Book picks similar to
Conflict, Action and Suspense by William Noble
writing
non-fiction
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nonfiction
On Writing: A Memoir of the Craft
Stephen King - 2000
Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer's craft, comprising the basic tools of the trade every writer must have. King's advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported near-fatal accident in 1999 -- and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it -- fans, writers, and anyone who loves a great story well told.(back cover)
The Courage to Write: How Writers Transcend Fear
Ralph Keyes - 1995
I have to talk myself into bravery with every sentence, agreed Cynthia Ozick, sometimes every syllable. E. B. White said he admired anyone who has the guts to write anything at all.An author who has taught writing for more than thirty years,In The Courage to Write, Ralph Keyes, an author who has taught writing for more than thirty years, assures us that anxiety is felt by writers at every level, especially when they dare to do their best. He describes the sequence of courage points through which all writers must pass, from the challenge of identifying a worthwhile project to the mixture of pride and panic they feel when examining a newly published book or article.Keyes also offers specifics on how to root out dread of public performance and of the judgment of family and friends, make the best use of writers' workshops and conferences, and handle criticism of works in progress. Throughout, he includes the comments of many accomplished writers -- Pat Conroy, Amy Tan, Rita Dove, Isabel Allende, and others -- on how they transcended their own fears to produce great works.
Lessons from a Lifetime of Writing: A Novelist Looks at His Craft
David Morrell - 2002
Novelist David Morrell provides insights and advice learned during 30 years of writing and selling novels - insider secrets to help writers achieve the next level of literary success, whether they are just beginning or already published.
Write. Publish. Repeat. (The No-Luck-Required Guide to Self-Publishing Success)
Sean Platt - 2013
Publish. Repeat.
The No-Luck-Required Guide to Publishing
In 2013, Johnny B. Truant and Sean Platt published 1.5 million words and made their full-time livings as indie authors. In Write. Publish. Repeat., they tell you exactly how they did it: how they created over 15 independent franchises across 50+ published works, how they turned their art into a logical, sustainable business, and how any independent author can do the same to build a sustainable, profitable career with their writing. Write. Publish. Repeat. explains the current self-publishing landscape and covers the truths and myths about what it means to be an indie author now and in the foreseeable future. It explains how to create books your readers will love and will want to return to again and again. Write. Publish. Repeat. details expert methods for building story worlds, characters, and plots, understanding your market (right down to your ideal reader), using the best tools possible to capture your draft, and explains proven best practices for editing. The book also discusses covers, titles, formatting, pricing, and publishing to multiple platforms, plus a bit on getting your books into print (and why that might not be a good idea!). But most importantly, Write. Publish. Repeat. details the psychology-driven marketing plan that Sean and Johnny built to shape their stories into "products" that readers couldn't help but be drawn into -- thus almost automatically generating sales -- and explores ways that smart, business-minded writers can do the same to future-proof their careers. This book is not a formula with an easy path to follow. It is a guidebook that will help you build a successful indie publishing career, no matter what type of writer you are ... so long as you're the type who's willing to do the work.
About Writing: Seven Essays, Four Letters, & Five Interviews
Samuel R. Delany - 2006
Delany has written a book for creative writers to place alongside E. M. Forster's Aspects of the Novel and Lajos Egri's Art of Dramatic Writing. Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?), Delany also examines the condition of the contemporary creative writer and how it differs from that of the writer in the years of Hemingway, Fitzgerald, and the high Modernists. Like a private writing tutorial, About Writing treats each topic with clarity and insight. Here is an indispensable companion for serious writers everywhere.
Creating Character Emotions
Ann Hood - 1998
Butterflies in the stomach. Pacing back and forth. There is no doubt this character is nervous. But isn't there a more original, more vivid way to express this emotion? Absolutely. In this unique book, Ann Hood will help you find fresh, creative images, words and gestures to evoke feelings in your fiction. In 36 "mini-lessons, " Hood sheds new light on love, hate, fear, grief, guilt, hope, jealousy and other major emotions. Each lesson offers instruction on rendering that particular sentiment; "good" and "bad" examples illustrating how writers have succeeded and where others have gone wrong; and imaginative exercises for putting the feeling into words.
Spunk & Bite: A Writer's Guide to Punchier, More Engaging Language & Style
Arthur Plotnik - 2005
Although the rules of composition popularized in William Strunk Jr. and E. B. White's Elements of Style have been de rigueur for decades, they won't exactly set your writing free.To the rescue comes Spunk & Bite, a guide to bold and radiant language and style. The secret, according to bestselling author and former publishing executive Arthur Plotnik, is to embrace those qualities that composition rulebooks sidestep, among them, surprise, personality, engagement, edge, and fearlessness. Drawing on selections from today's most exciting writers: Jonathan Franzen, Sandra Cisneros, Bill Bryson, Maureen Dowd, and many dozens more.Plotnik reveals the tricks and techniques that make prose fresh, forceful, and publishable. For all types of writing: novels, articles, poems, ad copy, blogs, and even e-mails,this uncommon handbook reveals how to make your words so fetching that readers beg for more.
Write Naked: A Bestseller's Secrets to Writing Romance & Navigating the Path to Success
Jennifer Probst - 2017
New York Times best-selling author Jennifer Probst reveals her pathway to success, from struggling as a new writer to signing a seven-figure deal. Write Naked intermingles personal essays on craft with down-to-earth advice on writing romance in the digital age. Probst will teach you how to:Commit to your current work-in-progress, get focused, and complete it on scheduleReveal raw emotions and thoughts on the page to hook your readersAssemble a street team to promote and celebrate your booksOvercome writer's block with easeDevelop themes that tie together your books and seriesWrite the most difficult elements of romance--including sex scenes--with skill and styleRegardless of the genre, every novelist faces a difficult task. Creating authentic characters and an engaging plot are challenging enough. But attempting to break into the hotter-than-ever romance genre, which is constantly flooded with new titles and fresh faces? It can feel impossible. This is where Probst's Write Naked comes in. To survive--and thrive--you need the help and wisdom of an expert. Written in Probst's unmistakable and honest voice, Write Naked is filled with the lessons and craft advice every writer needs in order to carve out a rewarding career.
She Sat He Stood: What Do Your Characters Do While They Talk?
Ginger Hanson - 2014
Based on a workshop she presented at regional, national, and online writing conferences, Ms. Hanson draws on examples from books, movies, and plays to demonstrate ways to keep your characters from sitting, standing, or looking out a window as they talk.
If You Want to Write: A Book about Art, Independence and Spirit
Brenda Ueland - 1938
She said she had two rules she followed absolutely: to tell the truth, and not to do anything she didn't want to do. Her integrity shines throughout If You Want to Write, her best-selling classic on the process of writing that has already inspired thousands to find their own creative center. Carl Sandburg called this book "The best book ever written about how to write." Yet Ueland reminds us that "Whenever I say 'writing' in this book, I also mean anything that you love and want to do or to make." Ueland's writing and her teaching are made compelling by her feisty spirit of independence and joy.
The Complete Book of Scriptwriting
J. Michael Straczynski - 1982
Michael Straczynski, writer/producer of Murder, She Wrote and creator of Babylon 5 teaches scriptwriters how to write and sell work for television, movies, animation, radio and the theatre. Straczynski covers each medium in depth. He reveals facts, tells stories and offers observations from the vantage point of a career in the business.
Plotto: The Master Book of All Plots
William Wallace Cook - 1928
The theory itself may be simple "Purpose opposed by Obstacle yields Conflict" but Cook takes his "Plottoist" through hundreds of situations and scenarios, guiding the reader’s hand as a dizzying array of purposes and obstacles come to a head. Cook’s method is broken down into three stages: First, the master plot. This four-page chart distills the most basic plot points into a three-line sentence. Next, the conflict situation. Each master plot leads the reader to a list of circumstances, distributed among 20 different conflict groups (these range from Love’s Beginning” to Personal Limitations” to Transgression”). There are over 2,000 unique conflict situations in the book, and each is cross-referenced with designs for how the situation might have started, or where it might go. Finally, there are character combinations Cook offers an extensive index of protagonists, each cross-referenced with various supporting players themselves tied to various conflict situations, for what appears to be an inexhaustible reservoir of suggestions and inspiration.
Writing and Selling Your Mystery Novel: The Complete Guide to Mystery, Suspense, and Crime
Hallie Ephron - 2017
And while patience and resilience must come from you, the essentials of craft and the plan to execute them are right at your fingertips with Writing and Selling Your Mystery Novel. This completely revised and updated edition features solid strategies for drafting, revising, and selling an intriguing novel that grips your readers and refuses to let them go.New York Times best-selling author Hallie Ephron shows you how to:- Create a compelling sleuth and a worthy villain - Construct a plot rich in twists, red herrings, and misdirection - Bring the story to a satisfying conclusion - Sharpen characters and optimize pace during revision - Seek publication through both traditional and indie pathsFilled with helpful worksheets and exercises for every step of the process, Writing and Selling Your Mystery Novel Revised and Expanded reveals the keys to writing a memorable story that will have fans of mystery, suspense, and crime clamoring for more.
Writing Brave and Free: Encouraging Words for People Who Want to Start Writing
Ted Kooser - 2006
Liberating and emboldening the beginning writer are the goals of Ted Kooser and Steve Cox in this spirited book of practical wisdom that brings to bear decades of invaluable experience in writing, teaching, editing, and publishing. Unlike “how to write” books that dwell on the angst and the agony of the trade, Writing Brave and Free is upbeat and accessible. The focus here is the work itself: how to get started and how to keep going, and never is heard a discouraging word such as “no,” “not,” or “never.” Because of the wealth of their experience, the authors can offer the sort of practical publishing advice that novices need and yet rarely find. Organized in brief, user-friendly chapters—on everything from sensory details to a work environment, from creating suspense to revising and taking criticism—the book allows aspiring (and practicing) writers to dip in anywhere and find something of value.
Understanding Show, Don't Tell (And Really Getting It)
Janice Hardy - 2016
She'll help you understand what show, don't tell means, teach you how to spot told prose in your writing, and reveal why common advice on how to fix it doesn't always work. With in-depth analysis,
Understanding Show, Don't Tell (And Really Getting It)
looks at what affects told prose and when telling is the right thing to do. It also explores aspects of writing that aren’t technically telling, but are connected to told prose and can make prose feel told, such as infodumps, description, and backstory. Her easy-to-understand examples will show you clear before and after text and demonstrate how telling words change the prose. You'll learn how to find the right balance between description, narrative, and internalization for the strongest impact. These examples will also demonstrate why showing the wrong details can sound just as dull as telling. This book will help you: Understand when to tell and when to show Spot common red flag words often found in told prose Learn why one single rule doesn't apply to all books Determine how much telling is acceptable in your writing Fix stale or flat prose holding your writing back
Understanding Show, Don't Tell (And Really Getting It)
is more than just advice on what to do and what not to do—it’s a down and dirty examination and analysis of how show, don’t tell works, so you can adapt the “rules” to whatever style or genre you’re writing. By the end of this book, you’ll have a solid understanding of show, don’t tell and the ability to use it without fear or frustration.