Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of "the way memory gets up after someone has died and starts walking." These poems reinvent the form of newspaper obituary to both name what has died ("civility," "language," "the future," "Mother's blue dress") and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living.

    Women came and went. Each one who left his apartment had a satisfied smile on her lips. London Keith was a player--bad news. Spying on him became her favorite pastime. It earned him a nickname...Mr. Hotness. Alana swore she'd never give in to a guy like him. He would do nothing but break her heart. But curiosity got the best of her. What was so alluring about London?Then she saw him with his shirt off. Heard his sexy accent, and she completely forgot she'd vowed to steer clear.Alana had been celibate too long, but London could fix her problem. She might as well let him try.It would only be one night. It was quite obvious the man had skills. Still, she didn't expect her neighbor to be quite so...addicting. Please note: Mr. Hotness was previously featured in the Tangled Sheets anthology. This is the extended version of the story. It is a steamy BWWM romance as only Peyton Banks can write.

    Lee's fascinating play . . . goes far beyond cheap satire, ultimately becoming a compassionate and stimulating exploration of one man's existential crisis . . . She proves unexpectedly adept at strict naturalism . . . [A] mournful and inquisitive play."—New York Times"She sacrifices nothing; bodies, voices, jokes, food, tragedy, cities are all artistic fodder, as are her various selves and the mirthful, bloody life of her imagination."—New YorkerProvocative playwright Young Jean Lee lends her shrewd perspective to this atypical take on the family drama. A father and his three sons unite and unravel, both aware of and undone by privilege and its pressure. When inherent social expectation conflicts with a desire to remain stagnant, the resulting identity confusion is new territory for the tightknit family. Strikingly observant and curiously drawn, Lee departs from her experimental style to create a naturalistic observation of the most socially unobstructed of our species, the straight white male.Young Jean Lee has been hailed as "one of the best experimental playwrights in America" by Time Out New York. She has written and directed nine shows in New York with Young Jean Lee's Theater Company and toured her work to over twenty cities around the world. Her other plays include We're Gonna Die, Untitled Feminist Show, The Shipment, Lear and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship and a Doris Duke Artist Award.

    To prove his loyalty to the Party, Ah Liam reports his grandmother to the authorities. But his belief in doing the right thing sets in motion a terrible chain of events.Now they must flee their home on Drum Wave Islet, which sits just a few hundred meters across the channel from mainland China. But when their mother goes to procure visas for safe passage to Hong Kong, the government will only issue them on the condition that she leave behind one of her children as proof of the family’s intention to return.Against the backdrop of early Maoist China, this captivating and emotional tale follows a brother, a sister, a father, and a mother as they grapple with their agonizing decision, its far-reaching consequences, and their hope for redemption.

    He attempts to deny the attraction, but Miranda has already captured his heart.A widow with an autistic child, Miranda wears her ring as a deterrent to suitors. Although smitten with Travis, she can’t believe the handsome younger man could ever be more than eye candy.When Travis discovers Miranda’s widowhood, she acknowledges the attraction but still sees the age difference as an obstacle. An intense sexual encounter has Travis hearing wedding bells until a bump on the head leaves Miranda wondering what the hell she missed…

    A woman is missing. And the police have already found their prime suspect... Owen Hall drives into a petrol station to let his passenger use the facilities. She never comes back - and what's more, it seems she never even made it inside.When Owen raises a fuss, the police are called - and soon identify Owen himself as a possible culprit - not least because they already have him in the frame for another more sinister crime.Owen's always been a little different, and before long others in the community are baying for his blood. But this is a case where nothing is as it seems - least of all Owen Hall...

    In high school Sarah fell for her best friend’s older brother—one of the sexy, Scottish McLaughlin boys. But a painful betrayal showed her she’d been a fool to give her heart to a bad boy. At least it made it easier to leave him and move halfway around the world when her Navy dad got stationed in Japan. Eleven years later, the death of her grandmother has forced Sarah back to Whidbey Island for a month. It’s the length of time she must stay in her inherited house before she’s allowed to sell it, take the money and run. But when she sees Ian, bad as ever and still looking like sin on a stick, she can’t keep her mouth from watering. One look at Sarah stirs up the regret lingering in Ian’s heart—and never-forgotten desire lingering in his body. He should walk away, especially since divorced single mothers aren’t his style. But when she starts showing up at his family’s pub, he can’t resist a little casual seduction for old time’s sake. One thing quickly becomes clear, though. The heat between them is causing an avalanche of secrets and betrayal and nothing will ever be the same.Product Warnings: A bad-boy hero who’s good with his hands, a heroine who’s trying to be good. Contains liberal consumption of Scotch whisky, a Highland Games competition, men in kilts wielding large poles, and a potential Sarah McLaughlin of the non-musical kind.

    After attending school in Calcutta, Benny settles in Rangoon, then part of the British Empire, and falls in love with Khin, a woman who is part of a long-persecuted ethnic minority group, the Karen. World War II comes to Southeast Asia, and Benny and Khin must go into hiding in the eastern part of the country during the Japanese Occupation, beginning a journey that will lead them to change the country’s history. After the war, the British authorities make a deal with the Burman nationalists, led by Aung San, whose party gains control of the country. When Aung San is assassinated, his successor ignores the pleas for self-government of the Karen people and other ethnic groups, and in doing so sets off what will become the longest-running civil war in recorded history. Benny and Khin’s eldest child, Louisa, has a danger-filled, tempestuous childhood and reaches prominence as Burma’s first beauty queen, soon before the country falls to dictatorship. As Louisa navigates her new-found fame, she is forced to reckon with her family’s past, the West’s ongoing covert dealings in her country, and her own loyalty to the cause of the Karen people.Based on the story of the author’s mother and grandparents, Miss Burma is a captivating portrait of how modern Burma came to be, and of the ordinary people swept up in the struggle for self-determination and freedom.

    Maya's been able to get by in New York on her wits and a dead-end bookstore job for years, but when her husband leaves her and her favorite professor ends their affair, her barely-calibrated life descends into chaos, and she has to make some choices. Maya's struggle to be alone, to be a woman, and to be thoughtful and imperfect and alive in a world that doesn't really care what happens to her is rendered with dead-eyed clarity and unnerving charm. This book takes every tired trope about addiction and recovery, "likeable" characters, and redemption narratives, and blows them to pieces.Emily Books is a publishing project and ebook subscription service whose focus is on transgressive writers of the past, present and future, with an emphasis on the writing of women, trans and queer people, writing that blurs genre distinctions and is funny, challenging, and provocative.Jade Sharma is a writer living in New York. She has an MFA from the New School.

    East Asia Studies. Women's Studies. Translated from the Korean by Don Mee Choi. "Her poems are not ironic. They are direct, deliberately grotesque, theatrical, unsettling, excessive, visceral and somatic. This is feminist surrealism loaded with shifting, playful linguistics that both defile and defy traditional roles for women"--Pam Brown

    In her journeys, she discovers a legacy left behind by the noble clan from which she is descended--a temple erected by her great-grandfather in defiance of centuries of invasions against Korea, and the one thousand chestnut trees that shield it from view.

    Regretting his actions and words.He wants a second chance to put our family back together.I can’t trust him.I can’t trust him with my heart, even though it stills yearns for him after all these years.The problem? Our daughter adores him and I would do just about anything to make her happy. Even if that means making the same mistake again.Do I take the risk of getting another heart broken by the same man or tell him goodbye once and for all?

    She would rather go through life with minimal interaction than learn to open up and trust others; keeping her emotional scars in the front of her mind so she won’t get hurt. When a visit back to her hometown doesn’t bring the answers or closure she’s yearned for, she wonders if she’ll ever be made whole again.While in town Sarah meets Kate, a professor at the local community college. The instant connection she feels with Kate confuses and scares her, but it also gives her a glimpse of a life she wished she could have. Will Sarah finally find it within herself to conquer her fears and pursue the life she’s always wanted but thought she could never have?Content warning: This novel deals with alcoholism and references a suicide, an abortion and a rape. They all occur off-page and are only mentioned as backstory with no graphic detail.

    What she didn’t know was how to be a wife! Through trial and error — and more ups and downs than a roller coaster — Jamie learned to quickly negotiate all of those universal problems all newlywed couples face, from leaving the toilet seat up to winning over the in-laws. All the while, her traumatic past and unresolved issues with an ex-boyfriend threatened to derail the healthiest relationship she’d ever been in. In her shocking, unflinching and hilarious memoir, Wifey 101: Everything I Got Wrong After Finding Mr. Right, Jamie fumbles her way through the newlywed game and lives to tell the tale.

    Friendless and fatherless, sixteen-year-old Szu lives in the shadow of her mother Amisa, once a beautiful actress and now a hack medium performing séances with her sister in a rusty house. When Szu meets the privileged, acid-tongued Circe, an unlikely encounter develops into an intense friendship and offers Szu a means of escape from her mother's alarming solitariness.Seventeen years later, Circe is struggling through a divorce in fraught and ever-changing Singapore when a project comes up at work: a remake of the cult seventies horror film series 'Ponti', the very project that defined Amisa's short-lived film career. Suddenly Circe is knocked off balance: by memories of the two women she once knew, by guilt, and by a past that threatens her conscience.Told from the perspectives of all three women, Ponti is about friendship and memory, about the things we do when we're on the cusp of adulthood that haunt us years later. Beautifully written by debut author Sharlene Teo, and enormously atmospheric, Ponti marks the launch of an exciting new literary voice in the vein of Zadie Smith.