A Catholic schoolboy playing football has a theological debate with a Protestant policeman; a chess game in Spain is a catalyst for grief and redemption; in the haunting title story a Belfast man out walking his dog is kidnapped at gunpoint.As always, MacLaverty's writing is vivid, exact, and pellucid, his characters perfectly observed, the surface of the prose deceptively still. It is only after we enter the world of the stories that we begin to make out the huge shapes that move there: loss, love, disappointment, fierce joy. This is a powerful, honest, and moving book by one of the great storytellers of our age.

    When he died, at the age of 41, he was arguably the most celebrated Irish writer of the twentieth century.After the Wake is a collection of seven prose works and a series of articles. It includes all that exists of an unfinished novel, 'The Catacombs', and pieces together items whose comic and fanciful accounts evoke Flann O'Brien. Also featured are works of acknowledged excellence, 'The Confirmation Suit' and 'A Woman of No Standing'. This writing bears all the hallmarks of the author's talent - an ability to bring characters to life quickly and unforgettably, a sharp ear for dialogue and dialect, and a natural vocation for story-telling.This diverse collection is a delightful and entertaining windfall from one of Ireland's most colourful writers. An essential complement to Behan's master works.

    My heart is broken and my failure is total.A bomb is born, lives and dies in a rural secondary school; Ireland becomes a dumping ground for corpses; one family’s genealogy begins in tragedy in 1574 and ends in something far worse in 2111; a strange tribal matriarchy on the banks of the River Boyne is threatened with extermination.Over the course of these stories, the world breaks down in an endless cycle of hunger, desperation, violence and domination, and we find a humanity left tender, collapsed, and full of a beautiful, primeval innocence.Fagan’s raw blend of verve, humour, imagination and warmth surges through these pages, revealing a world rendered both hopeful and disturbing, human and other, that is at once familiar and extraordinary.

    Her coffin is pulled to the church on a sledge by Peter, a young man engulfed by his first feelings of love for an older, unattainable woman. Elsewhere, an old woman searches desperately for a wedding dress in her dream of love. When the electricity fails, a lonely headmaster is forced to close his school and in shadowy candlelight he is tempted into indiscretion. Meanwhile, in the very heart of the city, the purity of snow is tainted by the murder of a young woman, and as one man begins to unravel the dark secrets of the city, he knows he is in race against time-to find the murderer before the snow melts. PDavid Park peers into the souls of his characters with an insight and compassion that makes this flawed slice of humanity somehow glorious. He is a writer of rare dignity and talent.

    Soon, Dusty is able to accomplish a great deal: she works long hours and is made senior partner at her firm, she keeps her own flat, and she falls hopelessly and irresponsibly in love with a married man. But, when her father telephones to report some disturbing news, Dusty must return home for the winter. There, heartbroken but still dutiful, Dusty finally reunites with her oldest friends.         First published in the US as part of her encouraging book of missives to aspiring writers, The Maeve Binchy Writers’ Club, “Dusty’s Winter” is essential Maeve. Inspiring and down-to-earth, her stories are full of the stuff of everyday life. Ireland’s “best-loved writer of her generation,” Maeve Binchy often wrote about ordinary life in small-town Ireland, and she is fondly remembered for the warmth and generosity of her prose.   Maeve Binchy has received a Lifetime Achievement Award at the British Book Awards in 1999 and the Irish PEN/A.T. Cross Award in 2007 and is the author of many bestselling books including Maeve’s Times, Chestnut Street, and A Week in Winter.   An eBook short.

    The dialogue crackles with hilarious, caustic putdowns as the indomitable Maggie deals with her feckless family and unwanted suitors. Everyone wants a part of Big Maggie and her property but she has other ideas.

    But before long, she discovers how little she really knew about the man she married.Lies, betrayal and double-crossing shock to the core, and treachery that threatens to destroy more than a marriage…

    Author of the New York Times bestsellers “Let the Great World Spin” and “Transatlantic,” McCann has been called “a giant among us” (Peter Carey), “dazzlingly talented” (O: The Oprah Magazine), and “that rare species in contemporary fiction: a literary writer who is an exceptional storyteller” (The Independent). He’s received a National Book Award, an Oscar nomination, and a slew of international prizes. His talents are on full display in his new short story, “Gone,” a deeply affecting literary thriller about a mother and son, alone in a cottage on the west coast of Ireland, and the search that ensues when the boy—whom she adopted years before, deaf and with “already a whole history written in him”—goes missing. He slips away in early morning, down to the cold sea with his new Christmas wetsuit, and as the hours and days drag on, the coast guard, police, dogs, fishermen, farmers, and schoolchildren holding hands search the sea and walk the fields while the television crews and detectives come and go, the police at the cottage seeming to “ghost into one another: almost as if they could slip into one another’s faces.” The mother, Rebecca, now under suspicion, is racked with guilt over the decisions that led to her son’s disappearance, and tormented by the judgment of others: "You bought what? A wetsuit? Why in the world? What sort of mother? How much wine did you drink?" For Rebecca, “every outcome was unwhisperable.” “Gone” is a charged narrative that propels you forward, heart in your throat, and a moving, intimate look at life’s struggles toward grace and a kind of redemption.

    McGahern's short stories equal his finest novels, reflecting both the richness of the ordinary, and the extraordinary, in the lives of a variety of individuals: the jilted lover waiting with would-be writers in a Dublin pub on a summer evening; the bitter climax between a father and son as a marriage begins; the fortunes and misfortunes of the Kirkwood family; and many more.For this revised edition, completed shortly before his death, John McGahern edited and deleted a number of stories from the Collected Stories that first appeared in 1992. This is the authorised edition of a modern classic.

    The eight short stories of this collection have a dual theme: Ireland - its people, its personality - and woman - woman betrayed, or sacrificed, innocence involuntarily lost, happiness stolen or mislaid..

    But when he retires, his Irish-born wife, Mary, wants to leave America and go home -- where the ocean is near and the butter has flavor.Somewhat grudgingly, Lyle agrees, but during their years in Galway, they discover that the surprises of life are not over. Going home is more complicated than butter and the bay, and thirty content years does not mean that a couple is immune to romantic intrigue. In this new life, while Mary and Lyle are rediscovering each other and building a richer life together, an unexpected event forces Lyle to decide where his home truly is.Told in "quiet stories with emotions like old stepping-stones that have sunk beneath the surface" (Christian Science Monitor), Beth Lordan's evocative and heartfelt novel explores the complex emotional terrain of mature marital relationships.

    This book, which won raves at its first publication, shows all the hallmarks of the writer who became the award-winning film director so well known today.

    Upon his father's sudden death in Dublin, Sheridan finds out about his father's almost fifty-year relationship with Doris, an Englishwoman who was both less and far more than a mistress. Sheridan elegantly describes his search for the truth in the face of resistance from his mother, who falls fatally ill. He eventually meets Doris and learns that she never married, living only for her brief meetings with Sheridan's father. This beautifully written portrait of a marriage forces us, like Sheridan himself, to face truths of the heart that refuse to conform to the easy verities of convention.

    

     What the Footman saw . . . In 1930s Ireland, Joe Grady becomes the footman at the stately home Cliffenden, owned by the glamorous Fullerton family. Joe is enthralled by the intrigue and scandal above stairs, and soon becomes a favourite of the daughter of the house, Cassie. There is mounting pressure on Cassie to marry American banker Wally Stanton. But Cassie is having a secret affair with the unsuitable Bowden Grey. What the Footman did . . . When Cassie and Bowden’s affair is discovered in disgraceful circumstances, the lovers are banned from seeing each other. Joe risks his position at Cliffenden, becoming a messenger between them, until he finds himself making a choice that will change the lives of everyone at Cliffenden forever. Decades later, Joe has achieved great success as a barrister. When suddenly Cassieis arrested for a sensational crime, he sets out to discover what happened to her in the intermittent years. He realises his actions at Cliffenden set off a chain of events that led to murder. But is Cassie guilty? Innocent or guilty, can Joe ever make amends for his part in her downfall?