Now a modern classic, as gripping in its tautly plotted action as it is penetrating in its exploration of a criminal mind, it tells the shocking tale of a young man who will stop at nothing--not even murder--to get where he wants to go. For he has dreams; plans. He also has charm, good looks, sex appeal, intelligence. And he has a problem. Her name is Dorothy; she loves him, and she's pregnant. The solution may demand desperate measures. But, then, he looks like the kind of guy who could get away with murder. Compellingly, step by determined step, the novel follows this young man in his execution of one plan he had neither dreamed nor foreseen. Nor does he foresee how inexorably he will be enmeshed in the consequences of his own extreme deed.

    Which is why he should have listened to his own.  While in an airport restroom at Atlanta’s Hartsfield-Jackson International, Will overhears a girl’s pleading, plaintive voice: “Please, I wanna go home.” Something isn’t right here, thinks Will. He feels it in his gut. But he waits too long to act, and now the girl and the anxious, angry man she’s with have disappeared into the crowds at the busiest passenger airport in the world.  After a desperate search and with time running out, Will makes a call to his supervisor, Amanda Wagner. Will’s partner, Faith Mitchell, immediately sends out an abducted child alert. The entire airport will soon be grinding to a halt: Almost 100 million passengers a year. Five runways. Seven concourses. Six million square feet of space that sprawled across two counties, three cities, and five jurisdictions. All shut down on a dime because Will has a hunch that he is certain is true: a girl, maybe six or seven years old, has been snatched from God knows where. And he intends to bring her back—no matter what it takes. Includes an exclusive excerpt from Karin Slaughter’s thrilling new novel of suspense, Criminal. PRAISE FOR THE CRIME FICTION OF KARIN SLAUGHTER  “Karin Slaughter is one of the best crime novelists in America.”—The Washington Post  “Crime fiction at its finest.”—Michael Connelly “An absolute master.”—Chicago Tribune “Slaughter writes with a razor. . . . Better than Cornwell can ever hope to be.”—The Plain Dealer “Slaughter will have you on the edge of your seat.”—Seattle Post-Intelligencer “One of the boldest thriller writers working today.”—Tess Gerritsen  “Move over, Catherine Coulter—Slaughter may be today’s top female suspense writer.”—Library Journal (starred review)

    It doesn’t take long for the police to realize a serial killer is on the loose—and that his spree has just begun.Detective Mackenzie White, young, tough, smarter than the aging, chauvinistic men on her local force, finds herself called in grudgingly to help solve it. As much as the other officers hate to admit it, they need her young, brilliant mind, which has already helped crack cold cases that had left them stumped. Yet even for Mackenzie this new case proves an impossible riddle, something the likes of which she—and the local force—have ever seen.With the FBI called in, together, an intense manhunt ensues. Mackenzie, reeling from her own dark past, her failed relationships, and her undeniable attraction to the new FBI agent, finds herself battling her own demons as her hunt for the killer takes her to the darkest places of her mind. As she delves into the killer’s mind, obsessing over his twisted psychology, she finds that evil truly does exist. She only hopes it will not be too late to extricate herself from it, as her entire life collapses around her.As more bodies turn up dead and a frantic race against time ensues, there is no way out but to find him before he kills again.A dark psychological thriller with heart-pounding suspense, Before He Kills marks the debut of a riveting new series—and a beloved new character—that will leave you turning pages late into the night.

    a step at a time. Nikki Quinn is devastated when her best friend Barbara is knocked down and killed by a hit-and-run driver who claims diplomatic immunity. But Nikki has her work and her lover, fellow lawyer Jack Nolan, to keep her going, whereas Barbara's mother, Myra, has nothing. Festering in a sea of recriminations and hatred, unable to gain a sense of perspective, Myra is lost...until one day she switches on the evening news and sees Marie Lewellen, mother of a murder victim, take matters into her own hands and stab her daughter's killer. An idea is born, and within months Myra and Nikki have drawn together a group of women who have one thing in common: they have been failed by the American justice system, they're down but they're not out, and they're ready to find their nemeses and make them pay. First up is Kathryn, a long-distance truck driver who was raped at a road stop by three motorcyclists as her paralysed husband watched, helpless. Banding together, the Sisterhood plot the ultimate revenge -- but with dissension from inside the group and out, there's no saying if the plan will work until the moment of truth arrives.

    Initially sceptical, Hannay nonetheless harbours the man—but one day returns home to find him murdered... An obvious suspect, Hannay flees to his native Scotland, pursued by both the police and a cunning, ruthless enemy. His life and the security of Britain are in grave peril, and everything rests on the solution to a baffling enigma: what are the 'thirty nine steps?'

    In short order, they establish a link between the victim, Julie Stender, and her landlady, Esther de Laurenti, who’s a bit too fond of drink and the host of raucous dinner parties with her artist friends. Esther also turns out to be a budding novelist—and when Julie turns up as a murder victim in the still-unfinished mystery she’s writing, the link between fiction and real life grows both more urgent and more dangerous. But Esther’s role in this twisted scenario is not quite as clear as it first seems. Is she the culprit—or just another victim, trapped in a twisted game of vengeance? Anette and Jeppe must dig more deeply into the two women’s pasts to discover the identity of the brutal puppet-master pulling the strings in this electrifying literary thriller.

    Across the ranchlands and cities of his home state, Rory Yates's discipline and law-enforcement skills have carried him far-from local highway patrolman to the honorable rank of Texas Ranger. A tough case in Waco has jeopardized Yates's chances at promotion, and he decides to take time off to recharge with his family in their small-town hometown, Redbud. He arrives and finds a horrifying crime scene-and a scathing accusation: He is named a suspect in the murder of his ex-wife, Anne, a devoted teacher whose only controversial act ever was deciding to end her marriage to a Ranger. At Anne's funeral, Yates moves the congregation to tears with a beloved hymn. Anne's new husband, Calvin Richards, is there, and Yates has questions that no one else seems to be asking. The investigation is out of his jurisdiction-plus he is a chief suspect-but Rory's drive to learn what happened isn't about self-preservation. For himself, for Anne, his hunt for justice transcends all boundaries. When the killer strikes again, Rory's urgent search bursts across state borders onto the national scene. He risks his badge, his pride, his reputation among everyone he loves, and even the trust of the woman he's recently begun seeing, to pursue the only thing that matters. Yates follows the Ranger creed-never to surrender-into the inferno of the most twisted and violent minds he's ever encountered. That code just might bring him out alive.

    A former socialite from an aristocratic family in decline, Maddie is a tough-talking, would-be journalist exiled to the rust belt of upstate New York. Her prospects for changing her dreary lifestyle seem dim--until a set of dog tags found at a decades-old murder site is linked to her family. Shocked into action, Maddie embarks on a search that takes her from the derelict smokestacks of Syracuse to the posh mansions of Long Island's Gold Coast. But instead of the warm refuge of home, this prodigal daughter soon uncovers dark, sinister secrets that will violently challenge everything she believes in and holds dear.

    It's also where twenty-one-year-old Sophie Collier vanished eighteen years ago.Francesca has spent the last twenty years haunted by the disappearance of her best friend. But when she receives a phone call from Sophie's brother saying that a body has been found, she knows she can't keep hiding from what happened. With her own secrets to keep, Francesca doesn't relish the idea of digging up the past or returning to Oldcliffe. But it is time to go back to where she grew up, and it looks like she isn't the only one there hiding truths.

    This time it could be theirs . . .It isn’t safe. That’s what Joe tells her when he ends their affair—moments before their car skids off an icy road in a blinding snowstorm and hits a tree. Desperate to keep her life intact—her job, her husband, and her precious daughter, Lily—Dorrie will do everything she can to protect herself, even if it means walking away from the wreckage. Dorrie has always been a good actress, pretending to be someone else: the dutiful daughter, the satisfied wife, the woman who can handle anything. Now she’s going to put on the most challenging performance of her life. But details about the accident leave her feeling uneasy and afraid. Why didn’t Joe’s airbag work? Why was his car door open before the EMTs arrived? And now suddenly someone is calling her from her dead lover’s burner phone. . . .Joe’s death has left his wife in free fall as well. Karen knew Joe was cheating—she found some suspicious e-mails. Trying to cope with grief is devastating enough without the constant fear that has overtaken her—this feeling she can’t shake that someone is watching her. And with Joe gone and the kids grown, she’s vulnerable . . . and on her own.Insurance investigator Maggie Devlin is suspicious of the latest claim that’s landed on her desk—a man dying on an icy road shortly after buying a lucrative life insurance policy. Maggie doesn’t believe in coincidences. The former cop knows that things—and people—are never what they seem to be.As the fates of these three women become more tightly entwined, layers of lies and deception begin to peel away, pushing them dangerously to the edge . . . closer to each other . . . to a terrifying truth . . . to a shocking end.

    . . 80,000 people had better get ready to die. — The Super Bowl--where thousands have gathered for an all-American tradition. Suddenly it's the most terrifying place on earth . . . — Michael Lander is the most dangerous man in America. He pilots a television blimp over packed football stadiums every weekend. He is fascinated with explosives. And he happens to be very, very crazy. That's why a beautiful PLO operative has seduced him. That's why--on Super Bowl Sunday--the world will witness the bloody assassination of the U. S. president and the worst mass murder in history. Unless someone discovers what Michael Lander plans . . . and can kill him first.

    The upside is that she's working with the Advanced Fertility Center as a marketing consultant, alongside the attractive, flirtatious Dr. Keaton. But the morning after their one-night stand, Lake finds Keaton with his throat slashed and discovers that things can indeed become worse-they can become deadly. So as not to jeopardize her case for custody, Lake is forced to lie to the police.Having just been intimate with a man who has been murdered, and wanting to protect herself from being charged with the crime, she begins her own search for the truth. Meanwhile, the police start looking at her closely, people at the clinic start treating her with hostility, and strange clues begin dropping-quite literally-on her doorstep, and Lake realizes that she is dangerously close to dark secrets, both about Keaton and the clinic. But can Lake stop what she's started before it's too late?

    Hemlock is sent to Switzerland on a mission to climb the notorious Eiger peak of the Alps, whose north face has meant death to many climbers. Hemlock's target: one of his three fellow climbers. The only problem is, CII can't tell him which one...

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    The young women who are the victims had nothing in common--except the agony of their final moments. But somebody carefully chose them to stalk, capture, and torture...a depraved killer whose cunning is matched only by the depth of his bloodlust. But the dying has only just begun. And next victim will be the most shocking of all... Praise for Gregg Olsen's Novels "Grabs you by the throat." --Kay Hooper"Wickedly clever! Genuinely twisted." --Lisa Gardner "As Good As It Gets." --Lee Child"An Irresistible Page-Turner." --Kevin O'Brien