That is, until the day a strange green sprite leads him to Gawain, King Arthur's nephew, who is on his way to Camelot hoping to be knighted. Trevisant can see the future and knows that Terence must leave to serve as Gawain's squire. From that moment on, Terence's life is filled with heart-stopping adventure as he helps damsels-in-distress, fights battles with devious men, and protects King Arthur from his many enemies. Along the way, Terence is amazed at his skills and new-found magical abilities. Were these a gift from his unknown parents? As Gawain continues his quest for knighthood, Terence searches for answers to the riddles in his own past.

    In Guinevere, Newman offers a reinterpretation of the Arthurian saga and as memorable as The Mists of Avalon and The Hollow Hills.

    This bilingual edition, a parallel text in Old French and English, is based on a reexamination of the Old French manuscript, and makes Silence available to specialists and students in various fields of literature and women's studies.     The Roman de Silence, an Arthurian romance of the thirteenth century, tells of a girl raised as a boy, equally accomplished as a minstrel and knight, whose final task, the capture of Merlin, leads to her unmasking.

    Bound by Divine Providence but divided by distrust, Shadoe and Rayn must find a way to save the Isle of Might and themselves from the threatening evil. A tantilizing brew of fantasy, action, and romance.

    First in a planned trilogy. A lively extension of Arthurian lore. . . .--Publishers Weekly.

    The story is told by Branwen, cousin and companion to Esseilte, daughter of the High King of Eriu (Ireland). The two young women save the life of a badly wounded harper, later discovered to be Drustan, who had killed Esseilte's beloved uncle and Branwen's father, Morholt, in battle. Drustan seeks Esseilte's hand for his uncle, Marc'h, King of Kernow (Cornwall), an alliance arranged for political reasons.On the way to Cornwall, Esseilte tries to poison Drustan, but the potion they both drink turns out to be a love filtre prepared for Esseilte and Marc'h. Thus the tale is set in motion, with passion and hate binding the lovers together. With Branwen's aid, they are able to deceive Marc'h on the wedding night: Branwen, close in appearance to the queen, sleeps with the king and falls in love with him. For a while Esseilte and Drustan escape detection, but eventually they are caught in circumstances that cannot be ignored, leading to the tragic denouement. This is a complex tale, interweaving the political and religious conflicts of the sixth century, when the ancient Druid religion still had a strong hold. Paxson ( The Paradise Tree , White Mare, Red Stallion ) breathes life and wonder into one of the most romantic of the Celtic Germanic legends.

    Once Upon a Starry Night explains the ten ancient figures whose legends are written large across the universe. Every page shines with Christina Balit’s vibrant art, studded with shiny stars, and provides the perfect backdrop to Jacqueline Mitton’s poetic text.From the Trade Paperback edition.

    An imaginative recreation of the Arthurian world, a retelling of some of the stories from Geoffrey of Monmouth.

    The time is ripe for a warrior-king who will unite this wounded realm -- and a young centurion courageously answers the call. name is Artorius Pendragon -- and it is his destiny conquer with indomitable iron. A man flawed, filth and painfully mortal -- a clear-eyed leader with a strong distaste for war's necessary cruelties -- he will know a glory unparalleled in historical annals...an ultimately, will lose his heart and his kingdom to greatest betrayal of all.

    From the early ninth century through the middle ages, to the Arthurian romances of Victorian times, the tales of this legendary figure have blossomed and multiplied. And in more recent times, there has been a continuous stream of books claiming to unlock the secret or the truth behind the "once and future king."The truth, as Guy Halsall reveals in this fascinating investigation, is both radically different - and also a good deal more intriguing. Broadly speaking, there are two Arthurs. On the one hand is the traditional "historical" Arthur, waging a doomed struggle to save Roman civilization against the relentless Anglo-Saxon tide during the darkest years of the Dark Ages. On the other is the Arthur of myth and legend, accompanied by a host of equally legendary people, places, and stories: Lancelot, Guinevere, Galahad and Gawain, Merlin, Excalibur, the Lady in the Lake, the Sword in the Stone, Camelot, and the Round Table. The big problem with all this, notes Halsall, is that "King Arthur" might well never have existed. And if he did exist, it is next to impossible to say anything at all about him. As this challenging new look at the Arthur legend makes clear, all books claiming to reveal "the truth" behind King Arthur can safely be ignored. Not only the fanciful pseudo-historical accounts - Merlin the Magician, the Lady in the Lake--but even the "historical" Arthur is largely a figment of the imagination. The evidence that we have, whether written or archeological, is simply incapable of telling us anything detailed about the Britain in which he is supposed to have lived, fought, and died.

    Alan S. Fredrick summarizes missing episodes and includes a translation of 'The Tale of Tristan's Madness.'One of the earliest extant versions of the Tristan and Yseut story, Beroul's French manuscript of The Romance of Tristan dates back to the middle of the twelfth century. It recounts the legend of Tristan, nephew of King Mark of Cornwall, and the king's Irish wife Yseut, who fall passionately in love after mistakenly drinking a potion. Their illicit romance remains secret for many years, but the relentless suspicion of the king's barons and the fading effects of the magic draught eventually lead to tragedy for the lovers. While Beroul's work emphasizes the impulsive and often brutal behaviour of the characters, its sympathetic depiction of two people strug1150gling against their destiny is one of the most powerful versions of this enduringly popular legend.

    At the center of the maelstrom stands Keira, an innocent girl who possesses the ability to foretell the fate of her world. When Keira is kidnapped from her village home, her mother, Alayna, flees to Camelot and finds Mordred, an enigmatic knight who will ultimately become Keira’s greatest champion, Alayna’s greatest love, and King Arthur’s greatest enemy.In the long tradition of Arthurian legend, Mordred has been characterized as a buffoon, a false knight, and a bloodthirsty traitor. The Book of Mordred reveals a mysterious man through the eyes of three women who love him.

    Here fairies and demons walk hand in hand with mortals and anything anything can happen. These tales are sometimes frightening, usually insightful, and always entertaining. But one does not have to be Irish to appreciate these marvelous stories, for as the great Irish poet, W.B. Yeats wrote, "everyone is a visionary if you scratch him deep enough."John Connors and the fairies --Fitzgerald and Daniel Donoghue --Fairies of Rahonain and Elizabeth Shea --The knights of Kerry --Rahonain castle --The cattle jobber of Awnascawil --The midwife of Listowel --Daniel Crowley and the ghosts --Tom Daly and the nut-eating ghost --Tom Connors and the dead girl --The farmer of Tralee and the fairy cows --The two gamblers and the fairies --The girl and the robber --Maurice Griffin and the fairy doctor --The three sisters and their husbands' three brothers --John Shea and the treasure --St. Martin's eve --James Murray and saint martin --Fairy cows --John Reardon and the sister ghosts --Maggie Doyle and the dead man --Pat Doyle and the ghost --The ghost of Sneem --The dead mother --Tim Sheehy sent back to this world to prove his innocence --Tom Moore and the seal woman --The four-leafed shamrock --John Cokeley and the fairy --Tom Foley's ghost --The blood-drawing ghost --Murderous ghosts

    Paxson --Foreword / Andre Norton --To light such a candle / Eluki Bes Shahar --The grail of heart's desire / Judith Tarr --Lady of Avalon / Diana L. Paxson --With God to guard her / Kate Elliott --Appreciation / C.J. Cherryh --Sing to me of love and shadows / Deborah Wheeler --The wellspring / Katharine Kerr --Knives / Dave Smeds. A refuge of firedrakes / Susan Shwartz --Appreciation / Charles de Lint --The hag / Lawrence Schimel --Salve, Regina / Melanie Rawn --Tress of Avalon / Elisabeth Waters --Sparrow / Esther Friesner --The spell between worlds / Karen Haber --The stone mother's curse / Dave Wolverton. Appreciation / Paul Edwin Zimmer --Iontioren's tale / Paul Edwin Zimmer --Winter tales / Adrienne Martine-Barnes --Dark lady / Jane M. Lindskold --The lily maid of Astolat / Laura Resnick --Appreciation / Jennifer Roberson --Guinevere's truth / Jennifer Roberson.

    A girl of magic, whose childhood ends when King Uther Pendragon murders her father and steals away her mother. Then Pendragon dies and, in a warring country with no one to claim the throne, there are many who want Morgan dead. But Morgan has power, and magic. She is able to change the course of history, to become other, to determine her own fate-and, thus the fate of Britain. She will become Morgan le Fay. "Springer wields language like a sword, and both blood and flowers spring to these pages in vivid hues." (Booklist, starred review)