Now his fight against Napoleon is reduced to quiet, lonely days compiling paperwork at Horse Guards headquarters.His evenings are spent dutifully escorting his mother and sister to stifling social engagements, where his lameness renders him an object of pity and distaste. But his orderly, restricted life is thrown into sudden disarray with the arrival of Colonel Theo Lindsay. Theo is everything Hugh is not—a man of physical perfection and easy yet distinguished address. Surprisingly to Hugh, Theo appears to be interested in making his acquaintance. Lindsay turns out to be a most convivial companion, and Hugh finds great pleasure in his company. Their friendship deepens when they become lovers.In spite of himself, Hugh falls desperately in love. But when a French spy is suspected at Horse Guards, Hugh discovers nothing is as it seems…and the paper he shuffles from day to day could be the instrument of his lover’s death. Product WarningsContains gallant English officers in love, dastardly French spies, skintight pantaloons (sometimes on the floor) and gleaming tasseled Hessians.

    As Alan’s valet, Jem offers much more than polished boots and starched cravats. He makes Alan smile and warms his bed. Just as the men are adjusting to their new living arrangement, news about a former soldier under his command sends Sir Watleigh and Jem on the road to save a child in danger.The journey brings them closer together as they travel from lust toward love. But is Alan's love strong enough to risk society discovering the truth about him?Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: Male/male sexual practices.

    Facing a harrowing winter campaign, Elliott must rally disheartened men through sickness, battle and starvation.But when he is assigned the additional task of spying on a fellow officer, the inscrutable Cornet Ilyas Kovakin, he finds himself disconcerted and fascinated by both the work and the man.The half-Russian officer reports to none in his division. Rumors of demonic power and black magic surround him, but the truth turns out to be worse than the suspicions.For Ilyas, his return to the Crimea is marred by the terrible mistake that cursed him with a horrifying power nearly beyond his control. His grip on his humanity is slipping away daily. Torn between a master he cannot trust and the family he must not return to, his only hope for salvation lies hidden in the long-forgotten symbols of centuries-old relics. But their meanings remain a mystery until the cheerful Captain Parrish offers assistance.Although Ilyas fears trusting the young captain, Elliott’s company is almost irresistible.Surrounded by deprivation, cruelty and war, both men know the closer they are drawn together, the greater the stakes. But with the balance of European power on the line, retreat is not an option.

    That’s what the doctor had said. The sea air and the sun. “A few quiet weeks on the coast is what you need. Go for a swim. Explore the beaches and the caves. Maybe you’ll find a mermaid. Or…” he added with a wink, “some hidden treasure, like in your adventure books.”He was teasing me, I know, but a part of me burned with the idea that maybe… there would be something there, something special, something hidden.Of all the things to find washed up on the beach, I was not expecting this half-drowned man. Nor what followed after.Photo Description: A handsome blond wearing a cape and embroidered tunic is on one knee. He’s clutching a smaller man protectively to him. The smaller man is bound hand and foot and wears knee breeches and a long shirt. The blond wields a sword, which he has just used to cut the rope that is twisted around the smaller man’s arms.This story was written as a part of the M/M Romance Group's "Love Has No Boundaries" event. Group members were asked to write a story prompt inspired by a photo of their choice. Authors of the group selected a photo and prompt that spoke to them and wrote a short story.

    The memories of a world at war are fading in the face of a prosperous future. Doors are left unlocked at night, and neighbors are always there to give each other a helping hand.The people here know certain things as fact:Amorea is the best little town there is.The only good Commie is a dead Commie.The Women’s Club of Amorea runs the town with an immaculately gloved fist.And bookstore owner Mike Frazier loves that boy down at the diner, Sean Mellgard. Why they haven’t gotten their acts together is anybody’s guess. It may be the world’s longest courtship, but no one can deny the way they look at each other.Slow and steady wins the race, or so they say.But something’s wrong with Mike. He hears voices in his house late at night. There are shadows crawling along the walls, and great clouds of birds overhead that only he can see.Something’s happening in Amorea. And Mike will do whatever he can to keep the man he loves.

    Women love him, men admire him, and it seems there is nothing he can’t do, whether it’s seducing a society wife or winning a carriage race. Little does Society suspect that the name means nothing to him, the fortune is in his father’s controlling hands, and he has no interest in his wife except a very distant friendship. Society bores him, and he takes dares because he only feels alive when he’s dancing on the edge... until his wife’s brother comes home from the wars. Decorated war hero Major Charles Mountjoy jerks Tris out of his despair by inspiring feelings of passion Tris had never suspected himself capable of. Almost as terrifying as those feelings for Charles are the signs Charles might return his affection—or, even worse, that Charles sees the man Tristan has been trying so valiantly to hide from the world.

    L. Polk arrives on the scene with Witchmark, a stunning, addictive fantasy that combines intrigue, magic, betrayal, and romance.In an original world reminiscent of Edwardian England in the shadow of a World War, cabals of noble families use their unique magical gifts to control the fates of nations, while one young man seeks only to live a life of his own.Magic marked Miles Singer for suffering the day he was born, doomed either to be enslaved to his family's interest or to be committed to a witches' asylum. He went to war to escape his destiny and came home a different man, but he couldn’t leave his past behind. The war between Aeland and Laneer leaves men changed, strangers to their friends and family, but even after faking his own death and reinventing himself as a doctor at a cash-strapped veterans' hospital, Miles can’t hide what he truly is.When a fatally poisoned patient exposes Miles’ healing gift and his witchmark, he must put his anonymity and freedom at risk to investigate his patient’s murder. To find the truth he’ll need to rely on the family he despises, and on the kindness of the most gorgeous man he’s ever seen.

    Though he hasn't got a lick of wit or magic to his name, he's perfectly content living life as an airheaded bachelor with his valet—the clever, unflappable Jacobi—by his side to ensure everything runs smoothly. All he lacks, according to his mother, is a wife.Despite Alphonse's protests, he's to marry Aaliyah Kaddour: a bright, headstrong young woman who would probably be charming company if she didn't threaten everything about Alphonse's way of life. Marrying means giving up his fashionable flat, his fast car, and, worst of all, it means losing Jacobi.Perhaps most distressingly, this talk of marriage is bringing all sorts of confusing feelings to the forefront. Because rather than falling for the beautiful girl being pushed into his arms, Alphonse seems to be falling for his valet. Except a man can't fall in love with another man. Can he?Meanwhile, Aaliyah has plans of her own. She's as devious as she is pretty, but if Alphonse wants to get through this marriage business in one piece, he'll have to trust her. Her and Jacobi, and, most dangerously, his own feelings.

    The Honourable Aubrey Fanshawe, second son of an earl, is Society. They have nothing in common, until a casual encounter leads to a crisis.  Aubrey isn’t looking for love. He already has it, in his long-term clandestine relationship with Lord and Lady Hernedale. And Lucien is the last man Aubrey should want. He’s a commoner, raised in service, socially unacceptable. Worse, he writes for a disreputable, gossip-hungry newspaper. Aubrey can’t afford to trust him when arrest and disgrace are just a breath away. Lucien doesn’t trust nobs. Painful experience has taught him that working people simply don’t count to them. Years ago, he turned his back on a life of luxury so his future wouldn’t depend on an aristocrat’s whim. Now, thanks to Aubrey, he’s becoming entangled in the risky affairs of the upper classes, antagonising people who could destroy him with a word. Aubrey and Lucien have too much to hide—and too much between them to ignore. Rejecting the strict rules and closed doors of Edwardian society might lead them both to ruin… but happiness and integrity alike demand it.  An Edwardian Romance.

    But when the king and Ren’s half-brother, Crown Prince Hellic are brutally murdered, Ren is accused. Now, he is forced to flee the city together with the mysterious prisoner Anik who may know how to survive in the wild, but who seems to have an agenda of his own, one that may spell danger for Ren.Ren’s accuser now sits on his family’s throne, and things are about to get much, much worse. It may be time to seek help in unexpected places.

    Neverland is his real home. So when Peter returns to it after ten years in the real world, he’s surprised to find a Neverland that no longer seems to need him.The only person who truly missed Peter is Captain James Hook, who is delighted to have his old rival back. But when a new war ignites between the Lost Boys and Hook’s pirates, the ensuing bloodshed becomes all too real – and Peter’s rivalry with Hook starts to blur into something far more complicated, sensual, and deadly.

    Returning to London in late November 1899, he’s lost the skies he loved, has no place in a society ruled by an elite oligarchy of powerful Houses, and is hard up, homeless, and in desperate need of a new direction in life. Everything changes when he buys a coffeehouse near the Britannic Imperium Museum in Bloomsbury, the haunt of Aegyptologists. For the first time in years, Rafe is free to be himself. In a city powered by luminiferous aether and phlogiston, and where powerful men use House assassins to target their rivals, Rafe must navigate dangerous politics, deal with a jealous and possessive ex-lover, learn to make the best coffee in Londinium, and fend off murder and kidnap attempts before he can find happiness with the man he loves.

    Their goals justify all means, even when it comes to their own agents.Sin is the Agency's most efficient killer. His fighting skills and talent at assassination have led to him being described as a living weapon. However, he is also known to go off on unauthorized killing sprees, and his assigned partners have all wound up dead.Boyd is not afraid to die. When his mother, a high-ranking Agency official, volunteers him to be Sin's newest partner, he does not refuse. In fact, his life has been such an endless cycle of apathy and despair that he'd welcome death.In the newly revised Director's Cut of Evenfall, the first volume follows these two cast-offs as they go from strangers to partners who can only rely on each other while avoiding death, imprisonment, and dehumanization by the Agency that employs them.120,000 words.Warnings: Explicit violence, physical and psychological abuse.Note: This is the first of the two volumes comprising Evenfall, the first book in the ICoS series.

    Edward III is at war with Scotland. Nineteen-year-old Sir Harry de Lyon yearns to prove himself, and jumps at the chance when a powerful English baron, William Montagu, invites him on a secret mission with a dozen elite knights. They ride north, to a crumbling Scottish keep, capturing the feral, half-starved boy within and putting the other inhabitants to the sword.But nobody knows why the flower of English knighthood snuck over the border to capture a savage, dirty teenage boy. Montagu gives the boy to Harry as his squire, with only two rules: don't let him escape, and convert him to the English cause.At first, it's hopeless. The Scottish boy is surly and violent, and eats anything that isn't nailed down. Then Harry begins to notice things: that, as well as Gaelic, the boy speaks flawless French, with an accent much different from Harry's Norman one. That he can read Latin too. And when Harry finally convinces the boy – Iain mac Maíl Coluim – to cut his filthy curtain of hair, the face revealed is the most beautiful thing Harry has ever seen.With Iain as his squire, Harry wins tournament after tournament and becomes a favourite of the King. But underneath the pageantry smoulder twin secrets: Harry and Iain's growing passion for each other, and Iain's mysterious heritage. As England hurtles towards war once again, these secrets will destroy everything Harry holds dear.

    Gaidres has a plan: kill Caelius and end the lineage of the Roman family that enslaved him. For his plan to succeed, he must make a show of respect and obedience--even when called on to service his master's desires.Gaidres is shocked to learn that in the confines of his quarters, Caelius doesn't want to dominate his slave, but to be taken by him. The sex is explosive as they break society's taboos and, to Gaidres's dismay, they form a tenuous relationship. Even when Caelius learns of Gaidres's plans for revenge, he knows he can't live without his perfect lover. Is he willing to risk it all to tame his gladiator's heart?88,000 words