Among the most autobiographical of Colette's works, these four novels are dominated by the child-woman Claudine, whose strength, humor, and zest for living make her seem almost a symbol for the life force.Janet Flanner described these books as "amazing writing on the almost girlish search for the absolute of happiness in physical love . . . recorded by a literary brain always wide awake on the pillow."

    With their broad canvas and large cast of fictional and historical characters, the novels in this series present a panorama of the American political and imperial experience as interpreted by one of its most worldly, knowing, and ironic observers. Burr is a portrait of perhaps the most complex and misunderstood of the Founding Fathers. In 1804, while serving as vice president, Aaron Burr fought a duel with his political nemesis, Alexander Hamilton, and killed him. In 1807, he was arrested, tried, and acquitted of treason. In 1833, Burr is newly married, an aging statesman considered a monster by many. Burr retains much of his political influence if not the respect of all. And he is determined to tell his own story. As his amanuensis, he chooses Charles Schermerhorn Schuyler, a young New York City journalist, and together they explore both Burr's past and the continuing political intrigues of the still young United States.

    He had been found guilty of conspiring with the devil to seduce an entire convent of nuns in what was the most sensational case of mass possession and sexual hysteria in history. Grandier maintained his innocence to the end and four years after his death the nuns were still being subjected to exorcisms to free them from their demonic bondage. Huxley's vivid account of this bizarre tale of religious and sexual obsession transforms our understanding of the medieval world.

    Shen Shijun, a young engineer, has fallen in love with his colleague, the beautiful Gu Manzhen. He is determined to resist his family's efforts to match him with his wealthy cousin so that he can marry the woman he truly loves. But dark circumstances--a lustful brother-in-law, a treacherous sister, a family secret--force the two young lovers apart. As Manzhen and Shijun go on their separate paths, they lose track of one another, and their lives become filled with feints and schemes, missed connections and tragic misunderstandings. At every turn, societal expectations seem to thwart their prospects for happiness. Still, Manzhen and Shijun dare to hold out hope--however slim--that they might one day meet again. A glamorous, wrenching tale set against the glittering backdrop of an extraordinary city, Half a Lifelong Romance is a beloved classic from one of the essential writers of twentieth-century China"--

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    He ravaged the coasts of Cuba and America, striking terror wherever he went. Morgan was obsessive. He had two driving ambitions: to possess the beautiful woman called La Santa Roja and to conquer Panama, the “cup of gold.” Steinbeck’s first novel and sole work of historical fiction, Cup of Gold is a lush, lyrical swashbuckling pirate fantasy, and sure to add new dimensions to readers’ perceptions of this all-American writer. This edition features an introduction by Susan F. Beegel.

    Millie tries to help, but Jeremy grows more distant and befriends a homeless, wounded ex-soldier, Monty, who has secrets...As Millie’s distrust of Monty grows, a rift is created between her and Jeremy and when he leaves to receive hospital treatment, she is left feeling abandoned. When her family is dealt a terrible loss, it is Millie who must be the strongest. However, just when she feels things couldn’t become worse, she suffers her own heartbreaking tragedy.Grieving and alone, Millie wonders if her marriage can ever be mended, but she can’t give up without a fight.Will a new home for her and Jeremy in a foreign country be the answer, or will the events of the past destroy everything she wished for?

    "Each family," writes the author, "stood confident of being able to go on with what was theirs, while in fact they were playthings, often victims, of the now united Germany and what was brewing therein." Did the monstrous thing that followed have its foundation in families such as these? "Writing about them made me think so. Hence the title."

    Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions.The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel. It has influenced how love between women is understood, for the twentieth century and beyond.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    Its exciting account of air adventure, combined with lyrical prose and the spirit of a philosopher, makes it one of the most popular works ever written about flying. Translated by Lewis Galantière.

    While there, Levi reflected on the harsh landscape and its inhabitants, peasants who lived the same lives their ancestors had, constantly fearing black magic and the near presence of death. In so doing, Levi offered a starkly beautiful and moving account of a place and a people living outside the boundaries of progress and time.

    All three books are set on the enchanted island of Corfu in the 1930s, and tell the story of the eccentric English family who moved there. For Gerald, the budding zoologist, Corfu was a natural paradise, teeming with strange birds and beasts that he could collect, watch and care for. But life was not without its problems - his family often objected to his animal-collecting activities, especially when the beasts wound up in the villa or - even worse - the fridge. With hilarious yet endearing portraits of his family and their many unusual hangers-on, The Corfu Trilogy also captures the beginnings of the author's lifelong love of animals. Recounted with immense humour and charm, this wonderful account of Corfu's natural history reveals a rare, magical childhood.

    Here Mary has spent thirty-five years, devoting herself to her sister, now dead, and to her father, Canon Jocelyn. Although she is pitied by her neighbours for this muted existence, Mary is content. But when she meets Robert Herbert, Mary's ease is destroyed and years of suppressed emotion surface through her desire for him. First published in 1924 this novel is an impressive exploration of Mary's relationship with her father, of her need for Robert and the way in which, through each, she comes to a clearer understanding of love.

    The use of metaphor is delicate and subtle; often the women are strong and capable and the men less so; shallow and selfish motives are exposed.The dates of these stories range from 1909 to 1986 and there are thirty in all. The ten stories which are already in print in Persephone editions of their work are by Katherine Mansfield, Irène Némirovsky, Mollie Panter-Downes (twice), Elizabeth Berridge, Dorothy Whipple, Frances Towers, Margaret Bonham, Diana Gardner and Diana Athill. The ten stories which have already been published in the Quarterly and Biannually are by EM Delafield; Dorothy Parker; Dorothy Whipple; Edith Wharton; Phyllis Bentley; Dorothy Canfield Fisher; Norah Hoult; Angelica Gibbs; Penelope Mortimer; and Georgina Hammick. And lastly the ten stories which are new are by Susan Glaspell, Pauline Smith, Malachi Whitaker, Betty Miller, Helen Hull, Kay Boyle, Shirley Jackson, Sylvia Townsend Warner, Elizabeth Spencer and Penelope Fitzgerald.