Stolen as a child and raised to kill and die for the empire, her only loyalty is to her fellow conscripts. But now, her company has been sent back to her homeland to stop a rebellion, and the ties of blood may be stronger than she thought.Luca needs a turncoat. Someone desperate enough to tiptoe the bayonet's edge between treason and orders. Someone who can sway the rebels toward peace, while Luca focuses on what really matters: getting her uncle off her throne.Through assassinations and massacres, in bedrooms and war rooms, Touraine and Luca will haggle over the price of a nation. But some things aren't for sale.

    Now director of admissions at San Francisco’s most sought after private school, she’s chic, single, and determined to keep her seventeen-year-old daughter, Etta, from making the same mistakes she did.But Etta has plans of her own–and their beloved matriarch, Aunt Viv, has Etta’s back. If only Josie could manage Etta’s future as well as she manages the shenanigans of the over-anxious, over-eager parents at school–or her best friend’s attempts to coax Josie out of her sex sabbatical and back onto the dating scene.As admissions season heats up, Josie discovers that when it comes to matters of the heart–and the office–the biggest surprises lie closest to home.

    Burned by her traumatic past, Angel is new to the drag world, new to ball culture, and has a yearning inside of her to help create family for those without. When she falls in love with Hector, a beautiful young man who dreams of becoming a professional dancer, the two decide to form the House of Xtravaganza, the first-ever all-Latino house in the Harlem ball circuit. But when Hector dies of AIDS-related complications, Angel must bear the responsibility of tending to their house alone.As the mother of the house, Angel recruits Venus, a whip-fast trans girl who dreams of finding a rich man to take care of her; Juanito, a quiet boy who loves fabrics and design; and Daniel, a butch queen who accidentally saves Venus’s life. The Xtravaganzas must learn to navigate sex work, addiction, and persistent abuse, leaning on each other as bulwarks against a world that resists them. All are ambitious, resilient, and determined to control their own fates, even as they hurtle toward devastating consequences. Told in a voice that brims with wit, rage, tenderness, and fierce yearning, The House of Impossible Beauties is a tragic story of love, family, and the dynamism of the human spirit.

    But little does he realize that his most valuable possession, his relationship with his father, is slipping away from him.Of Things Gone Astray is a magical fable about modern life and values and finding the things that really matter.

    Her friends and parents make fun of her endless stream of crushes, but Ophelia is a romantic at heart. She couldn't change, even if she wanted to.So when she finds herself thinking more about cute, quiet Talia Sanchez than the loss of a perfect prom with her ex-boyfriend, seeds of doubt take root in Ophelia's firm image of herself. Add to that the impending end of high school and the fracturing of her once-solid friend group, and things are spiraling a little out of control. But the course of love--and sexuality--never did run smooth. As her secrets begin to unravel, Ophelia must make a choice between clinging to the fantasy version of herself she's always imagined or upending everyone's expectations to rediscover who she really is, after all.

    The book is an urgent recall of heartbreak, a stark portrait of an identity in crisis.

    A hidden stop on the underground road to freedom, a safe haven protected by more than secrecy…if you can make it there. Ohio, present day. An elderly woman who is more than she seems warns against rising racism as a young woman grapples with her life.Haiti, 1791, on the brink of revolution. When the slave Abigail is forced from her children to take her mistress to safety, she discovers New Orleans has its own powers.1857 New Orleans—a city of unrest: Following tragedy, house girl Margot is sold just before her 18th birthday and her promised freedom. Desperate, she escapes and chases a whisper.... Remembrance.

    A bookseller's unspoken love for his employee rises to the surface, a neglected teenage boy finds much-needed nurturing from an unlikely pair of college students hired to housesit, a girl's loss of innocence at the hands of her employer's son becomes a catalyst for strength and confidence, and a proud nonagenarian rages helplessly in his granddaughter's hospital room. Romantic, hopeful, brutally raw, and unsparingly honest, some even slipping into the surreal, these stories are, above all, about King's enduring subject of love.

    I loved it!"--Chantel Guertin, author of InstamomKhalil Sarda went through a rough patch last year, but now he's nearly back to his old self. All he has to do is keep his "stuff" in the past. Real men don't have depression and go to therapy--or, at least they don't admit it. He's ready to focus on his growing chain of barbershops, take care of his beloved Detroit community, and get back to being the ladies' man his family and friends tease him for being. It'll be easy . . . until Vanessa throws him completely off his game.Vanessa Noble is too busy building a multimillion-dollar tech career as a Black woman before age thirty to be distracted by a relationship. Not to mention, she's been burned before, still dealing with the lingering hurt of a past breakup. Besides, as her friends often remind her, she'll never find a man who checks all the boxes on her famous List. Yet when she desperately needs a shape-up and happens upon one of Khalil's barbershops, the Fade, he makes her reconsider everything. Khalil is charming, intelligent, sexy, and definitely seems like he'd treat a woman right . . . but he's not Black.Vanessa may be willing to take a chance on Khalil, but a part of him is frustratingly closed off, just out of her reach. Will old patterns emerge to keep them apart? Or have they both finally found a connection worth throwing away the playbook for?

    In contemporary mores and humanity, they investigate and celebrate the gender gap.

    It is an unforgettable portrait of a true larger-than-life woman who made her mark on history.

    It follows the groundbreaking, highly acclaimed Jesus’ Son. Written in the same luminous prose, this collection finds Johnson in new territory, contemplating old age, mortality, the ghosts of the past, and the elusive and unexpected ways the mysteries of the universe assert themselves. Finished shortly before Johnson’s death in May 2017, this collection is the last word from a writer whose work will live on for many years to come.

    Already an award-winning writer, ZZ Packer now shares with us her debut, Drinking Coffee Elsewhere. Her impressive range and talent are abundantly evident: Packer dazzles with her command of language, surprising and delighting us with unexpected turns and indelible images, as she takes us into the lives of characters on the periphery, unsure of where they belong. We meet a Brownie troop of black girls who are confronted with a troop of white girls; a young man who goes with his father to the Million Man March and must decides where his allegiance lies; an international group of drifters in Japan, who are starving, unable to find work; a girl in a Baltimore ghetto who has dreams of the larger world she has seen only on the screens in the television store nearby, where the Lithuanian shopkeeper holds out hope for attaining his own American Dream.With penetrating insight that belies her youth—she was only nineteen years old when Seventeen magazine printed her first published story—ZZ Packer helps us see the world with a clearer vision. Drinking Coffee Elsewhere is a striking performance—fresh, versatile, and captivating. It introduces us to an arresting and unforgettable new voice.Brownies --Every tongue shall confess --Our Lady of Peace --The ant of the self --Drinking coffee elsewhere --Speaking in tongues --Geese --Doris is coming

    She is a bright new voice in literature.”  —Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, Other“It’s too hot for most of the clothes I packed to come here, when I thought this would only be for a week or two. My mother kissed me with those purple-brown lips of hers and said, we’ll be back, hold tight.”The seventeen-year-old Kid doesn’t know where her parents are. They left her with her grandmother Lolly, promising to return soon. That was months ago. Now Lolly is dead and the Kid is alone, stranded ten miles off the coast of New Hampshire on tiny Swan Island. Unable to reach her parents and with no other relatives to turn to, she works for a neighbor, airbrushing the past by digitally retouching family photos and movies to earn enough money to survive.Surrounded by the vast ocean, the Kid’s temporary home is no ordinary vacation retreat. The island is populated by an idiosyncratic group of the elderly who call themselves Wrinklies. They have left behind the youth-obsessed mainland—“the Bad Place”—to create their own alternative community, one where only the elderly are welcome. The adolescent’s presence on their island oasis unnerves the Wrinklies, turning some downright hostile. They don’t care if she has nowhere to go;they just want her gone. She is a reminder of all they’ve left behind and are determined to forget.But the Kid isn’t the only problem threatening the insular community. Swan Island is eroding into the rising sea, threatening the Wrinklies’ very existence there. The Kid’s own house edges closer to the seaside cliffs each day. To find a way forward, she must come to terms with the realities of her life, the inevitability of loss, and an unknown future that is hers alone to embrace.Season Butler makes her literary debut with an ambitious work of bold imagination. Tough and tender, compassionate and ferocious, understated and provocative, Cygnet is a meditation on death and life, past and future, aging and youth, memory and forgetting, that explores what it means to find acceptance—of things gone and of those yet to come.

    The book gives an overview to the field of Latino/a speculative, showing the great variety of stories being told by Latino/a writers. Fifty years ago the Latin American "Boom" introduced magical realism to the world; Latin@ Rising is the literature that has risen from the explosion that gave us García Márquez, Jorge Amado, Carlos Fuentes and others. The 21st century writers and artists of Latin@ Rising help us to imagine a Latino/a past, present, and future which have not been whitewashed by mainstream perspectives. Contrary to the popular perception, Latino/a Literature is not just magical realism and social realist protest literature—it also contains much speculative fiction. By showing the actual breadth of genres being used by Latino/a authors, Latin@ Rising will help extend the boundaries of the Latino/a literature canon. Latin@ Rising demonstrates the value of speculative fiction for the Latino/a community: it gives Latinos/as a vital means for imagining a past and a future in which they play a pivotal role, and it constitutes a narrative of the effects of technology on the Latino/a community. The book shows how the richness of the speculative genres provide U.S. Latinos/as with a unique medium to discuss issues of colonialism, migration, and the experience of being bicultural. The 23 authors and artists included in this anthology come from all over the U.S. and from eight different national traditions. They include well-known creators like Kathleen Alcalá, Ana Castillo, Junot Diaz, Giannina Braschi and others; they also include new voices, well worth hearing.All Authors Included: Kathleen AlcaláPablo BresciaPedro ZagittSabrina VourvouliasDaína ChavianoADÁLAna CastilloErnest HoganJunot DíazRichie NarvaezEdmundo Paz-SoldánSteve CastroAlex HernandezCarmen Maria MachadoGiannina BraschiCarlos HernandezAlejandra SanchezDaniel José OlderCarl MarcumMarcos Santiago Gonzalez