Depicting both the horrors of the Holocaust and the lifetime of emptiness that pursues a survivor, 'The Shawl' and 'Rosa' recall the psychological and emotional scars of those who suffered at the hands of the Nazis.

    In his lifetime Alfred Wegener was a German meteorologist who was better known for his offbeat scientific adventures than for his now famous theory of continental drift. In this lushly imagined and beautifully written novel, Clare Dudman charts his life from his 1880 birth to his last daring Arctic exploration in 1930. Dudman vividly chronicles the key episodes that punctuated his life, such as his 1906 record-setting long-distance balloon flight; his several expeditions to Greenland; his passionate love for his wife; his investigations into meteorites, lunar craters, and the formation of raindrops; and his horrific experiences in the trenches of World War I. Dudman also tells of his struggle to defend his controversial theories, a struggle that forced him to leave all that he loved to make one final, fateful expedition to Greenland at the age of forty-nine. A passionate tale of obsession, endurance, courage, and love, this novel is a scintillating blend of science and history that is sure to appeal to readers of historical fiction and adventure narratives as well as to fans of Dava Sobel's successful histories.

    Karl Erlich loves his country. But these are dangerous times for Germany, whose poor and downtrodden have been seduced by an Austrian sign painter named Adolf Hitler. Karl’s twin brother, Kurt, a distinguished scientist, has already pledged his allegiance to the Third Reich, a regime that Karl finds cruel and oppressive. But he soon has even more reason to fear: There is talk of the Nazis singling out the Jews for extermination. Karl and Kurt’s younger sister, Gerda, is engaged to Eric Rheinhardt, a German Jew. Before Gerda and Eric can escape to America, Eric is arrested by the Gestapo.   Then the unthinkable happens, and in the wake of searing tragedy, Karl cuts all ties with his brother. A onetime candidate for the Nobel Prize for Literature, he is no longer able to write, eat, or sleep. His wife, Therese, fears for his sanity. She knows she must get her husband away from the madness that is now Germany. But can she rescue her husband, who is rapidly becoming like their beleaguered Rhineland—inconsolable, frightened, and thirsting for revenge? As she seeks answers, unknowingly thrusting herself into harm’s way, Therese will discover the powerful ties that bind German to Jew, and come to realize that the only one way to save Karl is to save Germany.   Set in the years of the Nazis’ ascent to power, Time No Longer is at once a universal and intensely personal novel about the struggle against hate and fear that can elevate an ordinary man to extraordinary heights and the unassailable bond between two brothers.

    A year later, while en route to India, their troop ship is recalled and they soon find themselves in the European slaughterhouse that was World War I. As stretcher bearers, the two men witness all too closely the horrors of the battlefield and the trenches, the savagery, and the unconscionable waste of human life on fields made liquid by “the blood and guts of boy soldiers” at the Somme, Ypres, and Passchendaele. Meanwhile, back home in Ireland, Con’s sister and Matthias’s lover, Kitty Hatchel, yearns for their safe return and reminds them of their carefree childhood on the banks of the local canal, as well as their hopes for the future.Brilliantly and movingly narrated by a chorus of voices from the community — Matt, Con, Kitty, and others — The Canal Bridge tells the story of how the young men take Ballyrannel to war with them, and how the war comes back home when hostilities end in Europe. The Ireland the friends left in 1913 no longer exists, for the political landscape has been transformed by the Rising against the British in 1916. It is now a land riven with sectarian tensions and bloodshed from which there is no escape.

    Thomas Heiselberg has built a career in Berlin as a market researcher for an American advertising company.In Leningrad, twenty-two-year-old Sasha Weissberg has grown up eavesdropping on the intellectual conversations in her parents' literary salon.They each have grand plans for their lives. Neither of them thinks about politics too much, but after catastrophe strikes they will have no choice.Thomas puts his research skills to work elaborating Nazi propaganda. Sasha persuades herself that working as a literary editor of confessions for Stalin's secret police is the only way to save her family.When destiny brings them together, they will have to face the consequences of the decisions they have made.

    But for Signora Maria Ferraro, the bright yellow blooms carry only bitter memories. Though she loved them as a child, sunflowers have come to represent the most painful episode of her life. Not even her cherished daughter, Anabella, knows what happened to her during World War II, when the Germans overran her hometown of Florence and Signora Ferraro fell in love with a Resistance fighter. In the aftermath of loss and grief she found salvation through an unlikely source—cultivating roses on her farm in the Tuscan countryside. Now the blossoms symbolize everything that is both good and safe, and she nurtures them with as much care as she guards her past. Yet to Anabella, the rose farm that once delighted her has become little more than a pretty prison. Despite her beautiful surroundings, Anabella longs for more. During one of her regular visits to Siena to sell their flowers, Anabella encounters a handsome young artist named Dante Galletti. His canvases are filled with images of a girl who looks just like Anabella—and Dante claims to have seen her in his dreams, running through a sunflower field. Through Dante, Anabella begins to see sunflowers, her cloistered existence, and the world itself through new eyes. As their relationship deepens, Anabella knows she will soon have to choose between loyalty to her mother, and the risks and rewards of living on her own terms. Alternating between the viewpoints of both mother and daughter, and between Italy during World War II and a quarter-century later, The Sunflower Girl is a poignant and moving story of the choices we make in the name of love, and the secrets that echo through generations.

    The matriarch, Gabi, was born Jewish but converted to Christianity in her teens. The patriarch, Willibald, is a Lutheran minister who, on one hand is an admirer of Hitler, but on the other hand, the conflicted father of children who are half-Jewish. Mindful and resentful of her husband’s ambivalence, Gabi is determined to make sure her children are educated, devising schemes to keep them in school even after learning that any child less than 100% Aryan will eventually be kept from completing education. She even hires tutors who are willing to teach half-Jewish children and in this way comes to hire Fraulein Kaminsky who shows Gabi how to cure her frustration and rage: to keep her mouth filled with water until the urge to scream or rant has passed.This beautifully rendered novel of WWII, “seen through a child’s eye, makes delusion and hypocrisy shockingly stark.” (The Guardian)

    Only as the statue topples does he recognize the face of Richard Wagner. This is just the beginning in Weil's novel, which traces the transformation of ordinary lives in Nazi-occupied Prague.

    Vollmann turns his trenchant eye to the authoritarian cultures of Germany and the USSR in the twentieth century. Assembling a composite portrait of these two warring leviathans and the terrible age they defined, the narrative intertwines experiences both real and fictional—a young German who joins the SS to expose its crimes, two generals who collaborate with the enemy for different reasons, the Soviet composer Dmitri Shostakovich laboring under Stalinist oppression. Through these and other lives, Vollmann offers a daring and mesmerizing perspective on human actions during wartime.

    But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she'd begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky's literary masterpiece The first part, "A Storm in June," opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, "Dolce," we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate, and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.

    Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp day and night, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.

    The Great War is raging through Europe, and in the ancient, mountainous lands southwest of the Caspian Sea the Turks have begun systematically to exterminate their Christian subjects. Unable to deny his birthright or his people, one man, Gabriel Bagradian—born an Armenian, educated in Paris, married to a Frenchwoman, and an officer doing his duty as a Turkish subject in the Ottoman army—will strive to resist death at the hands of his blood enemy by leading 5,000 Armenian villagers to the top of Musa Dagh, "the mountain of Moses." There, for forty days, in the face of almost certain death, they will suffer the siege of a Turkish army hell-bent on genocide. A passionate warning against the dangers of racism and scapegoating, and prefiguring the ethnic horrors of World War II, this important novel from the early 1930s remains the only significant treatment, in fiction or nonfiction, of the first genocide in the twentieth century's long series of inhumanities. It also continues to be today what the New York Times deemed it in 1933—"a true and thrilling novel ... a story which must rouse the emotions of all human beings." "Musa Dagh gives us a lasting sense of participation in a stirring episode of history.... Magnificent."—The New York Times Book Review "A novel full of the breath, the flesh and blood and bone and spirit of life."—Saturday Review

    Anna, a traumatised Jewish refugee, meets Sam, a British army officer in wartime Palestine.The novel spans 100 years of Anna's life; born in 1914 in a comfortable secular family in Vienna, her childhood is secure and protected until increasing anti-Semitism changes everything. A naive early affair causes a crisis. Anna escapes to Palestine carrying a secret buried deep within herself - one she cannot acknowledge for many years.When Anna and Sam meet, both are overwhelmed by unexpected love, but can they survive the challenges thrown up by their complex life together? Sam is posted to post-war Berlin and Anna must adjust to living in the land of the enemy. Her struggle results in psychological trauma, affecting her relationships with all those she loves. Will she succeed in overcoming the ghosts and secrets of her past and find some resolution?

    Many of the residents in their small Dutch town have some connection to the Koopman lightbulb factory, and the locals hold the family in high esteem. On days when they aren’t playing with friends, Jacob and Edwin help their Uncle Martin on his fishing boat in the North Sea, where German ships have become a common sight. But conflict still seems unthinkable, even as the boys’ father naively sends his sons to a Hitler Youth Camp in an effort to secure German business for the factory.When war breaks out, Jacob’s world is thrown into chaos. The Boat Runner follows Jacob over the course of four years, through the forests of France, the stormy beaches of England, and deep within the secret missions of the German Navy, where he is confronted with the moral dilemma that will change his life—and his life’s mission—forever. Epic in scope and featuring a thrilling narrative with precise, elegant language, The Boat Runner tells the little-known story of the young Dutch boys who were thrown into the Nazi campaign, as well as the brave boatmen who risked everything to give Jewish refugees safe passage to land abroad. Through one boy’s harrowing tale of personal redemption, here is a novel about the power of people’s stories and voices to shine light through our darkest days, until only love prevails.

    Sixteen-year-old Moritz is torn. His father died in the war and his older brother still risks his life in the trenches, but his mother does not support the patriotic cause and attends subversive socialist meetings. While his mother participates in the revolution to sweep away the monarchy, Moritz falls in love with a Jewish girl who also is a socialist. When Moritz's brother returns home a bitter, maimed war veteran, ready to blame Germany's defeat on everything but the old order, Moritz must choose between his allegiance to his dangerously radicalized brother and those who usher in the new democracy.