This classic comedy opens as a group of the guys assembled for cards in the apartment of divorced Oscar Madison. And if the mess is any indication, it's no wonder that his wife left him. Late to arrive is Felix Unger who has just been separated from his wife. Fastidious, depressed and none too tense, Felix seems suicidal, but as the action unfolds Oscar becomes the one with murder on his mind when the clean-freak and the slob ultimately decide to room together with hilarious results as The Odd Couple is born. "His skill is not only great but constantly growing...There is scarcely a moment that is not hilarious." - The New York Times "Fresh, richly hilarious and remarkably original. Wildly, irresistibly, incredibly and continuously funny." - New York Daily News

    It is the attitude of Dowell, his puzzlement, his uncertainty, and the seemingly haphazard manner of his narration that make the book so powerful and mysterious. Despite its catalogue of death, insanity, and despair, the novel has many comic moments, and has inspired the work of several distinguished writers, including Graham Greene. This is the only annotated edition available.

    Out of nowhere, a great-aunt leaves her a Georgian mansion in another city--and she sheds her old life without delay. Gone is her dull administrative job, her mousy wardrobe, her downer of a roommate. She will live as a woman of leisure, devoted to beauty, creativity, expression, and love. Once installed in her new quarters, Rachel plants a garden, takes up writing, and impresses everyone she meets with her extraordinary optimism. But as Rachel sings and jokes the days away, her new neighbors begin to wonder if she might be taking her transformation just a bit too far.In Wish Her Safe at Home, Stephen Benatar finds humor and horror in the shifting region between elation and mania. His heroine could be the next-door neighbor of the Beales of Grey Gardens or a sister to Jane Gardam's oddball protagonists, but she has an ebullient charm all her own.

    Her short story, "A Jury of Her Peers", was adapted from the play a year after its debut. It was first performed by the Provincetown Players at the Wharf Theatre in Provincetown, Massachusetts on August 8, 1916. In the original play, Glaspell played the role of one of the characters, Mrs. Hale. It is frequently anthologized in American literature textbooks. The play begins as the county attorney, the sherrif, Mr. Hale, Mrs. Peters, and Mrs. Hale enter the Wright's empty farm house. On prompting from the county attorney, Mr. Hale recounts his visit to the house the previous day, when he found Mrs. Wright behaving strangely and found her husband upstairs with a rope around his neck, dead. Mr. Hale notes that, when he questioned her, Mrs. Wright claimed that she was fast asleep when someone strangled her husband.Often hailed as one of the quintessential feminist plays, 'Trifles' earned Glaspell a Pulitzer Prize and renewed literary recognition.

    The vivid translations, which combine elegance and modernity, are remarkable for their lucidity and accuracy, and are equally suitable for reading for pleasure, study, or theatrical performance. The selection of Antigone, Oedipus the King, and Electra not only offers the reader the most influential and famous of Sophocles' works, it also presents in one volume the two plays dominated by a female heroic figure, and the experience of the two great dynasties featured in Greek tragedy--the houses of Oedipus and Agamemnon.

    Contending with the perils and the varied cast of characters of the marriage market, Belinda strides resolutely toward independence. Admired by her contemporary, Jane Austen, and later by Thackeray and Turgenev, Edgeworth tackles issues of gender and race in a manner at once comic and thought-provoking. The 1802 text used in this edition also confronts the difficult and fascinating issues of racism and mixed marriage, which Edgeworth toned down in later editions.

    The audience was scandalized by this revolutionary satire, developed from a schoolboy farce, which began with a four-letter word, defied all the traditions of the stage, and ridiculed the established values of bourgeois society.Barbara Wright’s witty translation of this riotous work is accompanied with drawings by Franciszka Themerson. Two previously untranslated essays in which Jarry explains his theories of the drama have also been included.