Libris. But something strange is going on. Besides the security cameras everywhere, there’s Dr. Libris’s private bookcase. Whenever Billy opens the books inside, he can hear sounds coming from the island in the middle of the lake. The clash of swords. The twang of arrows. Sometimes he can even feel the ground shaking. It’s almost as if the stories he’s reading are coming to life! But that’s impossible . . . isn’t it?

    In fact, the only bond he shares with his eccentric father is a passion for archaeological excavation. So when his dad mysteriously vanishes, Will is compelled to dig up the truth behind his disappearance. He unearths the unbelievable: a subterranean society that time forgot. "The Colony" has existed unchanged for a century, but it's no benign time capsule of a bygone era. Because the Colony is ruled by a merciless overclass, the Styx. Will must free his father--is he also about to ignite a revolution?

    Soon their house is ransacked by unknown intruders, and a very strange policeman turns up on the scene, determined to apprehend them . . . with a toilet brush. Ivy and Seb make their escape only to find themselves in a completely uncommon world, a secret underground city called Lundinor where ordinary objects have amazing powers. There are belts that enable the wearer to fly, yo-yos that turn into weapons, buttons with healing properties, and other enchanted objects capable of very unusual feats. But the forces of evil are closing in fast, and when Ivy and Seb learn that their family is connected to one of the greatest uncommon treasures of all time, they must race to unearth the treasure and get to the bottom of a family secret . . . before it’s too late.

    Part animal and part human, the groundlings toil in classroom and factory, forbidden to enjoy anything regular children have, most particularly singing and music. For the Wonderling, an innocent-hearted, one-eared, fox-like eleven-year-old with only a number rather than a proper name -- a 13 etched on a medallion around his neck -- it is the only home he has ever known. But unexpected courage leads him to acquire the loyalty of a young bird groundling named Trinket, who gives the Home's loneliest inhabitant two incredible gifts: a real name -- Arthur, like the good king in the old stories -- and a best friend. Using Trinket's ingenious invention, the pair escape over the wall and embark on an adventure that will take them out into the wider world and ultimately down the path of sweet Arthur's true destiny.

    A boy trapped in a snow globe. And a girl who’s about to go on the adventure of a lifetime.The Impossible Postal Express is no ordinary train. It’s a troll-operated delivery service that runs everywhere from ocean-bottom shipwrecks, to Trollville, to space.But when this impossible train comes roaring through Suzy’s living room, her world turns upside down. After sneaking on board, Suzy suddenly finds herself Deputy Post Master aboard the train, and faced with her first delivery―to the evil Lady Crepuscula.Then, the package itself begs Suzy not to deliver him. A talking snow globe, Frederick has information Crepuscula could use to take over the entire Union of Impossible Places. But when protecting Frederick means putting her friends in danger, Suzy has to make a difficult choice―with the fate of the entire Union at stake.

    Nearly seven hundred years later, he is acknowledged as the greatest Alchemyst of his day. It is said that he discovered the secret of eternal life. The records show that he died in 1418. But his tomb is empty and Nicholas Flamel lives. The secret of eternal life is hidden within the book he protects—the Book of Abraham the Mage. It's the most powerful book that has ever existed. In the wrong hands, it will destroy the world. And that's exactly what Dr. John Dee plans to do when he steals it. Humankind won't know what's happening until it's too late. And if the prophecy is right, Sophie and Josh Newman are the only ones with the power to save the world as we know it. Sometimes legends are true. And Sophie and Josh Newman are about to find themselves in the middle of the greatest legend of all time.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Just an ordinary boy, Jack has been chosen for a hugely important task, and enters a world he believed only existed in legend. Full of twists and turns and featuring characters such as talking ravens and mischievous Spriggans, The Golden Acorn is a hugely entertaining and exciting tale from a very talented new author.

    A magician called Valerian must save his own life within those few days or pay the price for the pact he made with evil so many years ago. But alchemy and sorcery are no match against the demonic power pursuing him. Helping him is his servant, Boy, a child with no name and no past. The quick-witted orphan girl, Willow, is with them as they dig in death fields at midnight, and as they are swept into the sprawling blackness of a subterranean city on a journey from which there is no escape.

    Born on All-Hallows-Eve, the girls could play music before they could walk. They were found one night by Tatty, the Tattooed Lady of the circus, in a pail on her doorstep with only a note and a heart-shaped locket. They’ve been with Tatty ever since, roaming the Outskirts in the circus caravans, moving from place to place.But lately, curious things have started to happen when they play their instruments. During one of their performances, the girls accidentally levitate their entire audience, drawing too much unwanted attention. Soon, ominous Enforcers come after them, and Charlotte and Sonja must embark on a perilous journey through enchanted lands in hopes of unlocking the secrets of their mysterious past.

    . . real or otherwise.Budo is lucky as imaginary friends go. He's been alive for more than five years, which is positively ancient in the world of imaginary friends. But Budo feels his age, and thinks constantly of the day when eight-year-old Max Delaney will stop believing in him. When that happens, Budo will disappear.Max is different from other children. Some people say that he has Asperger's Syndrome, but most just say he's "on the spectrum." None of this matters to Budo, who loves Max and is charged with protecting him from the class bully, from awkward situations in the cafeteria, and even in the bathroom stalls. But he can't protect Max from Mrs. Patterson, the woman who works with Max in the Learning Center and who believes that she alone is qualified to care for this young boy.

    The Wild Things — based very loosely on the storybook by Maurice Sendak and the screenplay cowritten with Spike Jonze — is about the confusions of a boy, Max, making his way in a world he can’t control.

    But it’s when a group of children disappear that they know for sure: The Nethergrim has returned.Edmund’s brother is one of the missing, and Edmund knows he must do something to save his life. But what? Though a student of magic, he struggles to cast even the simplest spell.Still, he and his friends swallow their fear and set out to battle an ancient evil whose powers none of them can imagine.

    Jon Scieszka’s Guys Read initiative was founded on a simple premise: that young guys enjoy reading most when they have reading they can enjoy. And out of this comes a series that aims to give them just that. Ten books, arranged by theme, featuring the best of the best where writing for kids is concerned. Each book is a collection of original short stories, but these aren’t your typical anthologies: each book is edgy, inventive, visual, and one-of-a-kind, featuring a different theme for guys to get excited about. Funny Business is based around the theme of—what else?—humor, and if you’re familiar with Jon and Guys Read, you already know what you’re in store for: ten hilarious stories from some of the funniest writers around. Before you’re through, you’ll meet a teenage mummy; a kid desperate to take a dip in the world’s largest pool of chocolate milk; a homicidal turkey; parents who hand over their son’s room to a biker; the only kid in his middle school who hasn’t turned into a vampire, wizard, or superhero; and more. And the contributor list includes bestselling authors, award winners, and fresh new talent alike: Mac Barnett, Eoin Colfer, Christopher Paul Curtis, Kate DiCamillo (writing with Jon Scieszka), Paul Feig, Jack Gantos, Jeff Kinney, David Lubar, Adam Rex, and David Yoo. Guys Read is all about turning young readers into lifelong ones—and with this book, and each subsequent installment in the series, we aim to leave no guy unturned.

    Finally, Grandpa Ephraim offers proof. The Circus is real. And the Lightbender owes Ephraim a miracle. With his friend Jenny Mendoza in tow, Micah sets out to find the Circus and the man he believes will save his grandfather.The only problem is, the Lightbender doesn't want to keep his promise. And now it's up to Micah to get the miracle he came for.