There are more than 130 illustrators represented and 190 literary works over three volumes—many newly commissioned, some hard to find—reinterpreted here for readers and collectors of all ages.Volume 1 takes us on a visual tour from the earliest literature through the end of the 1700s. Along the way, we're treated to eye-popping renditions of the human race's greatest epics: Gilgamesh, The Iliad, The Odyssey (in watercolors by Gareth Hinds), The Aeneid, Beowulf, and The Arabian Nights, plus later epics The Divine Comedy and The Canterbury Tales (both by legendary illustrator and graphic designer Seymour Chwast), Paradise Lost, and Le Morte D'Arthur. Two of ancient Greece's greatest plays are adapted—the tragedy Medea by Euripides and Tania Schrag’s uninhibited rendering of the very bawdy comedy Lysistrata by Aristophanes (the text of which is still censored in many textbooks). Also included is Robert Crumb’s rarely-seen adaptation of James Boswell’s London Journal, filled with philosophical debate and lowbrow debauchery.Religious literature is well-covered and well-illustrated, with the Books of Daniel and Esther from the Old Testament, Rick Geary’s awe-inspiring new rendition of the Book of Revelation from the New Testament, the Tao te Ching, Rumi’s Sufi poetry, Hinduism’s Mahabharata, and the Mayan holy book Popol Vuh, illustrated by Roberta Gregory. The Eastern canon gets its due, with The Tale of Genji (the world’s first novel, done in full-page illustrations reminiscent of Aubrey Beardsley), three poems from China’s golden age of literature lovingly drawn by pioneering underground comics artist Sharon Rudahl, the Tibetan Book of the Dead, a Japanese Noh play, and other works from Asia.Two of Shakespeare’s greatest plays (King Lear and A Midsummer Night’s Dream) and two of his sonnets are here, as are Plato’s Symposium, Gulliver’s Travels, Candide, A Vindication of the Rights of Woman, Renaissance poetry of love and desire, and Don Quixote visualized by the legendary Will Eisner.Some unexpected twists in this volume include a Native American folktale, an Incan play, Sappho’s poetic fragments, bawdy essays by Benjamin Franklin, the love letters of Abelard and Heloise, and the decadent French classic Dangerous Liaisons, as illustrated by MollyCrabapple.   Edited by Russ Kick, The Graphic Canon is an extraordinary collection that will continue with Volume 2: "Kubla Khan" to the Bronte Sisters to The Picture of Dorian Gray in Summer 2012, and Volume 3: From Heart of Darkness to Hemingway to Infinite Jest in Fall 2012. A boxed set of all three volumes will also be published in Fall 2012.

    Faithfully adapted by Crystal Chan from the original novel, this new edition features stunning artwork by SunNeko Lee (Manga Classics: Les Miserables) which will give old and new readers alike a fresh insight into the Nathaniel Hawthorne's tragic saga of Puritan America. Manga Classics editions feature classic stories, faithfully adapted and illustrated in manga style, and available in both hardcover and softcover editions. Proudly presented by UDON Entertainment and Morpheus Publishing.

    An adaptation of the original by Jane Austen that tells of Lizzy Bennet and her loveable, eccentric family as they navigate through tricky British social circles.

    When there is a disagreement between the weird sisters, Riata and Smertae will use men as pawns, and Smertae will direct Macbeth to a crown he was never meant to have.This re-telling of Macbeth from the witches point of view is brought to life by Mairghread Scott (TRANSFORMERS: Windblade, LANTERN CITY), and illustrated by talented duo Kelly & Nichole Matthews. TOIL AND TROUBLE brings a new and inventive take on the tragedy we all know and love.

    We follow them as their lives unfold together and apart; as they struggle to make a place for themselves in a world (not unlike our own) fueled by fear, lust, and greed; and as they discover the extraordinary depth—and frailty—of their connection. At once contemporary and timeless, Habibi gives us a love story of astounding resonance: a parable about our relationship to the natural world, the cultural divide between the first and third worlds, the common heritage of Christianity and Islam, and, most potently, the magic of storytelling.

    Passmore masterfully tackles comics about race, gentrification, the prison system, online dating, gross punks, bad street art, kung fu movie references, beating up God, and lots of other grown-up stuff with refreshing doses of humor and lived relatability. The comics in this 112-page collection include works previously published by The Nib, VICE, and the As You Were anthology, along with brand new and unreleased material. These comics are essential, humorous, and accessible, told through Passmore's surreal lens in the vibrant full-color hues of New Orleans.

    Hugo, the youngest child of three, is walking with his father in the woods. There, he comes face-to-face with a wolf—and from that moment on, his life will never be the same again. Soon after, a tragic accident leaves Hugo desolate and disoriented. The family, now grieving and incomplete, moves to a new home. Among Hugo’s new neighbors is the Wolf Man—a dangerous recluse, according to the boy next door. Spellbound by the movie The Time Machine and desperate to return to the days before the accident, Hugo draws up plans to build a contraption that will turn back time. But only the Wolf Man has the parts Hugo needs to complete his machine, and that will mean entering his sinister neighbor’s house. Beautifully illustrated in pencil, Wolf is a captivating and poignant graphic novel about confronting childhood grief and overcoming the loss of a loved one.

    The Trench Poets, as they came to be called, were soldier-poets dispatching their verse from the front lines. Known for its rejection of war as a romantic or noble enterprise, and its plainspoken condemnation of the senseless bloodshed of war, Trench Poetry soon became one of the most significant literary moments of its decade. The marriage of poetry and comics is a deeply fruitful combination, as evidenced by this collection. In stark black and white, the words of the Trench Poets find dramatic expression and reinterpretation through the minds and pens of some of the greatest cartoonists working today.With New York Times bestselling editor Chris Duffy (Nursery Rhyme Comics, Fairy Tale Comics) at the helm, Above the Dreamless Dead is a moving and illuminating tribute to those who fought and died in World War I. Twenty poems are interpreted in comics form by twenty of today's leading cartoonists, including Eddie Campbell, Kevin Huizenga, George Pratt, and many others.

    Opening with the tragic incident that sealed the fate of Lord Asano, 47 Ronin follows a dedicated group of Asano’s vassals on their years-long path of vengeance!

    Frustrated by the hypocritical social mores of her day, Gentileschi releases her anguish through her paintings and, against all odds, becomes a groundbreaking artist. Meticulously rendered in ballpoint pen, this gripping graphic biography serves as an art history lesson and a coming-of-age story. Resonant in the #MeToo era, I Know What I Am highlights a fierce artist who stood up to a shameful social status quo.

    By turns puzzling and harrowing, it raises troubling questions about conformity, tradition, and the specter of ritualized violence that haunts even the most bucolic, peaceful village.This graphic adaptation, published in time for Jackson's centennial, allows readers to experience "The Lottery" as never before, or discover it anew. The visual artist—and Jackson's grandson—Miles Hyman has crafted an eerie vision of the hamlet where the tale unfolds, its inhabitants, and the unforgettable ritual they set into motion. His four-color, meticulously detailed panels create a noirish atmosphere that adds a new dimension of dread to the original tale.Perfectly timed to the current resurgence of interest in Jackson and her work, Shirley Jackson's "The Lottery": The Authorized Graphic Adaptation masterfully reimagines her iconic story with a striking visual narrative.

    It is the chronicle of a girlhood and adolescence at once outrageous and familiar, a young life entwined with the history of her country yet filled with the universal trials and joys of growing up.Edgy, searingly observant, and candid, often heartbreaking but threaded throughout with raw humor and hard-earned wisdom--Persepolis is a stunning work from one of the most highly regarded, singularly talented graphic artists at work today.

    Caught up in the chaos are two lovers: The Master, a writer broken by criticisms of his novel about Pontius Pilate, and Margarita, for whom the devil has his own plans. Initially banned by the very bureaucracy it criticised, Bulgakov's satirical novel comes to life in this new adaptation. Mixing absurdity and erudition, it depicts fantastical events with a macabre humour, contrasting mischief and murder with humility and love.

    With masterful economy worthy of Charles Schultz, Lat recounts the life of Mat, a Muslim boy growing up in rural Malaysia in the 1950s: his adventures and mischief-making, fishing trips, religious study, and work on his family's rubber plantation. Meanwhile, the traditional way of life in his village (or kampung) is steadily disappearing, with tin mines and factory jobs gradually replacing family farms and rubber small-holders. When Mat himself leaves for boarding school, he can only hope that his familiar kampung will still be there when he returns. Kampung Boy is hilarious and affectionate, with brilliant, super-expressive artwork that opens a window into a world that has now nearly vanished.

    Mendoza, Mexico’s self-described king of graffiti, blesses the small town of Rosario with his sardonic wit. “Deflate your pomp or float away!” he paints on the body of an unexpectedly exhumed monk. “No intelligent life for 100 kilometers,” he proclaims on the sign that announces Rosario’s boundaries.The residents of Rosario tolerate or enjoy Mr. Mendoza’s commentary as best they can. But the town goes crazy when Mendoza announces—on the side of a pig—“Mendoza goes to heaven on Tuesday.” Each new declaration from Mendoza drives speculation about his future. Suicide? Cancer? Syphillis? All the theories were in play until the Tuesday when Mendoza transformed his life with art.Mr. Mendoza’s Paintbrush was originally written as a short story by Luis Alberto Urrea, a Pulitzer Prize finalist for The Devil’s Highway and an Edgar Award winner for his short story “Amapola.” It was published in 2002 as part of his collection Six Kinds of Sky. Artist Christopher Cardinale, whose graphic essays have appeared in the seminal magazines World War III and Punk Planet, adapted the short story to the graphic novel form.And critics are raving about the outcome. The Bloomsbury Review says, “Mr. Mendoza’s Paintbrush is a rich gift, an off-center, enigmatic tale with a well-coupled balance of narration and art. Urrea and Cardinale are a ‘match made in heaven.’” And Publishers Weekly adds that “this lovely comics adaptation…may have found the ideal way to present magical realism graphically.”