Ancrum's The Legend of the Golden Raven novella, part fairy tale and part gritty reality, follows a boy as he descends into madness. August and Jack weren’t meant to be friends. One is a misfit with a pyro streak and the other a golden boy on the rugby team. But as their relationship intensifies, Jack slowly begins to lose his mind—taking readers on an intimate journey into the fantasy kingdom creeping into the edges of his world.As the novella moves back and forth between a medieval legend and our own, contemporary world, nothing is as it seems. The boys alienate everyone around them as they struggle with their sanity and as Jack’s quest to fulfill a dark prophecy begins to consume them both . . . Devour this companion novella to The Wicker King. An ImprintBook

    He wrote the first American translation of Dante Alighieri's Divine Comedy and was one of the five members of the group known as the Fireside Poets. He established his literary career by submitting poetry and prose to various newspapers and magazines. Between January 1824 and his graduation in 1825, he had published nearly 40 minor poems. About 24 of them appeared in the short-lived Boston periodical The United States Literary Gazette. After graduating in 1825, he was offered a job as professor of modern languages at his alma mater. The story, possibly apocryphal, is that an influential trustee, Benjamin Orr, had been so impressed Longfellow's translation of Horace that he was hired under the condition that he travel to Europe to study French, Spanish and Italian. When he returned to the United States in 1836, Longfellow took up the professorship at Harvard University. He began publishing his poetry, including Voices of the Night in 1839 and Ballads and Other Poems, which included his famous poem The Village Blacksmith, in 1841. His other works include Paul Revere's Ride, A Psalm of Life, The Song of Hiawatha, Evangeline and Christmas Bells.

    When the terrorist known as Medusa threatens to kill millions with a stolen nuclear bomb, Nick Jameson makes a fateful decision. He reveals himself on global television as a Daywalker - a vampire with a soul. To save Los Angeles, Nick exposes not only his own gifts but three separate cultures based on millennia-old magic.By NightThe three metahuman races exist in careful balance, working to maintain a fragile peace. Nick and his fellow Daywalkers successfully master their natural bloodlust. The Sentinels, armed with both magic and steel, repress their warlike instincts. And even some Nightwalkers, normally their natural enemies, have deserted the Court of Shadows to join the triple alliance. Nick Jameson is deeply involved with two such Nightwalkers - handsome Lorcan and powerful Rory. Both men love Nick. But neither can protect the new Ambassador to Humanity from the events he has set in motion.By the SwordJeremy Harkness was lured into Medusa's service under false pretenses. A loner with no one and nothing to cling to, he was willing to die for his cause. But the night Medusa tried to obliterate Los Angeles, Jeremy met Nick Jameson, triggering the onset of his own psychic gifts. For Jeremy is the third race of metahuman, a Sentinel, born to kill the Nightwalkers with no quarter asked or offered. And neither Medusa nor the Court of Shadows will settle for peace when they can make war.Betrayal and treachery lurk around every corner on the road to coexistence, and at every turn, Nick must question who to trust among his metahuman allies, friends, and lovers—before their civilization is plunged into the depths of darkness and bloodshed. With millennia-old magic, emerging romance, and ever-shifting allegiances, this inventive series unveils a scintillating, homoerotic world of Nightwalkers, Daywalkers, Sentinels, and Humans, who battle for world dominance in the not-too-distant future.

    From first loves to weird roommates, heartbreak, self-discovery, coming out and mental health, the two of them document every wild and awkward moment to each other. But as each changes and grows into her new life, will their friendship be able to survive the distance?

    With sharp wit and relentless questioning, Shapero crafts poems a reader can, if not believe in, then trust--to level with us, to surprise us, and to stay with us long after we put the book down. No Object is a fast ride you will not easily forget.

    

    It is a coming out journey, an exploration of sexuality, femininity, loving, and being loved.