Her idea blossomed into this striking and highly original work of narrative nonfiction, an account of her search for meaning within the stories of her ancestors.In a series of short meditations, Petrowskaja delves into family legends, introducing a remarkable cast of characters: Judas Stern, her great-uncle, who shot a German diplomatic attaché in 1932 and was sentenced to death; her grandfather Semyon, who went underground with a new name during the Bolshevik Revolution in Russia, forever splitting their branch of the family from the rest; her grandmother Rosa, who ran an orphanage in the Urals for deaf-mute Jewish children; her Ukrainian grandfather Vasily, who disappeared during World War II and reappeared without explanation forty-one years later—and settled back into the family as if he’d never been gone; and her great-grandmother, whose name may have been Esther, who alone remained in Kiev and was killed by the Nazis.How do you talk about what you can’t know, how do you bring the past to life? To answer this complex question, Petrowskaja visits the scenes of these events, reflecting on a fragmented and traumatized century and bringing to light family figures who threaten to drift into obscurity. A true search for the past reminiscent of Jonathan Safran Foer’s Everything Is Illuminated, Daniel Mendelsohn’s The Lost, and Michael Chabon’s Moonglow, Maybe Esther is a poignant, haunting investigation of the effects of history on one family.

    The fate of an entire family…Berlin, 1933. Erich, a Jew, and Hilde, a Christian, are a young couple, the parents of Yvonne, and owners of a small book publishing firm. With Hitler’s rise to power and the persecution of Jews, their lives are destroyed in an instant.The Nazis burn their books and, fearing for their lives, the family is forced to escape to Holland.The many hardships, however, tear the family apart when Hilde chooses to return to Germany together with Yvonne, leaving Erich, who immigrates to Palestine. Will he ever see his family again?The Last Visit to Berlin is a saga that spreads over one hundred years in the lives of the members of the Freyer family. The novel follows the most difficult moments the family went through. It tells the story of the tragic destiny suffered by generation after generation in Germany and in the Land of Israel, reliving their shattered beliefs and documenting their stubborn insistence on living a good life under the shadow of memories and loss.

    Abram and Julia Bobrow escaped from the Nazi death squads and fled to the vast forests of Byelorussia where they learned to survive with little food, shelter or warm clothing. Finally adapting to the severe conditions, they began to do little things like cutting telephone wires or tearing up railroad tracks. Still, they were never more than one step ahead of the SS and their auxiliaries—units bent on destroying the partisan movement and ridding Europe of its Jewish population. Most partisan groups were made up of Soviet soldiers and they wouldn't accept anyone who didn't have their own weapons. Julia was lucky and was accepted to a Russian group as a nurse; Abram’s group consisted of himself, his brother Label and his father. They had a sawed-off rifle and one pistol with six bullets. Abram and Label used their first two bullets to kill two peasants that had turned in their aunt and her children for blood money. The story is told in Abram's own words.

    Would she have made it on her own? Who knows, even with Livia’s remarkable resilience which she still exhibits today in her nineties. It was Rose, with her desire to protect Livia and her instincts for survival that kept them, time and time again, from the many dangers which could have cost both of them their lives. From the moment they were on the transport to Auschwitz, and then saw their mother, along with Rose’s little son taken away and sent to the gas chambers, it was Rose who seem to anticipate what lay ahead. Maybe it was an extra morsel of food that could be obtained or an article of warm clothing. Rose always came through, even at great risk. Two Sisters is so much more than a story of survival during the Holocaust. It is the beautiful portrayal of a young girl―and later young woman―coming of age in rural Romania. Her academic achievements, schoolgirl crushes, and family life are all explored, revealed in detail for all of us. Carefully written and beautifully crafted, it serves as an extraordinary example of the power of the memoir in Holocaust understanding.

    Exempted from military service, Keller is burdened with the demoralizing task of playing for wounded soldiers in hospitals and makeshift infirmaries.As he leaves his apartment one morning to pick up a new assignment at headquarters, Keller finds an SS driver waiting for him and is escorted without explanation to a labor camp outside his town. There he is introduced to the camp's Kommandant, who tells Keller that he will spend the next four days performing for the inmates as part of an experiment in reviving hope in those who have lost it completely.Overwhelmed by fear and compelled by the temptation of using his talent to affect others so powerfully, Keller finds himself playing a series of concerts for the prisoners -- and seeing with his own eyes the horrifying truths within the barbed-wire fence. As he plays the music of Ysaÿe, Hindemith and Bach, most notably the searing Chaconne, Keller's own questionable past unfolds, revealing the loss of his closest friend and the Jewish fiancee from whom he fled in fear of being caught as a Jew-lover. As he bears witness to the camp's atrocities, Keller's horror toward the perpetrators and their crime begins to fade, revealing his own culpability.Beautifully conceived and gracefully written, "The Savior" is a complex and illuminating character study of a man severed from his past expectations and an artist struggling with his identity in the face of human catastrophe.

    Haunted by the deaths of his parents and wielding his tin drum Oskar recounts the events of his extraordinary life; from the long nightmare of the Nazi era to his anarchic adventures in post-war Germany.

    One of them, the Prussian aristocrat Alexander von Humboldt, negotiates savanna and jungle, travels down the Orinoco, tastes poisons, climbs the highest mountain known to man, counts head lice, and explores every hole in the ground. The other, the barely socialized mathematician and astronomer Carl Friedrich Gauss, does not even need to leave his home in Göttingen to prove that space is curved. He can run prime numbers in his head. He cannot imagine a life without women, yet he jumps out of bed on his wedding night to jot down a mathematical formula. Von Humboldt is known to history as the Second Columbus. Gauss is recognized as the greatest mathematical brain since Newton. Terrifyingly famous and more than eccentric in their old age, the two meet in Berlin in 1828. Gauss has hardly climbed out of his carriage before both men are embroiled in the political turmoil sweeping through Germany after Napoleon’s fall.Already a huge best seller in Germany, Measuring the World marks the debut of a glorious new talent on the international scene.

    In my younger years I avoided that subject, be it in literature or in entertainment, whenever I possibly could. That was not easy. Television was full of programs in which Germans looked stupid and heinous. My own children watched these things with glee; I fled into another room. Since I have always read a lot, I was at least aware of the avalanche of books that were published about the Holocaust. Still, I kept my blinkers on. I firmly told myself that it was not my business, since I was just a child during that time. Sooner or later such an attitude will have to come to an end. It did for me after I fled a difficult marriage and finally began to examine my life. This was a slow process, aided by a patient psychiatrist. Now, years later, I want to write about my life and about the conflicted feelings such a search will cause in a woman of German nationality.

    John Hersey's novel documents the Warsaw ghetto both as an emblem of Nazi persecution & as a personal confrontation with torture, starvation, humiliation & cruelty--a gripping, visceral story, impossible to put down.

    In it he captures the Isherwood-like atmosphere of Nazi Germany while telling a satiric story about the rise to power of one man - a thinly veiled caricature of his own brother-in-law. The man is Hendrik Hofgen, a character actor who in his own life plays a bizarre part in the elite circle of the Third Reich. Hofgen is publicly a revolutionary, but secretly he is a man driven by an obsessive need for power and fame. Although he benefits from the prestige of being married to the daughter of an eminent politician, he endangers his rise in Nazi society by his compulsive involvement with ‘a black Venus.’ His brilliant success as Mephisto in FAUST brings him the support of the Führer’s prime minister, who appoints him head of the State Theater. His dreams are finally realized, but the story ends on a note of despair as Hofgen is forced to confront the emptiness of his life. Mann weaves his tale with amazing skill. The result is a fascinating novel of decadence and evil.Klaus Mann, the second child of Thomas Mann, was born in Munich in 1906. He began writing short stories and articles in 1924, and within a year was a theatrical critic for a Berlin newspaper. In 1925 both a volume of short stories and his first novel, THE PIOUS DANCE, were published. His sister, Erika, to whom he was very close, was in the cast of his first play, ANJA AND ESTHER. Mann left Germany in 1933 and lived in Amsterdam until 1936, during which time he became a Czechoslovakian citizen, having been deprived of his German citizenship by the Nazis. He moved to America in 1936, living in Princeton, New Jersey, and New York City. He became a U.S. citizen in 1943. He died at the age of forty-two in Cannes, France. Robin Smyth was a European correspondent for the London Observer.

    Now an old woman, she waits to be reunited after sixty-two years with her son, fathered by an S.S. officer and stolen from her by the German authorities during the War as part of Himmler's clandestine 'Lebensborn' project, which strove for a 'racially pure' Germany. Haya's reflection on her Catholicized Jewish family's experiences deals unsparingly with the massacre of Italian Jews in the concentration camps of Trieste. Her obsessive search for her son leads her to photographs, maps and fragments of verse, to testimonies from the Nuremberg trials and interviews with second-generation Jews, as well as witness accounts of atrocities that took place on her doorstep. A broad collage of material is assembled, and the lesser-known horror of Nazi occupation in northern Italy is gradually unveiled. Written in immensely powerful language, and employing a range of astonishing conceptual devices, Trieste is a novel like no other. Dasa Drndic has produced a shattering contribution to the literature of our twentieth-century history.

    So you have no other choice. . . . You must fight, Samson. You must. The year is 1941, and Samson Abrams makes a life-or-death decision that lands him, and his entire family, in the notorious concentration camp Auschwitz. When Samson is recognized by Dr. Josef Mengele and Commandant Rudolf Hoss as a former boxing champion, he is ordered box for their entertainment. A win means extra rations, but the penalty for losing is death in the gas chambers.One question haunts Samson as he and his family face one atrocity after another: Where is God in the face of such evil? An unexpected friendship between the Jewish Samson and the Polish Catholic priest Maximilian Kolbe challenges Samson to examine what little is left of his faith, but will it give him strength when he needs it most?Based on true stories, "Samson: A Savior Will Rise" blends Shawn Hoffman s thorough research with a compelling narrative that provokes questions about faith, hope, and love."

    Will Sarah’s strong will and determination be enough for her to survive when everything she loves is taken from her? Part memoir, part fiction, What She Lost is the reimagined true-life story of the author’s grandmother growing into a woman amid the anguish of the Holocaust. It is a tale of resilience, of rebuilding a life, and of rediscovering love. About the Author Melissa W. Hunter is an author and blogger from Cincinnati, Ohio. She studied creative writing and journalism at the University of Cincinnati, receiving a BA in English literature and a minor in Judaic studies. She received the English Department’s Undergraduate Essay Award and Undergraduate Fiction Award over two consecutive years. In her senior year, she received a grant to study and write about the Holocaust at the United States Holocaust Museum in Washington, DC. Her articles have been published on Kveller.com and LiteraryMama.com, and her short stories have appeared in the Jewish Literary Journal. She is a contributing blogger to the Today Show parenting community, and her novella Through a Mirror Clear was published as a serial installment on TheSame.blog, an online literary journal written for women by women. Her novel What She Lost is inspired by her grandmother’s life as a Holocaust survivor. When not writing, Melissa loves spending family time with her husband and two beautiful daughters.

    In the face of evil, she vowed to live by the truth--or die by it."Be brave. Don't run. Fight." With her eyes tightly shut, tears rolling from under her dark lashes, she felt his lips gently touch her burning cheek. The train on the platform whistled, and he disappeared into the steam.Nineteen-year-old Libby moves to Berlin to escape her suffocating family--but instead of offering freedom, the city is under siege by the Nazis. Jewish books are burned, storefronts smashed and every day innocent people vanish into thin air. Libby cannot--will not--turn a blind eye.When Libby meets Harro, she knows there's more to him than his dazzling smile and cornflower-blue eyes. The whip marks on his back, scars from the SS, tell his true story: he is a resistance fighter.Libby and Harro fall madly in love, devoted to each other and to tearing down Hitler's regime. Knowing they can make the greatest difference from the inside, Harro works for the Air Ministry, infiltrating government secrets.Together, they smuggle classified documents and hold clandestine meetings in the middle of the night, with blackout curtains and a single candle burning. Under the cover of darkness, they distribute leaflets, exposing the Nazis' hideous lies.In the frostbitten winter of 1942, Libby is certain the Gestapo is stalking them--their every move watched, their phone calls recorded. In the end, they must decide what is more important: to be free or to be brave? To survive or to stand up for the truth?Fans of The Tattooist of Auschwitz, The Alice Network and The Lilac Girls will be utterly gripped by this heartbreaking page-turner. Based on a true story, this beautiful novel shows that even when our freedom is stolen, we still have a choice...Readers love Ellie Midwood: "AMAZING read! I loved this so much!... Sensational... One of the most inspiring love stories of all time... HIGHLY HIGHLY RECOMMEND. 100% 5 STARS!!" Goodreads reviewer, ⭐⭐⭐⭐⭐

    It is the answer he gave his wife (now ex-wife) years earlier when she told him she wanted one. The loss, longing and regret that haunt the years between those two “no”s give rise to one of the most eloquent meditations ever written on the Holocaust. As Kertesz’s narrator addresses the child he couldn’t bear to bring into the world he ushers readers into the labyrinth of his consciousness, dramatizing the paradoxes attendant on surviving the catastrophe of Auschwitz. Kaddish for the Unborn Child is a work of staggering power, lit by flashes of perverse wit and fueled by the energy of its wholly original voice. Translated by Tim Wilkinson