He is a writer, observes the "Chicago Tribune," who can "convincingly squeeze whole lives into a mere twenty pages or so." Now Chaon marshals his notable talents in his much-anticipated debut novel. "You Remind Me of Me" begins with a series of separate incidents: In 1977, a little boy is savagely attacked by his mother's pet Doberman; in 1997 another little boy disappears from his grandmother's backyard on a sunny summer morning; in 1966, a pregnant teenager admits herself to a maternity home, with the intention of giving her child up for adoption; in 1991, a young man drifts toward a career as a drug dealer, even as he hopes for something better. With penetrating insight and a deep devotion to his characters, Dan Chaon" "explores the secret connections that irrevocably link them. In the process he examines questions of identity, fate, and circumstance: Why do we become the people that we become? How do we end up stuck in lives that we never wanted? And can we change the course of what seems inevitable? In language that is both unflinching and exquisite, Chaon moves deftly between the past and the present in the small-town prairie Midwest and shows us the extraordinary lives of "ordinary" people.

    She sees an unsettled life for Alia and her children; she also sees travel, and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is uprooted in the wake of the Six-Day War of 1967.   Salma is forced to leave her home in Nablus; Alia’s brother gets pulled into a politically militarized world he can’t escape; and Alia and her gentle-spirited husband move to Kuwait City, where they reluctantly build a life with their three children. When Saddam Hussein invades Kuwait in 1990, Alia and her family once again lose their home, their land, and their story as they know it, scattering to Beirut, Paris, Boston, and beyond. Soon Alia’s children begin families of their own, once again navigating the burdens (and blessings) of assimilation in foreign cities.   Lyrical and heartbreaking, Salt Houses is a remarkable debut novel that challenges and humanizes an age-old conflict we might think we understand—one that asks us to confront that most devastating of all truths: you can’t go home again.

    Thirty years later, Alex and Christine are spending a leisurely summer’s evening at home when they receive a call from a distraught Lydia: she is at the hospital. Zach is dead.In the wake of this profound loss, the three friends find themselves unmoored; all agree that Zach, with his generous, grounded spirit, was the irreplaceable one they couldn’t afford to lose. Inconsolable, Lydia moves in with Alex and Christine. But instead of loss bringing them closer, the three of them find over the following months that it warps their relationships, as old entanglements and grievances rise from the past, and love and sorrow give way to anger and bitterness.The lives of two close-knit couples are irrevocably changed by an untimely death in the latest from Tessa Hadley, the acclaimed novelist and short story master who “recruits admirers with each book” (Hilary Mantel).

    One of its greatest strengths is its continuous ability to defy expectations. It's not what you think. It is worse. Lizzy Mitchell was raised from the age of two by her uncle, a Catholic priest. When she was nine, he was falsely accused of improprieties with her and dismissed from his church, and she was sent away to boarding school. Now thirty years old and in a failing marriage, she is nearly killed in a traffic accident. What she discovers when she sets out to find the truths surrounding the accident and about the accusations that led to her uncle's death does more than change her life. With deft insight into the snares of the human heart, Monica Wood has written an intimate and emotionally expansive novel full of understanding and hope.

    Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa—a large, silent house now bereft of brothers, husband, and even servants—life is about to be transformed, as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.With the arrival of Lilian and Leonard Barber, a modern young couple of the “clerk class,” the routines of the house will be shaken up in unexpected ways. Little do the Wrays know just how profoundly their new tenants will alter the course of Frances’s life—or, as passions mount and frustration gathers, how far-reaching, and how devastating, the disturbances will be.

    She's grown up in the spotlight, both idolized and despised for her family's fire-and-brimstone brand of faith. When Essie's mother, Celia, discovers that Essie is pregnant, she arranges an emergency meeting with the show's producers: Do they sneak Essie out of the country for an abortion? Do they pass the child off as Celia's? Or do they try to arrange a marriage—and a ratings-blockbuster wedding? Meanwhile, Essie is quietly pairing herself up with Roarke Richards, a senior at her school with a secret of his own to protect. As the newly formed couple attempt to sell their fabricated love story to the media—through exclusive interviews with an infamously conservative reporter named Liberty Bell—Essie finds she has questions of her own: What was the real reason for her older sister leaving home? Who can she trust with the truth about her family? And how much is she willing to sacrifice to win her own freedom?

    When a young graduate student and his pregnant wife—Fred and Rose Nemser—move into Shirley and Stanley’s home in the fall of 1964, they are quickly cast under the magnetic spell of their brilliant and proudly unconventional hosts.While Fred becomes preoccupied with his teaching schedule, Rose forms an unlikely, turbulent friendship with the troubled and unpredictable Shirley. Fascinated by the Hymans’ volatile marriage and inexplicably drawn to the darkly enigmatic author, Rose nonetheless senses something amiss—something to do with nightly unanswered phone calls and inscrutable accounts of a long-missing female student. Chillingly atmospheric and evocative of Jackson’s own classic stories, Shirley is an elegant thriller with one of America’s greatest horror writers at its heart.

    On the fifth of July, RL and June go down to the river with a bottle of Johnnie Walker Red to commemorate Taylor’s fiftieth and last birthday. Taylor was RL’s boyhood friend and June’s husband, but after eleven years, June, a childless hospice worker, finally declares she’s “nobody’s widow anymore.” Anxious for a new beginning, June considers selling her beloved house. RL, a divorced  empty-nester, faces a major change, too, when he agrees to lodge his college girlfriend, Betsy, while she undergoes chemotherapy. Caught between Betsy’s anguish and June’s hope, the cynical RL is brought face-to-face with his own sense of futility, and the longing to experience the kind of love that “knocks you down.” Set in Montana, reflecting the beauty of its landscape and the independence of its people, Everything is a shimmering novel about unexpected redemption by a writer of deep empathy and prodigious talents.

    Their mother is all alone, only thirty-one years of age, with three young children and a Labrador. It is no wonder, when you put it like that, that she becomes a menace and a drunk. And a playwright.Worried about the bad playwriting - though more about becoming wards of court and being sent to the infamous Crescent Home for Children - Lizzie and her sister decide to contact, by letter, suitable men in the area. In order to stave off the local social worker they urgently need to find a new Man at the Helm.

    It is a stunning work: a complex tapestry of family tensions, baseball, politics and religion, by turns hilariously funny and agonizingly sad. Highly inventive formally, the novel is mainly narrated by Kincaid Chance, the youngest son in a family of four boys and identical twin girls, the children of Hugh Chance, a discouraged minor-league ballplayer whose once-promising career was curtained by an industrial accident, and his wife Laura, an increasingly fanatical Seventh-Day Adventist. The plot traces the working-out of the family's fate from the beginning of the Eisenhower years through the traumas of Vietnam.

    Scott, his brother, believes that his life is going to fall apart, and that everyone he loves will leave him. Doris, their mother, believes that she has nothing to lose by revealing a 60-year-old family secret. This hysterically biting and ultimately redeeming novel by Noah Hawley proves them all rightand wrongwhile answering some of life's biggest questions. Like, how did Scott end up with two wonderful wives simultaneously? And why can't David manage to keep even one dysfunctional relationship going? It all comes down to love and families and what you believe inand, maybe, forgiveness.

    Seasons in their tiny rustic home were peppered with wilderness hikes, building shelters from pine boughs and telling stories by the fire with their doting father and beautiful, adventurous mother. But at night, Maggie—a born worrier—would count the freckles on her father’s weathered arms, listening for the peal of her mother’s laughter in the kitchen, and never stop praying to keep them all safe from harm. Then her worst fears come true: Not long after Maggie’s tenth birthday, their father is killed in a logging accident, and a few months later, their mother abruptly drops the girls at a neighbor’s house, promising to return. She never does. With deep compassion and sparkling prose, Frances Greenslade’s mesmerizing debut takes us inside the extraordinary strength of these two girls as they are propelled from the quiet, natural freedom in which they were raised to a world they can’t begin to fathom. Even as the sisters struggle to understand how their mother could abandon them, they keep alive the hope that she is fighting her way back to the daughters who adore her and who need her so desperately. Heartwarming and lushly imagined, Shelter celebrates the love between two sisters and the complicated bonds of family. It is an exquisitely written ode to sisters, mothers, daughters, and to a woman’s responsibility to herself and those she loves.

    Neither wife nor widow, she lives in a numb state of limbo until, in the heat of an English summer, she meets Bill, a black American GI. Despite their vastly different backgrounds, neither can deny the love that overcomes them in the frantic weeks that follow, when every day could be their last.After Eva discovers she’s pregnant, Bill is shipped off to join the D-day fight, leaving her alone in a bigoted world. As her mixed-race daughter, Louisa, grows up, how far will Eva go to keep her safe and bury the past? And how far will Louisa go to uncover the truth?

    When Joel Litvinoff is felled by a stroke, his wife, Audrey, uncovers a secret that forces her to re-examine her ideas about their forty-year marriage. Joel’s children will soon have to come to terms with this unsettling discovery themselves, but for the time being, they are grappling with their own dilemmas. Rosa is being pressed to make a commitment to religion. Karla is falling in love with the owner of a newspaper concession and Lenny is back on drugs. In the course of battling their own demons and each other, every member of the family is called upon to re-examine long-held articles of faith and to decide what – if anything – they still believe in.

    They are sisters by marriage with an impenetrable bond forged before and during that dramatic night; but as the years progress, small cracks start to appear and their once deep friendship begins to unravel. No one knows why, and no one can stop it. One misguided choice; one moment of tragedy. Heartbreak wars with happiness and almost but not quite wins.From debut novelist Lynda Cohen Loigman comes The Two-Family House, a moving family saga filled with heart, emotion, longing, love, and mystery."Two families, both living in one house, drive an exquisitely written novel of love, alliances, the messiness of life and long buried secrets. Loigman's debut is just shatteringly wonderful and I can't wait to see what she does next." - Caroline Leavitt, New York Times bestselling author of Is This Tomorrow and Pictures of You"No good deed goes unpunished. In a single, intensely charged moment, two women come to a private agreement meant to assure each other's happiness. But as Lynda Cohen Loigman deftly reveals, life is not so simple, especially when it involves two families, tightly intertwined. The Two-Family House is sympathetically observed and surely plotted all the way through to its deeply satisfying conclusion." - Christina Schwarz, author of Drowning Ruth (an Oprah's Book Club pick) and national bestseller The Edge of the Earth