When America wakes up with personable and charming hosts like Robin Roberts and George Stephanopoulos, it's hard to imagine their show bookers having to guard a guest's hotel room all night to prevent rival shows from poaching. But that is just a glimpse of the intense reality revealed in this gripping look into the most competitive time slot in television. Featuring exclusive content about all the major players of the 2000s, Top of the Morning illuminates what it takes to win the AM -- when every single viewer counts, tons of jobs are on the line, and hundreds of millions of dollars are at stake. Stelter is behind the scenes as Ann Curry replaces Meredith Vieira on the Today show, only to be fired a year later in a fiasco that made national headlines. He's backstage as Good Morning America launches an attack to dethrone Today and end the longest consecutive winning streak in morning television history. And he's there as Roberts is diagnosed with a crippling disease -- on what should be the happiest day of her career. So grab a cup of coffee, sit back, and discover the dark side of the sun. Praise for Top of the Morning "Mr. Stelter pulls back the curtains and exposes a savage corporate world that might have been inhabited by the Sopranos." -- Washington Times "A troubling look inside an enterprise as vicious and internecine as a soap opera." -- Kirkus Reviews

    In 2020, Mitch McConnell will have served five full terms as a US Senator. Thirty years. The Senate Majority leader’s power is as undeniable as it is infuriating, and the people of Kentucky have had enough. Led by Matt Jones, they (and they alone) have the power to oust him from office. How did Jones, a local boy turned attorney turned sports radio host come to shine the brightest light on McConnell’s ineptitude? Simple—he knows Kentucky inside and out, and has used the state’s love of sports as an entry point for showcasing how McConnell has failed his fellow citizens both economically and socially for three decades. Entertaining, maddening, yet ultimately inspiring, these stories from Kentuckians in each of its 120 counties illustrate the Senate Majority leader’s stunning shortcomings. Jones infuses his trademark wit and wisdom throughout, while also offering a beautiful portrait of a state with arguably the most untapped potential in our country. Ultimately, the white-hot hatred for McConnell on the coasts is just white noise. Only the people of Kentucky can remove him from office. Here, Matt Jones demonstrates he has the influence, charisma, and institutional knowledge to lead the charge. He and his fellow Kentuckians have had enough—and they’re ready for a fight.

    Donald Trump is not just some cartoon character, a guy with a comb-over and a press agent and a board game named after him; he is and always has been a real and fairly treacherous human being.In this feat of investigative journalism, John Connolly dives into Donald Trump’s financial records and finds that the real estate mogul’s most—if not only—valuable commodity is his knack for delivering scrutiny-resistant statements that blend finance, fact and fiction.How to Fool All of the People, All of the Time was originally published in Spy, April, 1991.Cover design by Adil Dara.

    Combining historical background, folklore, alternative technololgy, and humor, he provides both a source of general information and a detailed introduction to traditional woodworking. Beginning with a guide to trees and tools, The Woodwright's Shop includes chapters on gluts and mauls, shaving horses, rakes, chairs, weaving wood, hay forks, dough bowls, lathes, blacksmithing, dovetails, panel-frame construction, log houses, and timber-frame construction. More than 330 photographs illustrate the text.For more than twenty-five years, Roy Underhill has taught the techniques of traditional hand-tool woodworking. In five books and on his popular, long-running PBS series, The Woodwright's Shop, America's leading authority on old-time woodcraft has inspired millions to take up chisel and plane. Designed for both woodworking novices and for more seasoned woodworkers looking for enjoyable projects, the books feature step-by-step instructions, complete with easy-to-follow photographs and measured drawings. Roy Underhill is the former master housewright at Colonial Williamsburg. He created The Woodwright's Shop, one of the first television programs devoted to woodworking, in 1979. The series is produced by the University of North Carolina Center for Public Television and has aired nationally since 1981. Roy is a graduate of the University of North Carolina at Chapel Hill and holds a master's degree from Duke University. He lives in Williamsburg, Virginia.The Woodwright's ShopA Practical Guide to Traditional WoodcraftFeatures a guide to trees and tools as well as chapters on gluts and mauls, shaving horses, chairs, lathes, blacksmithing, log houses, and more.The Woodwright's CompanionExploring Traditional WoodcraftIncludes chapters on helves and handles, saws, the search for the whetstone quarry, hurdles, whimmy diddles, planes, window sashes, and pit sawing.The Woodwright's WorkbookFurther Explorations in Traditional WoodcraftWith step-by-step instructions for tool chests, workbenches, lathes, and historical reproductions of items for the home. Roy also explores building barns, boats, and even colonial fortresses.The Woodwright's Eclectic WorkshopPopular projects include the Adirondack chair, tavern table, folding ladder, rocking horse, lathe, and kayak, all illustrated with photographs and measured drawings. The Woodwright's ApprenticeTwenty Favorite Projects from The Woodwright's ShopBegins with directions for building a workbench, then builds new skills--from frame construction to dovetailing, turning, steam-bending, and carving--with each successive project.

    Do Angels Need Haircuts? is an extraordinary snapshot of this turning point in Reed’s career. Gathering poems, photographs and ephemera from this era (including previously unreleased audio of the 1971 St. Mark’s Church reading), and featuring a new foreword by Anne Waldman and an afterword by Laurie Anderson, this book provides a window to a little-known chapter in the life of one of the most singular and uncompromising voices in American popular culture.