This among others is a fundamental reason why a thorough and truthful study and retelling of this history is needed. The study of Hindu history is also a study of values and inspiration and a profound spiritual yearning that subconsciously continues to guide Hindus. It is also what makes India a unique and distinctive country which is not primarily defined by its politics but by its philosophy and spirituality. The essays in this work both tangentially and explicitly bring out these aspects. "10 Lessons from Hindu History in 10 Episodes" is envisaged as a popular narrative without overlooking or taking liberties with historical accuracy.

    

    Non fiction piece on Sardar Sarovar (Narmada) Project published in 1999.

    Dilip Kumar (born as Yousuf Khan), who began as a diffident novice in Hindi cinema in the early 1940s, went on to attain the pinnacle of stardom within a short time. He came up with spellbinding performances in one hit film after another – in his almost six-decade-long career – on the basis of his innovative capability, determination, hard work and never-say-die attitude. In this unique volume, Dilip Kumar traces his journey right from his birth to the present. In the process, he candidly recounts his interactions and relationships with a wide variety of people not only from his family and the film fraternity but also from other walks of life, including politicians. While seeking to set the record straight, as he feels that a lot of what has been written about him so far is ‘full of distortions and misinformation’, he narrates, in graphic detail, how he got married to Saira Banu, which reads like a fairy tale! Dilip Kumar relates, matter-of-factly, the event that changed his life: his meeting with Devika Rani, the boss of Bombay Talkies, when she offered him an acting job. His first film was Jwar Bhata (1944). He details how he had to learn everything from scratch and how he had to develop his own distinct histrionics and style, which would set him apart from his contemporaries. After that, he soon soared to great heights with movies such as Jugnu, Shaheed, Mela, Andaz, Deedar, Daag and Devdas. In these movies he played the tragedian with such intensity that his psyche was adversely affected. He consulted a British psychiatrist, who advised him to switch over to comedy. The result was spectacular performances in laugh riots such as Azaad and Kohinoor, apart from a scintillating portrayal as a gritty tonga driver in Naya Daur. After a five-year break he started his ‘second innings’ with Kranti (1981), after which he appeared in a series of hits such as Vidhaata, Shakti, Mashaal, Karma, Saudagar and Qila.

    Frigate Colony – American built, British-manned – alert, seaworthy and ready. This is the true story of Lieutenant-Commander Nicholas Monsarrat’s taking over the command of a Frigate in World War II. Written in his usual crisp and gripping way, it tells the story with full recognition of the men who served with him. Also detailed is an agreeable interlude in the United States between handing over the first frigate, H.M.S. River, to the Canadian Navy and collecting ‘Colony’, which was fitted out with at least some all-American comforts, and up to date telegraphy and weaponry. The Author: Nicholas Monsarrat was born in Liverpool, the son of a distinguished surgeon. He was educated at Winchester and then at Trinity College, Cambridge where he studied law. However, his subsequent career as a solicitor encountered a swift end when he decided to leave Liverpool for London, with a half-finished manuscript under his arm and £40 in his pocket. The first of his books to attract attention was the largely autobiographical ‘This is the Schoolroom’. It is a largely autobiographical 'coming of age' novel dealing with the end of college life, the 'Hungry Thirties', and the Spanish Civil War. During World War Two he joined the Royal Navy and served in corvettes. His war experience provided the framework for the novel ‘HMS Marlborough will enter Harbour’, and one of his best known books. ‘The Cruel Sea’ was made into a classic film starring Jack Hawkins. After the war he became a director of the UK Information Service, first in Johannesburg, then in Ottawa. Established as a sought after writer who was also highly regarded by critics, Monsarrat’s career eventually concluded with his epic ‘The Master Mariner’, a novel on seafaring life from Napoleonic times to the present. Well known for his concise story telling and tense narrative, he became one of the most successful novelists of the twentieth century, whose rich and varied collection bears the hallmarks of a truly gifted master of his craft. ‘A professional who gives us our money’s worth. The entertainment value is high’- Daily Telegraph

    That superpower was what we know today as India under the Mughal Empire. Years of internal strife, attacks by Afghan raiders and finally conquest by the British led to the decline and destruction of this mighty empire.But what if India had never been conquered by the British? What if it remained a mighty and prosperous nation under the rule of the Mughal Empire?A nation known as Hindustaan.Dilli, 1857. The Mughal Empire is at the peak of its power and is gearing up to celebrate the hundredth anniversary of its victory over the British, an occasion where the popular Emperor Bahadur Shah Zafar is widely expected to announce his successor. The Empire is thrown into sudden chaos when the Emperor is assassinated and a new regime seizes power in a bloody coup. In this maelstrom, three unlikely companions find themselves thrown together by fate. Ranveer, a young officer in the elite Mughal cavalry, who is now hunted by the very Empire he served; Theo, a rakish English traveller with a mysterious past and Maya, a beautiful and spirited Princess they rescue. Together, they embark on a series of dramatic adventures across Hindustaan. A journey that takes them from bloody skirmishes with Afghan raiders, rescue missions in remote forts, joining a coalition of rulers who band together against the new despotic regime to protect their independence, and finally back into the heart of Dilli for a dramatic mission.The stage is set for a monumental struggle that will decide not just their fate, but that of the whole of Hindustaan.

    The next 10 years were to be a nightmare, on a daily basis of physical, mental and sexual abuse. This book is her story, and how a group of women got together to petition against the sentence, and ultimately succeeded in helping her.

    For endless miles he walks through a landscape as desolate as his heart. Until two ancient women who have waited for rain for four hundred years lead him to the Village of Weavers where a prophecy will be fulfilled. A single drop of rain will impregnate the tiger-widow and her son will slay the spirit-tiger. The traveller will help the woman bring up the boy. He will witness miracles and tragedy and come close to finding a home again. And he will learn that love and life are eternal.In her new novel, Easterine Kire, winner of the Hindu Prize, combines lyrical storytelling with the magic and wisdom of Naga legends to produce an unforgettable, life-affirming fable.

    The economic boom impacted a large section of Indians, even if unequally. With sustained high growth over an extended period, India could have achieved what economists call a 'take-off' (rapid and self-sustained GDP growth). The global financial meltdown disrupted this momentum in 2008. In the decade that followed, each time the country's economy came close to returning to that growth trajectory, political events knocked it off course.In 2019, India's GDP is growing at the rate of 7 per cent, making it the fastest-growing major economy in the world, but little on the ground suggests that Indians are actually better off. Economic discontent and insecurity are on the rise, farmers are restive and land-owning classes are demanding quotas in government jobs. The middle class is palpably disaffected, the informal economy is struggling and big businesses are no longer expanding aggressively.India is not the star it was in 2008 and in effect, the 'India growth story' has devolved into 'growth without a story'. The Lost Decade tells the story of the slide and examines the political context in which the Indian economy failed to recover lost momentum.

    The Chinese have nuked large parts of the country; Bombay has been obliterated; Delhi is in the throes of rigorous reconstruction; Bengal has seceded and is now a protectorate of China; the Maoists have taken over much of what remains. The southern states are a distant and tranquil place that nobody has visited in years.The most powerful person in the country is a deranged bureaucrat called the Competent Authority, who has used his official position as the head of the Bureau of Reconstruction, to subvert all forces of governmental authority. Cloaked in anonymity, his identity known only to his terrified minions, the CA rules the remnants of India with an iron fist.Although, in theory, the government and the armed forces still exist, the Prime Minister, who looks very familiar, and the General, who commands the Army, are mere puppets in the hands of the Competent Authority. All they can do is watch in horror as he tries to put in motion a fiendish plan to annihilate everyone in the country, for reasons that are completely logical.The only person who can stop him is Pintoo, a mutant twelve year old from Shanti Nagar, where all the poor people live. Determined to thwart the CAs plan and save the country from disaster, Pintoo employs three reluctant henchmen to help him: Pande, a corrupt and vicious policeman, Chatterjee, a pessimistic but determined CBI officer and Ali, the last surviving member of Al Qaeda. And then there's also the matter of the hand that has a mind of its own.

    But she will have none of that. Shivalika has her life mapped out. She does not believe in love at all and is only focused on her career the reason for which is a secret she has nursed since she was a teenager.But when billionaire Vikramarya Kumar aka VK aka “the most eligible bachelor in the country” enters her company as the new boss, sparks fly and she finds all her beliefs getting shattered, one by one.Shivalika’s secret has already created havoc once in her life. Will she be able to overcome it to find her happily-ever-after with VK or will the pain of it destroy every chance of finding true love and healing?If You Let Me Go is a standalone sweet romance novel in the First Love Billionaire Romance series.

    China is spectacularly effective in building infrastructure and is now reinvesting almost half its GDP. Meanwhile, India is still a "promising" economy: more than half its GDP is consumed by its billion-plus people, yet India has some unique advantages: Half its population is under twenty-five, giving it a strong demographic edge; 350 million Indians understand English, making it the largest English-speaking country in the world; and it's the world's largest democracy. In the race to superpower status, who is more likely to win: China's hare or India's tortoise? Bahl argues that the winner might not be determined by who is investing more and growing faster today but by something more intangible: who has superior innovative skills and more entrepreneurial savvy. He notes that China and India were both quick to recover from the financial crisis, but China's rebound was accompanied by huge debt and deflation, with weak demand. India's turnaround was sturdier, with lower debt and modest inflation. So India's GDP grew twice as fast as China's for a few quarters-the first time that had happened in nearly three decades. And in contrast to China's Yuan, which is pummeled for being artificially undervalued, India's rupee largely floats against world currencies. In the end, it might come down to one deciding factor: can India fix its governance before China repairs its politics? With insights into the two countries' histories, politics, economies and cultures, this is a well-written, fully documented, comprehensive account of the race to become the next global superpower. For anyone looking to understand China, India and the future of the world economy, this is the book to read.

    In many ways, it paved the way for India to become the high seat of Mughal power, and the grand throne on which the British Empire seated itself for nearly four centuries thereafter. Hindu culture mixed with Islam, ceding way to something that was a not-too-sublime version of everything. A version which has no other word for it, except perhaps to be called Indian. Architecture, literature, music, food, clothing and religion interspersed freely, and this led to the India we all know and love. However, it was not without price. Many were massacred, and many more oppressed in the name of religion and in the war for power. India emerged, but only to fall into the hands of an invading Timur the Lame, also called Tamerlane. The high seat of Mughal power was ready, and the Mughals ascended it. Abraham Eraly's book sings the story of an India unsung, the India of the Tughlaks, and the India which was called the mythic jewel of the east.

    The events of the novel unfold against the backdrop of a campaign for parliamentary elections in the bustling roadside town of Khaireni Tar. At its heart the book is about four main characters: Giridhar Adhikari, the chairman of the People's Party's district committee, who suffers from a serious alcohol addiction and strange, violent manias; Rishi Parajuli, a lonely, under-employed bachelor and disillusioned communist who gives private tuitions in history to disinterested middle-class boys; Om Gurung, a former British Gurkha determined to bring love into every life in his hometown; and Binita Dahal, a reclusive young widow who runs a small tea shop and is careful not to demand of life more than the meagre pleasures it brings her. As the election campaign reaches its peak, the crisis in each character's life mounts, and the eventual rigging of the elections becomes a metaphor for the flawed, imperfect choices that ordinary people must make to get by in a world beyond their control. significant new voice from the Subcontinent. The first major novel in English to emerge from Nepal.

    One year. Everything to lose.When Rishabh Bala reaches the tenth standard, life takes a turn for the complicated. The bewildered boy feels the pressure of the looming board exams and finds himself hopelessly-and hormonally-in love. But what he yearns for most is victory on the field: at least one trophy with his beloved school football team.Set in the suburban Thane of 2006, here is a coming-of-age story that runs unique as it does familiar. Hopscotching from distracted classrooms and tired tutorials to triumphs and tragedies on muddy grounds, this is the journey of Rishabh and his friends from peak puberty to the cusp of manhood.