These spare and unsentimental stories display how two very different people -- a tough-minded and tenderhearted woman and an urbane, old-fashioned older man -- fall in love despite their differences, get married, and give birth to a child.8 stories: Frank and Billy French Movie A Little Something Another Marvelous Thing A Country Wedding A Couple of Old Flames [originally titled Old Flames] Swan Song My Mistress

    It’s July 1921, “flickers” are all the rage, and Irene Van Beck has just declared her own independence by jumping off a moving train to escape her fate in a traveling burlesque show. When her friends, fellow dancer Millie Martin and comedian Henry Weiss, leap after her, the trio finds their way to the bright lights of Hollywood with hopes of making it big in the burgeoning silent film industry.At first glance, Hollywood in the 1920s is like no other place on earth—iridescent, scandalous, and utterly exhilarating—and the three friends yearn for a life they could only have dreamed of before. But despite the glamour and seduction of Tinseltown, success doesn’t come easy, and nothing can prepare Irene, Millie, and Henry for the poverty, temptation, and heartbreak that lie ahead. With their ambitions challenged by both the men above them and the prejudice surrounding them, their friendship is the only constant through desperate times, as each struggles to find their true calling in an uncertain world. What begins as a quest for fame and fortune soon becomes a collective search for love, acceptance, and fulfillment as they navigate the backlots and stage sets where the illusions of the silver screen are brought to life.With her “trademark wit and grace” (Randy Susan Meyers, author of The Murderer’s Daughters), Juliette Fay crafts another radiant and fascinating historical novel as thrilling as the bygone era of Hollywood itself.

    Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted.As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist.This volume includes a foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.

    Clever, capable, and as headstrong as her red hair suggests, she’s determined to better herself despite the overwhelming hardships of the Great Depression.However, Maeve also has a dangerous fondness for strange men and bootleg gin—a rebellious appetite that soon finds her spiraling downward, leading a double life. When the strain proves too much, Maeve becomes an unwilling patient in a psychiatric hospital, where she strikes up a friendship with an enigmatic young woman, who, like Maeve, is unable or unwilling to control her un-lady-like desire for freedom.Once out, Maeve faces starting over again. Armed with a bottle of bleach and a few white lies, she lands a job at an eccentric antiques shop catering to Boston’s wealthiest and most peculiar collectors. Run by an elusive English archeologist, the shop is a haven of the obscure and incredible, providing rare artifacts as well as unique access to the world of America’s social elite. While delivering a purchase to the wealthy Van der Laar family, Maeve is introduced to beautiful socialite Diana Van der Laar—only to discover she’s the young woman from the hospital.Reunited with the charming but increasingly unstable Diana and pursued by her attractive brother James, Mae becomes more and more entwined with the Van der Laar family—a connection that pulls her into a world of moral ambiguity and deceit, and ultimately betrayal. Bewitched by their wealth and desperate to leave her past behind, Maeve is forced to unearth her true values and discover how far she’ll to go to reinvent herself.

    Two sisters quarrel over an inheritance and a new baby; a child awake in the night explores the familiar rooms of her home, strange in the dark; a housekeeper caring for a helpless old man uncovers secrets from his past. The first steps into a turning point and a new life are made so easily and carelessly: the stories focus in on crucial moments of transition, often imperceptible to the protagonists. A girl accepts a lift in a car with some older boys, or a young woman reads the diaries she comes across when she’s housesitting. Small acts have large consequences, and some of them reverberate across decades; things fantasised in private can reach out to affect other people, for better and worse. An older woman recovering from serious illness speaks to a lonely young man on a train; an old friend brings bad news to a dinner party; a schoolteacher in the throes of a painful affair in 1914 has mixed feelings about her pupils’ suffragette craze. The real things that happen to people, the accidents that befall them, are every bit as mysterious as their longings and their dreams.Bad Dreams shows yet again that Tessa Hadley is a master of her art, one of the very finest writers at work in Britain today.

    Now, she reaches new, uncanny heights with And I Do Not Forgive You. In “Mildly Happy, With Moments of Joy,” a friend is ghosted by a simple text message; in “Everyone’s a Winner at Meadow Park,” a teen precariously coming of age in a trailer park befriends an actual ghost. At once humorous and unapologetically fierce, these stories shine an interrogating light on the adage that “history likes to lie about women”— as the subjects of “A Short and Speculative History of Lavoisier’s Wife” and “You Won’t Believe What Really Happened to the Sabine Women” (it’s true, you won’t) will attest. Blending fairy tales and myths with apocalyptic technologies, all tethered intricately by shades of rage, And I Do Not Forgive You offers a mosaic of an all-too-real world that fails to listen to its silenced goddesses.Mildly unhappy, with moments of joy --You won't believe what really happened to the Sabine women --A place for hiding precious things --Everyone's a winner in Meadow Park --A short and slightly speculative history of Lavoisier's wife --We destroy the Moon --In which Athena designs a video game with the express purpose of trolling her father --Is the future a nice place for girls --Our mutual (theater) friend --The dry cleaner from Des Moines --The eyes of Saint Lucy --We were a storybook back then --Rabbit by rabbit --Through the looking-glass --The noises from the neighbors upstairs --Our geographic history --Death deserves all caps --A wholly new and novel act, with monsters --When the husband grew wings --The language of the stars --Mildly joyful, with moments of extraordinary unhappiness --Tour of the cities we have lost

    Lost, lonely, and doubting everything he felt he knew about marriage and love—even as his eighty-year-old father begins to date again—Benjamin is trying to put his life back together when he recognizes someone down the street: his high school crush, the untouchable Audrey Martin. Audrey has just moved to the neighborhood with her high-powered lawyer husband and their rebellious teenager, Emily. As it turns out, Audrey isn’t so untouchable anymore, and she and Benjamin begin to discover, in each other’s company, answers to many of their own deepest longings. Meanwhile, as the neighborhood is wracked by a mysterious series of robberies, Audrey seems to be hiding a tragic secret, and her husband, Andrew, becomes involved in a dangerous professional game he can never win. And, by the way, who is paying attention to Emily?Powerful, provocative, and psychologically gripping, Housebreaking explores the ways that two families—and four lives—can all too easily veer off track, losing sight of everyone, and everything, they once held dear. Like the best from Tom Perrotta and Rick Moody, who capture the darker truths of modern suburban life, this literary triumph from an immensely talented writer offers an insightful and funny, yet terrifyingly authentic portrait of modern suburban life that reveals, hauntingly, how little we know of one another’s lives.

    Poe and Twain’s End, comes a powerful novel set in the Midwest during the Great Depression, about two sisters bound together by love, duty, and pain. Ruth has been single-handedly raising four young daughters and running her family’s Indiana farm for eight long years, ever since her husband, John, fell into a comatose state, infected by the infamous “sleeping sickness” devastating families across the country. If only she could trade places with her older sister, June, who is the envy of everyone she meets: blonde and beautiful, married to a wealthy doctor, living in a mansion in St. Paul. And June has a coveted job, too, as one of “the Bettys,” the perky recipe developers who populate General Mills’ famous Betty Crocker test kitchens. But these gilded trappings hide sorrows: she has borne no children. And the man she used to love more than anything belongs to Ruth. When the two sisters reluctantly reunite after a long estrangement, June’s bitterness about her sister’s betrayal sets into motion a confrontation that’s been years in the making. And their mother, Dorothy, who’s brought the two of them together, has her own dark secrets, which might blow up the fragile peace she hopes to restore between her daughters. An emotional journey of redemption, inner strength, and the ties that bind families together, for better or worse, The Sisters of Summit Avenue is a heartfelt love letter to mothers, daughters, and sisters everywhere.

    Her apocalyptic vision of life is expressed through grotesque, often comic situations in which the principal character faces a problem of salvation: the grandmother, in the title story, confronting the murderous Misfit; a neglected four-year-old boy looking for the Kingdom of Christ in the fast-flowing waters of the river; General Sash, about to meet the final enemy. Stories include:"A Good Man Is Hard to Find""The River""The Life You Save May Be Your Own""A Stroke of Good Fortune""A Temple of the Holy Ghost""The Artificial Nigger""A Circle in the Fire""A Late Encounter with the Enemy""Good Country People""The Displaced Person"©1955 Flannery O'Connor; 1954, 1953, 1948 by Flannery O'Connor; renewed 1983, 1981 by Regina O'Connor; renewed 1976 by Mrs. Edward F. O'Connor; (P)2010 Blackstone Audio, Inc.

    For Wisconsinites Marnie, Laverne and Rita, life isn't working out so well. Each is biding time, waiting for something better, something to transport them out of what their lives have recently become. And then there's Jazzy: bubbly, positive, and happy even though she hears voices of the departed. Brought together by a chance meeting, the women decide to join Marnie on a road trip from Wisconsin to Las Vegas where she intends to reunite with Troy, the boy she raised as her own—and who she’s been separated from since her boyfriend’s death. Little do they know that as the road trip unfolds, so will their lives—in directions they never anticipated. Humorous, heartwarming, and bittersweet, the journey has something special in store for each woman.

    Theresa Marshall of Fifth Avenue and Southampton, Long Island, has done the unthinkable: she's fallen in love with her young paramour, Captain Octavian Rofrano, a handsome aviator and hero of the Great War. An intense and deeply honorable man, Octavian is devoted to the beautiful socialite of a certain age and wants to marry her. While times are changing and she does adore the Boy, divorce for a woman of Theresa's wealth and social standing is out of the question, and there is no need; she has an understanding with Sylvo, her generous and well-respected philanderer husband.But their relationship subtly shifts when her bachelor brother, Ox, decides to tie the knot with the sweet younger daughter of a newly wealthy inventor. Engaging a longstanding family tradition, Theresa enlists the Boy to act as her brother's cavalier, presenting the family's diamond rose ring to Ox's intended, Miss Sophie Fortescue—and to check into the background of the little-known Fortescue family. When Octavian meets Sophie, he falls under the spell of the pretty ingénue, even as he uncovers a shocking family secret. As the love triangle of Theresa, Octavian, and Sophie progresses, it transforms into a saga of divided loyalties, dangerous revelations, and surprising twists that will lead to a shocking transgression ... and eventually force Theresa to make a bittersweet choice.Full of the glamour, wit and delicious twists that are the hallmarks of Beatriz Williams' fiction and alternating between Sophie's spirited voice and Theresa's vibrant timbre, A Certain Age is a beguiling reinterpretation of Richard Strauss's comic opera Der Rosenkavalier, set against the sweeping decadence of Gatsby's New York.

    A new college student, she is caught between the broken home she leaves behind and the wilderness of campus life. What she needs most is her mother, who has seemingly disappeared, and her brother, who left the family tragically a few years prior.As Agnes falls into new romance, mines female friendships for intimacy, and struggles to find her footing, she writes letters to her mother, both to conjure a closeness they never had and to try to translate her experiences to herself. When she finds out she is pregnant, Agnes begins to contend with what it means to be a mother and, in some ways, what it means to be your own mother.

    “Why would I talk to you about my life? I don't know you, and even if I did, I don't tell my story to just any boy with long hair, who probably smokes weed. You wanna hear about me. You gotta tell me something about you. To make this worth my while.”1925: Chicago is the jazz capital of the world, and the Dreamland Café is the ritziest black-and-tan club in town. Honoree Dalcour is a sharecropper’s daughter, willing to work hard and dance every night on her way to the top. Dreamland offers a path to the good life, socializing with celebrities like Louis Armstrong and filmmaker Oscar Micheaux. But Chicago is also awash in bootleg whiskey, gambling, and gangsters. And a young woman driven by ambition might risk more than she can stand to lose. 2015: Film student Sawyer Hayes arrives at the bedside of 110-year-old Honoree Dalcour, still reeling from a devastating loss that has taken him right to the brink. Sawyer has rested all his hope on this frail but formidable woman, the only living link to the legendary Oscar Micheaux. If he’s right—if she can fill in the blanks in his research, perhaps he can complete his thesis and begin a new chapter in his life. But the links Honoree makes are not ones he’s expecting... Piece by piece, Honoree reveals her past and her secrets, while Sawyer fights tooth and nail to keep his. It’s a story of courage and ambition, hot jazz and illicit passions. And as past meets present, for Honoree, it’s a final chance to be truly heard and seen before it’s too late. No matter the cost...

    The protagonist of Ron Currie, Jr.’s new novel has a problem­—or rather, several of them. He’s a writer whose latest book was destroyed in a fire. He’s mourning the death of his father, and has been in love with the same woman since grade school, a woman whose beauty and allure is matched only by her talent for eluding him. Worst of all, he’s not even his own man, but rather an amalgam of fact and fiction from Ron Currie’s own life. When Currie the character exiles himself to a small Caribbean island to write a new book about the woman he loves, he eventually decides to fake his death, which turns out to be the best career move he’s ever made. But fame and fortune come with a price, and Currie learns that in a time of twenty-four-hour news cycles, reality TV, and celebrity Twitter feeds, the one thing the world will not forgive is having been told a deeply satisfying lie. What kind of distinction could, or should, be drawn between Currie the author and Currie the character?  Or between the book you hold in your hands and the novel embedded in it? Whatever the answers, Currie, an inventive writer always eager to test the boundaries of storytelling in provocative ways, has essential things to impart along the way about heartbreak, reality, grief, deceit, human frailty, and blinding love.

    In "Blythe," an attorney who has become a stay-at-home mother takes a night class in poetry and meets another full-time mother, one whose charismatic brilliance changes everything. In "The Wife of the Dictator," that eponymous wife ("brought back . . . from [the dictator's] last visit to America") grows more desperately, menacingly isolated every day. In "Delicate Edible Birds," a group of war correspondents--a lone, high-spirited woman among them--falls sudden prey to a brutal farmer while fleeing Nazis in the French countryside. In "Lucky Chow Fun," Groff returns us to Templeton, the setting of her first book, for revelations about the darkness within even that idyllic small town. In some of these stories, enormous changes happen in an instant. In others, transformations occur across a lifetime--or several lifetimes. Throughout the collection, Groff displays particular and vivid preoccupations. Crime is a motif--sex crimes, a possible murder, crimes of the heart. Love troubles recur--they're in every story--love in alcoholism, in adultery, in a flood, even in the great flu epidemic of 1918. Some of the love has depths, which are understood too late; some of the love is shallow, and also understood too late. And mastery is a theme--Groff's women swim and baton twirl, become poets, or try and try again to achieve the inner strength to exercise personal freedom. Overall, these stories announce a notable new literary master. Dazzlingly original and confident, Delicate Edible Birds further solidifies Groff's reputation as one of the foremost talents of her generation.