The novel that set the stage for his modern classic, The Satanic Verses, Shame is Salman Rushdie’s phantasmagoric epic of an unnamed country that is “not quite Pakistan.” In this dazzling tale of an ongoing duel between the families of two men–one a celebrated wager of war, the other a debauched lover of pleasure–Rushdie brilliantly portrays a world caught between honor and humiliation–“shamelessness, shame: the roots of violence.” Shame is an astonishing story that grows more timely by the day.

    It’s there he stumbles on Yoshiko, whose descriptions of her loving family are to Saburo like a glimpse of paradise. Meeting her is a moment he will remember forever, and for years he will try to find her again. When he finally does, she is by the side of his oldest brother and greatest rival.In The Third Son, author Julie Wu has created an extraordinary character, determined to fight for everything he needs and wants, from food to education to his first love. The Third Son is a sparkling and moving story about a young boy with his head in the clouds who, against all odds, finds himself on the frontier of America’s space program.

    . . . Carver is a writer of astonishing compassion and honesty. . . . his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart” (Jonathan Yardley, Washington Post Book World).From the eBook edition.

    Then one night, he stumbles upon a clip from a lost film by silent comedian Hector Mann. His interest is piqued, and he soon finds himself embarking on a journey around the world to research a book on this mysterious figure, who vanished from sight back in 1929.When the book is published the following year, a letter turns up in Zimmer’s mailbox bearing a return address from a small town in New Mexico inviting him to meet Hector. Zimmer hesitates, until one night a strange woman appears on his doorstep and makes the decision for him, changing his life forever.

    The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past: the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million "Communists," followed by three decades of Suharto's despotic rule.Beauty Is a Wound astonishes from its opening line: "One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years…" Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol, Kurniawan's distinctive voice brings something luscious yet astringent to contemporary literature.

    At its heart is Yuki Oyama, a Japanese girl fighting to make it as an artist, and her struggle with her decision to leave her two-year-old son, Jay. As an adult, Jay sets out to find his mother and confront her abandonment.

    But as both a writer and an African American, he is offended and angered by the success of We's Lives in Da Ghetto, the exploitative debut novel of a young, middle-class black woman who once visited "some relatives in Harlem for a couple of days." Hailed as an authentic representation of the African American experience, the book is a national bestseller and its author feted on the Kenya Dunston television show. The book's success rankles all the more as Monk's own most recent novel has just notched its seventh rejection." "Even as his career as a writer appears to have stalled, Monk finds himself coping with changes in his personal life. In need of distraction from old memories, new responsibilities, and his professional stagnation, Monk composes, in a heat of inspiration and energy, a fierce parody of the sort of exploitative, ghetto wanna-be lit represented by We's Lives in Da Ghetto." But when his agent sends this literary indictment (included here in its entirety) out to publishers, it is greeted as an authentic new voice of black America. Monk - or his pseudonymous alter ego, Stagg R. Leigh - is offered money, fame, success beyond anything he has known. And as demand begins to build for meetings with and appearances by Leigh, Monk is faced with a whole new set of problems.

    There they meet the daughter of the local tailor and discover a hidden stash of Western classics in Chinese translation. As they flirt with the seamstress and secretly devour these banned works, they find transit from their grim surroundings to worlds they never imagined.

    In a perfect fusion of treatment and theme, this powerful novel tells the story of a seventeenth-century Portuguese priest in Japan at the height of the fearful persecution of the small Christian community.

    Now she's carrying his baby. Already married with three daughters, he's overjoyed because the doctors confirmed he will finally have the son he has always wanted. To ensure that his son has every advantage, he has shipped Scarlett off to give birth on American soil. U.S. citizenship will open doors for their little prince.As Scarlett awaits the baby's arrival, she chokes down bitter medicinal stews and spars with her imperious housemates. The only one who fits in even less is Daisy, a spirited teenager and fellow unwed mother who is being kept apart from her American boyfriend.Then a new sonogram of Scarlett's baby reveals the unexpected. Panicked, she escapes by hijacking a van--only to discover that she has a stowaway: Daisy, who intends to track down the father of her child. They flee to San Francisco's bustling Chinatown, where Scarlett will join countless immigrants desperately trying to seize their piece of the American dream. What Scarlett doesn't know is that her baby's father is not far behind her.A River of Stars is an entertaining, wildly unpredictable adventure, told with empathy and wit. It's a vivid examination of home and belonging, and a moving portrayal of a woman determined to build her own future.

    The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

    Born into poverty in a miserable neighbourhood of Seoul, he has ridden the wave of development in a rapidly modernising society. Now the director of a large architectural firm, his hard work and ambition have brought him triumph and satisfaction. But when his company is investigated for corruption, he’s forced to reconsider his role in the transformation of his country.At the same time, he receives an unexpected message from an old friend, Cha Soona, a woman that he had once loved, and then betrayed. As memories return unbidden, Minwoo recalls a world he thought had been left behind — a world he now understands that he has helped to destroy.In At Dusk, one of Korea's most renowned and respected authors continues his gentle yet urgent project of evaluating Korea’s past, and examining the things, and the people, that have been given up in a never-ending quest to move forward.

    What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam’s "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by?In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle.

    Set in the American South in the 1960s it follows Meridian Hill, a courageous young woman who dedicates herself heart and soul to her civil rights work, touching the lives of those around her even as her own health begins to deteriorate. Hers is a lonely battle, but it is one she will not abandon, whatever the costs. This is classic Alice Walker, beautifully written, intense and passionate.

    Heat, passion, and controversy explode as a woman is forced to decide between romance and tradition.Every young Indian leaving the homeland for the United States is given the following orders by their parents: Don’t eat any cow (It’s still sacred!), don’t go out too much, save (and save, and save) your money, and most important, do not marry a foreigner. Priya Rao left India when she was twenty to study in the U.S., and she’s never been back. Now, seven years later, she’s out of excuses. She has to return and give her family the news: She’s engaged to Nick Collins, a kind, loving American man. It’s going to break their hearts.Returning to India is an overwhelming experience for Priya. When she was growing up, summer was all about mangoes—ripe, sweet mangoes, bursting with juices that dripped down your chin, hands, and neck. But after years away, she sweats as if she’s never been through an Indian summer before. Everything looks dirtier than she remembered. And things that used to seem natural (a buffalo strolling down a newly laid asphalt road, for example) now feel totally chaotic.But Priya’s relatives remain the same. Her mother and father insist that it’s time they arranged her marriage to a “nice Indian boy.” Her extended family talks of nothing but marriage—particularly the marriage of her uncle Anand, which still has them reeling. Not only did Anand marry a woman from another Indian state, but he also married for love. Happiness and love are not the point of her grandparents’ or her parents’ union. In her family’s rule book, duty is at the top of the list.Just as Priya begins to feel she can’t possibly tell her family that she’s engaged to an American, a secret is revealed that leaves her stunned and off-balance. Now she is forced to choose between the love of her family and Nick, the love of her life.As sharp and intoxicating as sugarcane juice bought fresh from a market cart, The Mango Season is a delightful trip into the heart and soul of both contemporary India and a woman on the edge of a profound life change.