Barricaded in a bar called Tony's while a riot rages outside, the characters that people The Assault on Tony's are united by their desire to drink to the end, no matter what the consequences. In this stark and darkly humorous novel, social alliances are forged and challenged as each member of this macabre party ignores his fears in favor of keeping his tumbler full to the brim. As time goes on and the liquor supply starts to dwindle, the novel reaches a gritty intensity as it exposes the highs and lows of the human spirit.

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    Set in Roman Britain this story is of a young Roman officer who sets out to discover the truth behind the mysterious disappearance of the Ninth Legion, who marched into the mists of Northern Britain and never returned.

    John Holt was the first to make clear that, for small children, “learning is as natural as breathing.” In this delightful yet profound book, he looks at how we learn to talk, to read, to count, and to reason, and how we can nurture and encourage these natural abilities in our children.”

    In 1779, sixty-five of his fables, which used contemporary events and human relations to show a course to guide human conduct, were published. These fables present a world where reason is valued over sentiment, true to the enlightenment ideal. But the rhymes also sugar coar a bitter message: depicting a world where the strong continually take advantage of the weak. Many of the fables, which were published after the first partition of Poland in which Russia, Prussia and Austria took their first bites of their weaker neighbour, should also be read for their political implications. This bilingual edition includes English translation by Gerard Kapolka and twenty-two illustrations by well-known Polish artist Barbara Swidinska.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Printed in large, easy-to-read type.

    Gallico's most famous story, The Snow Goose, is set in the wild, desolate Essex marshes and is an intense and moving tale about the relationship between a hunchback and a young girl. The Small Miracle is a contemporary fable about a young boy's love for his dangerously ill donkey.