tell them that all the ideals and beliefs you ever had have crashed about your gun-deafened ears... and they will reply on pale mauve deckle-edged paper calling you a silly hysterical little girl."These are the thoughts of Helen Smith, one of "England's Splendid Daughters", an ambulance driver at the French front. Working all hours of the day and night, witness to the terrible wreckage of war, her firsthand experience contrasts sharply with her altruistic expectations. And one of her most painful realisations is that those like her parents, who preen themselves on visions of glory, have no concept of the devastation she lives with and no wish for their illusions to be shaken.

    Always an outcast himself, Genet was drawn to this displaced people, an attraction that was to prove as complicated for him as it was enduring. Prisoner of Love, written some ten years later, when many of the men Genet had known had been killed, and he himself was dying, is a beautifully observed description of that time and those men as well as a reaffirmation of the author's commitment not only to the Palestinian revolution but to rebellion itself. For Genet's most overtly political book is also his most personal—the last step in the unrepentantly sacrilegious pilgrimage first recorded in The Thief's Journal, and a searching meditation, packed with visions, ruses, and contradictions, on such life-and-death issues as the politics of the image and the seductive and treacherous character of identity. Genet's final masterpiece is a lyrical and philosophical voyage to the bloody intersection of oppression, terror, and desire, at the heart of the contemporary world.

    When ten-year-old Birahima's mother dies, he leaves his native village in the Ivory Coast, accompanied by the sorcerer and cook Yacouba, to search for his aunt Mahan. Crossing the border into Liberia, they are seized by rebels and forced into military service. Birahima is given a Kalashnikov, minimal rations of food, a small supply of dope and a tiny wage. Fighting in a chaotic civil war alongside many other boys, Birahima sees death, torture, dismemberment and madness but somehow manages to retain his own sanity. Raw and unforgettable, despairing yet filled with laughter, Allah Is Not Obliged reveals the ways in which children's innocence and youth are compromised by war.

    But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.

    Some people even say she’s shrewd, but that doesn’t make life any less confusing. Every day throws up new questions and some are too big for her to handle alone. Squirrelling away the difficult ones in her treasure chest, Butterfly creates a place of strength in her imagination. While her classmates turn to protest and violence, Butterfly finds her own form of resilience, her own secret way to find peace in a world of conflict and uncertainty. Written with ironic humour and touching idealism, Butterfly looks back at a turbulent summer in her early teens, drawing us into her world of adult hypocrisy, sibling rivalries, power struggles with her school friends, unrequited love... and the daily tensions of Palestinian life under military occupation. A teenage perspective on one of the most protracted conflicts of our times, Code Name: Butterfly is a story for all teens grappling with friendship, family and the emotional storms ahead.

    Before long, he has changed not only his name but his persona; visited by what seem to be ecstatic experiences, Jacob Frank casts a charismatic spell that attracts an increasingly fervent following. In the decade to come, Frank will traverse the Hapsburg and Ottoman empires with throngs of disciples in his thrall as he reinvents himself again and again, converts to Islam and then Catholicism, is pilloried as a heretic and revered as the Messiah, and wreaks havoc on the conventional order, Jewish and Christian alike, with scandalous rumors of his sect's secret rituals and the spread of his increasingly iconoclastic beliefs. The story of Frank--a real historical figure around whom mystery and controversy swirl to this day--is the perfect canvas for the genius and unparalleled reach of Olga Tokarczuk. Narrated through the perspectives of his contemporaries--those who revere him, those who revile him, the friend who betrays him, the lone woman who sees him for what he is--The Books of Jacob captures a world on the cusp of precipitous change, searching for certainty and longing for transcendence.

    From his time teaching side by side with Israelis at the Hebrew University through his appointment by Yasir Arafat to administer the Arab Jerusalem, he has held fast to the principles of freedom and equality for all, and his story dramatizes the consequences of war, partition, and terrorism as few other books have done. Once Upon a Country brings rare depth and compassion to the story of his country.

    The Vajkays—call them Mother and Father—live in Sárszeg, a dead-end burg in the provincial heart of the Austro-Hungarian Empire. Father retired some years ago to devote his days to genealogical research and quaint questions of heraldry. Mother keeps house. Both are utterly enthralled with their daughter, Skylark. Unintelligent, unimaginative, unattractive, and unmarried, Skylark cooks and sews for her parents and anchors the unremitting tedium of their lives.Now Skylark is going away, for one week only, it’s true, but a week that yawns endlessly for her parents. What will they do? Before they know it, they are eating at restaurants, reconnecting with old friends, and attending the theater. But this is just a prelude to Father’s night out at the Panther Club, about which the less said the better. Drunk, in the light of dawn Father surprises himself and Mother with his true, buried, unspeakable feelings about Skylark.Then, Skylark is back. Is there a world beyond the daily grind and life's creeping disappointments? Kosztolányi’s crystalline prose, perfect comic timing, and profound human sympathy conjure up a tantalizing beauty that lies on the far side of the irredeemably ordinary. To that extent, Skylark is nothing less than a magical novel.

    Patrick Lewis arrives in Toronto in the 1920s and earns his living searching for a vanished millionaire and tunneling beneath Lake Ontario. In the course of his adventures, Patrick's life intersects with those of characters who reappear in Ondaatje's Booker Prize-winning The English Patient. 256 pp.

    Young Patricio flees impoverished Spain and steps into the sultry island paradise of Havana with only the clothes on his back and half-baked dreams of a better life. Blessed with good looks and natural charm, he lands a job as a runner at El Encanto—one of the most luxurious department stores in the world.Famous for its exquisite offerings from French haute couture to Arabian silks, El Encanto indulges the senses in opulent extravagance. It caters to visiting Hollywood stars, rising politicos, and prerevolutionary Cuba’s wealthiest power players, including the notorious mobster César Valdés.Falling in love with the mobster’s young wife, Gloria, is suicide. But Patricio is irresistibly drawn to the beautiful girl with sad eyes, a razor-sharp intellect, and a penchant for both Christian Dior’s clothes and Einstein’s theories. Within the walls of El Encanto, anything seems possible, even a love that promises to heal them and a desire that thrums with the mambo beat of the city itself.In a reckless love affair that spans half a century, Patricio’s and Gloria’s lives entwine time and again, challenged by every twist of fate—for in a world of murder, betrayal, and revolution, those who dare to reach for paradise seldom survive unscathed.

    Humanity has migrated to domes at the bottom of the sea to escape devastating climate change. The world is dominated by powerful media conglomerates and runs on exploited cyborg labor. Momo prefers to keep to herself, and anyway she's too busy for other relationships: her clients include some of the city's best-known media personalities. But after meeting her estranged mother, she begins to explore her true identity, a journey that leads to questioning the bounds of gender, memory, self, and reality.First published in Taiwan in 1995, The Membranes is a classic of queer speculative fiction in Chinese. Chi Ta-wei weaves dystopian tropes--heirloom animals, radiation-proof combat drones, sinister surveillance technologies--into a sensitive portrait of one young woman's quest for self-understanding. Predicting everything from fitness tracking to social media saturation, this visionary and sublime novel stands out for its queer and trans themes. The Membranes reveals the diversity and originality of contemporary speculative fiction in Chinese, exploring gender and sexuality, technological domination, and regimes of capital, all while applying an unflinching self-reflexivity to the reader's own role. Ari Larissa Heinrich's translation brings Chi's hybrid punk sensibility to all readers interested in books that test the limits of where speculative fiction can go.

    The novel follows the family of Abu Jaafar, the bookbinder, his wife, widowed daughter-in-law, her two children, and his two apprentices as they witness Christopher Columbus and his entourage in a triumphant parade featuring exotic plants and animals and human captives from the New World. Embedded in the narrative is the preparation for the marriage of Saad, one of the apprentices, and Saleema, Abu Jaafar's granddaughter -- a scenario that is elegantly revealed in a number of parallel scenes. As the new rulers of Granada confiscate books and officials burn the collected volumes, Abu Jaafur quietly moves his rich library out of town. Persecuted Muslims fight to form an independent government, but increasing economic and cultural pressures on the Arabs of Spain and Christian rulers culminate in Christian conversions and Muslim uprisings. A tale that is both vigorous and heartbreaking, this novel will appeal to general readers of Spanish and Arabic literature as well as anyone interested in Christian-Muslim relations.

    In eighteen years of marriage they had built a family, a successful law practice, and a warm happy home near San Francisco, in a house on Hope Street. But one Christmas morning, in the midst of joy and children's laughter, tragedy strikes, and Liz is left alone, facing painful questions in the face of unbearable loss. How can she go on without her husband, her partner, her best friend?The months pass, and Liz finds the strength to return to work and tend to her children. Then a devastating accident sends her oldest son to hospital - and brings a doctor called Bill Webster into her life. As the long days of summer blend into autumn, a new relationship offers new hope. With the anniversary of her husband's death approaching, Liz will face one more crisis before she can look back at a year of mourning and change - and ahead to the beginning of a new life, in the house on Hope Street.

    And since we will never be able to master it, we will have to learn to live with it-just as we have learned to live with storms.* * *July 14, 1099. Jerusalem awaits the invasion of the crusaders who have surrounded the city's gates. There, inside the ancient city's walls, men and women of every age and every faith have gathered to hear the wise words of a mysterious man known only as the Copt. He has summoned the townspeople to address their fears with truth:"Tomorrow, harmony will become discord. Joy will be replaced by grief. Peace will give way to war.... None of us can know what tomorrow will hold, because each day has its good and its bad moments. So, when you ask your questions, forget about the troops outside and the fear inside. Our task is not to leave a record of what happened on this date for those who will inherit the Earth; history will take care of that. Therefore, we will speak about our daily lives, about the difficulties we have had to face."The people begin with questions about defeat, struggle, and the nature of their enemies; they contemplate the will to change and the virtues of loyalty and solitude; and they ultimately turn to questions of beauty, love, wisdom, sex, elegance, and what the future holds. "What is success?" poses the Copt. "It is being able to go to bed each night with your soul at peace."* * *Now, these many centuries later, the wise man's answers are a record of the human values that have endured throughout time. And, in Paulo Coelho's hands, The Manuscript Found in Accra reveals that who we are, what we fear, and what we hope for the future come from the knowledge and belief that can be found within us, and not from the adversity that surrounds us.

    Here Jansson takes a darker look at the subjects that animate the best of her work, from her sensitive tale of island life, The Summer Book, to her famous Moomin stories: solitude and community, art and life, love and hate. Snow has been falling on the village all winter long. It covers windows and piles up in front of doors. The sun rises late and sets early, and even during the day there is little to do but trade tales. This year everybody’s talking about Katri Kling and Anna Aemelin. Katri is a yellow-eyed outcast who lives with her simpleminded brother and a dog she refuses to name. She has no use for the white lies that smooth social intercourse, and she can see straight to the core of any problem. Anna, an elderly children’s book illustrator, appears to be Katri’s opposite: a respected member of the village, if an aloof one. Anna lives in a large empty house, venturing out in the spring to paint exquisitely detailed forest scenes. But Anna has something Katri wants, and to get it Katri will take control of Anna’s life and livelihood. By the time spring arrives, the two women are caught in a conflict of ideals that threatens to strip them of their most cherished illusions.