Published in 1867, this is Zola's most important work before the Rougon-Macquart series and introduces many of the themes that can be traced through the later novel cycle.

    Brock's novel picks up Taylor's story in 1911 when Taylor is unsure what to do with his life after his pitching arm gives way to younger talent.

    

    Published in book form a year later and banned in Nazi Germany, it garnered high praise in the United States and much of Europe. A series of fictional letters between a Jewish art dealer living in San Francisco and his former business partner, who has returned to Germany, Address Unknown is a haunting tale of enormous and enduring impact.

    The volume includes recent essays from Alastair Duckworth, Marilyn Butler, D.A. Miller, Isobel Armstrong and Karen Newman.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    G. Wodehouse Biography NovelsThe Adventures of SallyThe Clicking of CuthbertA Damsel in DistressThe Coming of BillThe Gem CollectorThe Girl on the BoatThe Gold BatThe Head of Kay'sIndiscretions of ArchieThe Intrusion of JimmyJill the Reckless or The Little WarriorThe Little NuggetLove Among the Chickens Illustrated by Armand BothMike Illustrated by T. M. R. WhitwellMike and PsmithA Man of MeansMy Man JeevesNot George Washington. An Autobiographical NovelPiccadilly JimThe PothuntersA Prefect's UncleThe Prince and BettyPsmith in the CityPsmith, JournalistRight Ho, JeevesSomething NewThe Swoop! or How Clarence Saved EnglandTales of St. Austin'sThree Men and a MaidUneasy MoneyThe White FeatherWilliam Tell Told Again Illustrated by Philip Dadd Stories Collections Death At The ExcelsiorJeeves Takes Charge and Other Stories The Man Upstairs and Other StoriesThe Man With Two Left Feet And Other StoriesThe Politeness of Princes and Other School Stories StoriesAhead of Schedule Archibald's BenefitAt Geisenheimer's The Autograph Hunters The Best SauceBill the BloodhoundBlack for LuckBy Advice of Counsel Concealed Art A Corner in Lines Crowned Heads Death at the ExcelsiorDeep WatersDisentangling Old Duggie Extricating Young Gussie The Goal-Keeper and the Plutocrat The Good Angel The Guardian An International Affair In AlcalaJeeves and the Chump Cyril Jeeves in the Springtime Jeeves Takes Charge The Making of Mac's The Man, the Maid, and the Miasma The Man with Two Left FeetThe Man Upstairs The Man Who Disliked CatsThe Mixer Misunderstood One Touch of Nature Out of School Pillingshot, Detective The Politeness of Princes Pots O'Money The Romance of an Ugly Policeman Rough-Hew Them How We WillRuth in Exile A Sea of Troubles Shields' And the Cricket Cup Sir Agravaine a Tale of King Arthur's Round Table Something to Worry About The Test Case Tom, Dick, and Harry Three from Dunsterville The Tuppenny Millionaire When Doctors Disagree When Papa Swore in Hindustani Wilton's Holiday ArticlesSome Aspects of Game-Captaincy An Unfinished Collection The New AdvertisingThe Secret Pleasures of Reginald My Battle with Drink In Defense of AstigmatismPhotographers and Me A Plea for Indoor Golf The Alarming Spread of Poetry My Life As a Dramatic Critic The Agonies of Writing a Musical Comedy On the Writing of Lyrics The Past Theatrical Season PoemsDamon and Pythias The Haunted Tram

    He is one of the symp-toms of our times—from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run?This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York’s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic—his congenital incapacity for friendship.An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening.When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick’s real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. To this group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation in which the reader is spared none of the grue-some details) Schulberg has poured out everything he has felt about that place. The result is a book which the publishers not only believe to be the most honest ever written about Hollywood, but a penetrating study of one kind of twentieth-century success that is peculiar to no single race of people or walk of life.

    The books explores medical and scientific themes in a fictional way and it is difficult to think of an earlier book that does this. Although he was not a doctor, Sinclair Lewis's father was and he was greatly helped in the preparation of the manuscript by the science writer Paul de Kruif. It was de Kruif who brings a reality to the book that is almost biographical.This reality means that the books heralds the real impact of advances in drugs, public health, and immunology that were about to change the world. It also satirises those medical and scientific practitioners whose pursuit of fame and fortune, at the expense of truth, remains just as pertinent today.The book was first published in 1925 and was a popular and commercial success. It was awarded a Pulitzer Prize in 1926 which was refused by Sinclair Lewis. He was later to win the Nobel Prize for Literature—which he accepted.

    

    This review follows along the chronological storyline of the book, and includes special attention to the extensive detail offered by the author. The summary is followed by an analysis of the book’s strengths and weaknesses. Larson weaves this story by offering alternating views of the captain of the Lusitania, the commander of the sub that sank it, the passengers aboard the ship, British naval intelligence officers, and President Wilson. The general story line is chronological and the various perspectives alternate throughout the telling. Two central thesis are developed throughout the book. The first is that the author is sympathetic to the captain of the Lusitania who was somewhat maligned after the event by those who sought to blame the sinking of the ship on his incompetence. The second concerns the suggestion that there was deliberate negligence on the part of British intelligence and leadership who recognized strategic advantage in the ship being attacked in terms of its potential to draw Americans into the war as allies. The author uses rich archival detail to support both claims. Larson is both an accomplished journalist and historical novelist. He has written four New York Times bestselling books on subjects ranging from serial killers to hurricanes. He has written for The Wall Street Journal and Time Magazine as a staff journalist. He has been a contributing author to The Atlantic, Harper’s, and The New Yorker. His academic background includes a bachelors in Russian history, language and culture from the University of Pennsylvania, and a Masters in journalism from Columbia University. Download your copy today! for a limited time discount of only $2.99! Available on PC, Mac, smart phone, tablet or Kindle device. © 2015 All Rights Reserved

    This reader is softcover, 6" 9," and 144 pages in length.

    Throughout the book Gombrowicz ridicules the self-centred pomposity of the Polish community in Argentina.

    Three o'clock struck. A sweet voice, abrupt and clear, broke the silence of the solemn scene. "Hubert. Where is Hubert? I must see him." "Tell him to come," said Dr. Evans to Dr. Letsom, "but do not tell him there is any danger."[...]".

    In this unfamiliar, utopian age creatures seemed to dwell together in perfect harmony. The Time Traveller thought he could study these marvelous beings--unearth their secret and then return to his own time--until he discovered that his invention, his only avenue of escape, had been stolen.H. G. Wells's famous novel of one man's astonishing journey beyond the conventional limits of the imagination first appeared in 1895. It won him immediate recognition and has been regarded ever since as one of the great masterpieces in the literature of science fiction.The War of the Worlds H. G. Wells's science fiction classic, the first novel to explore the possibilities of intelligent life from other planets, is still startling and vivid nearly a century after its appearance, and a half century after Orson Welles's infamous 1938 radio adaptation.This daring portrayal of aliens landing on English soil, with its themes of interplanetary imperialism, technological holocaust, and chaos, is central to the career of H. G. Wells, who died at the dawn of the atomic age. The survival of mankind in the face of "vast and cool and unsympathetic" scientific powers spinning out of control was a crucial theme throughout his work. Visionary, shocking, and chilling, The War of the Worlds has lost none of its impact since its first publication in 1898.