart-thumping, highly original tale in the vein of Elizabeth Kostova's The Historian, Bohemian Gospel heralds the arrival of a fresh new voice for historical fiction.

    The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of, a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.The letters provide links to one of the darkest powers that humanity has ever known and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself--to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive. What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign and about a time-defying pact that may have kept his awful work alive down through the ages.

    Xanthe has always had an affinity with some of the antiques she finds. When she touches them, she can sense something of the past they come from and the stories they hold. So when she has an intense connection to a beautiful silver chatelaine she has to know more.It’s while she’s examining the chatelaine that she’s transported back to the seventeenth century. And shortly after, she's confronted by a ghost who reveals that this is where the antique has its origins. The ghost tasks Xanthe with putting right the injustice in its story to save an innocent girl’s life, or else it’ll cost her Flora’s.While Xanthe fights to save her amid the turbulent days of 1605, she meets architect Samuel Appleby. He may be the person who can help her succeed. He may also be the reason she can’t bring herself to leave.With its rich historical detail, strong mother-daughter relationship, and picturesque English village, The Little Shop of Found Things is poised to be a strong start to this new series.

    Yet in the serene heart of the French province of Gascony, little has changed in a hundred years -- and the events in Paris seem but a distant thunder. Indeed, the dramatic crash landing of American artist and amateur balloonist Stephen Fletcher sparks far more excitement. Stephen lands in the pastoral world of a magistrate and his three daughters -- ethereal Claire, pert and precocious Mathilde, and plain, sensible Sophie, who lovingly tends her rose garden as she simmers with unfulfilled longings.As the revolution brings murder, terror, and fear into the remote Gascon countryside, Stephen finds himself enchanted by the angelic Claire. Yet he is also strangely drawn to Sophie, whose courage and compassion sustain them all, from her family to the quixotic, tormented physician who silently adores her. And even as Sophie keeps a tender secret of her own, she works toward realizing yet another dream: the miracle of an original repeat-flowering crimson rose -- a hopeful symbol of an unblighted future.

    Into their midst comes Jean-Baptiste Baratte, a young, provincial engineer charged by the king with demolishing it.At first Baratte sees this as a chance to clear the burden of history, a fitting task for a modern man of reason. But before long, he begins to suspect that the destruction of the cemetery might be a prelude to his own.