Men and women live like mice in burrows in the massive walls of the huge homes of the aliens, scurrying about under their feet, stealing from them. A complex social and religious order has evolved, with women preserving knowledge and working as healers, and men serving as warriors and thieves. For the aliens, men and women are just a nuisance, neither civilized nor intelligent, and certainly not a worthy adversary. In fact, they are regarded as vermin, to be exterminated. Which, ironically, may just be humankind's strength and point the way forward.

    A bright young star in a multinational conglomerate, she's living well in a post-millennial age of peace, prosperity, and profit.In an age of advanced technology, information is the world's most precious commodity. Information is power. Data is locked in computers and carefully rationed through a global communications network. Full access is a privilege held by few.Now, Laura Webster is about to be plunged into a netherworld of black-market data pirates, new-age mercenaries, high-tech voodoo... and murder.

    But she's young and a little careless; she'd rather mix drinks and play jazz. Azamat Marcsson is a colorless statistician: middle-aged, boring, and obsessed with microorganisms. A first-class nonentity--until one of his Dreams implodes, taking Kalypso with it.Now Ganesh is crashing, and nothing could be worse. For on the planet T'nane, it is the AI alone that keeps the colonists alive, eking out a grim existence in an environment inimical to human life. To save the colony, Kalypso must persuade Marcsson to finish the Dream that is destroying Ganesh. But Marcsson has gone mad, and T'nane itself has plans for them both that will alter their minds--and their world--forever.

    A Shaper. In a warm womb of metal, his patients dream their neuroses, while Render, intricately connected to their brains, dreams with them, makes delicate adjustments, and ultimately explains and heals. Her name is Eileen Shallot, a resident in psychiatry. She wants desperately to become a Shaper, though she has been blind from birth. Together, they will explore the depths of the human mind -- and the terrors that lurk therein

    A spaceship from Earth accidentally crossed through a hole in space-time to a universe where the force of gravity is one billion times as strong as the gravity we know. Somehow the crew survived, aided by the fact that they emerged into a cloud of gas surrounding a black hole, which provided a breathable atmosphere. Five hundred years later, their descendants still struggle for existence, divided into two main groups. The Miners live on the Belt, a ramshackle ring of dwellings orbiting the core of a dead star, which they excavate for raw materials. These can be traded for food from the Raft, a structure built from the wreckage of the ship, on which a small group of scientists preserve the ancient knowledge which makes survival possible. Rees is a Miner whose curiosity about his world makes him stow away on a flying tree—just one of the many strange local lifeforms—carrying trade between the Belt and the Raft.

    Now, in an extraordinary flight of the imagination a half-century in the making, he takes us to a most wondrous destination: into the heart of an Eternal Family.They have lived for centuries in a house of legend and mystery in upper Illinois -- and they are not like other midwesterners. Rarely encountered in daylight hours, their children are curious and wild; their old ones have survived since before the Sphinx first sank its paws deep in Egyptian sands. And some sleep in beds with lids.Now the house is being readied in anticipation of the gala homecoming that will gather together the farflung branches of this odd and remarkable family. In the past-midnight stillness can be detected the soft fluttering of Uncle Einars wings. From her realm of sleep, Cecy, the fairest and most special daughter, can feel the approach of many a welcome being -- shapeshifter, telepath, somnambulist, vampire -- as she flies high in the consciousness of bird and bat.But in the midst of eager anticipation, a sense of doom pervades. For the world is changing. And death, no stranger, will always shadow this most singular family: Father, arisen from the Earth; Mother, who never sleeps but dreams; A Thousand Times Great Grandmére; Grandfather, who keeps the wildness of youth between his ears.And the boy who, more than anyone, carries the burden of time on his shoulders: Timothy, the sad and different foundling son who must share it all, remember, and tell...and who, alone out of all of them, must one day age and wither and die.By turns lyrical, wistful, poignant, and chilling, From the Dust Returned is the long-awaited new novel by the peerless Ray Bradbury -- a book that will surely be numbered among his most enduring masterworks.

    Newton is an extraterrestrial who goes to Earth on a desperate mission of mercy. But instead of aid, Newton discovers loneliness and despair that ultimately ends in tragedy.

    Not even politicians lie, and weirdly frank notices abound—such as warning: this elevator maintained by people who hate their jobs: ride at your own risk. In this dystopia of mandatory candor, every preadolescent citizen is ruthlessly conditioned, through a Skinnerian ordeal called a “brainburn,” to speak truthfully under all circumstances.Jack Sperry wouldn’t dream of questioning the norms of Veritas; he’s happy with his life and his respectable job as a “deconstructionist,” destroying “mendacious” works of art—relics from a less honest era. But when his adored son, Toby, falls gravely ill, the truth becomes Jack’s greatest enemy. Somehow our hero must overcome his brainburn and attempt to heal his child with beautiful lies.

    A constant stream of new technology spawns crime before it hits the streets; the human mind and the external landscape have fused to the point where any encounter with "reality" is incidental.

    The three short novels in The Steampunk Trilogy are all set in a very alternative nineteenth century, and feature a mixture of historical and imaginary figures. In "Victoria," a young and lissome Queen Victoria disappears from her throne and is replaced by a sexy human/newt clone. The race is on to find the original Victoria and to hide the terrible secret from the nation. In "Hottentots," Massachusetts is threatened by monsters from the deep; in "Walt and Emily," Emily Dickinson hooks up with a robust and lusty Walt Whitman, loses her virginity, and travels to a dimension beyond time where she meets the future Allen Ginsberg.

    Disch's visionary portrait of the underbelly of 21st-century New York City. The residents of the public housing project at 334 East 11th Street live in a world of rationed babies and sanctioned drug addiction. Real food is displayed in museums and hospital attendants moonlight as body-snatchers.Nimbly hopscotching backward and forward in time, Disch charts the shifting relationships between this world's inheritors: an aging matriarch who falls in love with her young social worker; a widow seeking comfort from the spirit of her dead husband; a privileged preteen choreographing the perfectly gratuitous murder. Poisonously funny, piercingly authentic, 334 is a masterpiece of social realism disguised as science fiction.

    But to the Martin family, their household robot NDR-113 is more than a trusted friend, a confidant, a member of the family. For through some unknown manufacturing glitch, Andrew has been blessed with a capacity for love and a drive toward self-awareness and devlopment that are almost...human.But almost is not enough. Andrew's dream is to become fully human. Facing human prejudice, the laws of robotics, and his own mechanical limitations, Andrew will use science and law in his quest for the impossible, arriving at last at a terrifying choice: to make his dream a reality, he must pay the ultimate price.

    He finds himself on a collision course that results in a desperate romance, and a journey into the ecstasy and dread that mirror each other at the heart of the postmodern experience.

    In an attempt to conjure some meaning from his life, he embarks on an autobiography, but he finds himself writing the story of another man in another, imagines, world whose insidious attraction draws him even further in...

    The title is a play on words, one meaning "the force which pulls" & the other being "extremely serious or important". It was serialized in Astounding Science Fiction, 4–7/53. Its 1st cloth publication was in '54. It was 1st published in paper in '58. Along with the novel itself, many editions (& most recent editions) of the book also include Whirligig World, an essay on creating the planet Mesklin that was published in the 6/53 Astounding. He published two sequels, a '70 novel called Star Light & a '73 short story called Lecture Demonstration. Mission of Gravity was nominated for a Retro Hugo Award for '54.For a profit & adventure Barlennan would sail thousands of miles across uncharted waters, into regions where gravity played strange tricks. He'd dare the perils of strange tribes & stranger creatures--even dicker with those aliens from beyond the skies, though the concept of another world was unknown to the inhabitants of the planet of Mesklin. But in spite of the incredible technology of the strangers & without regard for their enormous size, Barlennan had the notion of turning the deal to an unsuspected advantage for himself--a considerable enterprise for a being very much resembling a 15" caterpillar!