He was the last king from the House of York, and his defeat at the Battle of Bosworth marked the culmination of the Wars of the Roses and the end of the Plantagenet dynasty. After the death of his brother King Edward IV, Richard briefly governed as regent for Edward's son King Edward V with the title of Lord Protector, but he placed Edward and his brother Richard in the Tower (see Princes in the Tower) and seized the throne for himself, being crowned on 6 July 1483.[Kindle]

    He guides us from the building of Stonehenge to the founding of the two great glories of medieval England: common law and the cathedrals. He shows us glimpses of the country's most distant past--a Neolithic stirrup found in a grave, a Roman fort, a Saxon tomb, a medieval manor house--and describes in rich prose the successive waves of invaders who made England English, despite being themselves Roman, Viking, Saxon, or Norman French.With his extraordinary skill for evoking time and place and his acute eye for the telling detail, Ackroyd recounts the story of warring kings, of civil strife, and foreign wars. But he also gives us a vivid sense of how England's early people lived: the homes they built, the clothes the wore, the food they ate, even the jokes they told. All are brought vividly to life through the narrative mastery of one of Britain's finest writers.

    He’s had a pretty bad press: supposed usurper of Richard II’s crown and the focus of hatred in the Peasants’ Revolt (they torched his home, the Savoy Palace). Helen Carr will paint a complex portrait of a man who held the levers of power on the English and European stage, passionately upheld chivalric values, pressed for the Bible to be translated into English, patronised the arts … and, if you follow Shakespeare, gave the most beautiful oration on England (‘this sceptred isle… this blessed plot’). An engrossing drama of political machinations, violence, romance and tragedy played out at the cusp of a new era.

    Life among the warring factions in Scotland was dangerous for the infant Queen, however, and at age five Mary was sent to France to be raised alongside her betrothed, the Dauphin Francois. Surrounded by all the sensual comforts of the French court, Mary's youth was peaceful, charmed, and when she became Queen of France at the age of sixteen, she seemed to have all she could wish for. But by her eighteenth birthday, Mary was a widow who had lost one throne and had been named by the Pope for another. And her extraordinary adventure had only begun. Defying her powerful cousin Elizabeth I, Mary set sail in 1561 to take her place as the Catholic Queen of a newly Protestant Scotland. A virtual stranger in her volatile native land, Mary would be hailed as a saint, denounced as a whore, and ultimately accused of murdering her second husband, Lord Darnley, in order to marry her lover, the Earl of Bothwell. She was but twenty-five years old when she fled Scotland for the imagined sanctuary of Elizabeth's England, where she would be embroiled in intrigue until she was beheaded "like a criminal" in 1587. In her stunning first novel, The Autobiography of Henry VIII, Margaret George established herself as one of the finest historical novelists of our time. Now she brings us a new, mesmerizing blend of history and storytelling as she turns the astonishing facts of the life of Mary Queen of Scots into magnificent fiction that sweeps us from the glittering French court where Mary spent her youth, to the bloodstained Scotland where she reigned as Queen, to the cold English castles where she ended her days. Never before have we been offered such arich and moving portrayal of the Scots Queen, whose beauty inspired poetry, whose spirit brought forth both devotion and hatred, and whose birthright generated glorious dreams, hideous treachery, and murdered men at her feet.

    Yet Edward has not achieved the martial reputation of other warrior kings such as Henry V - perhaps because he fought battles against his own people in a civil war. It has also been suggested that he lacked the personal discipline expected of a truly great commander. But, as David Santiuste shows in this perceptive and highly readable new study, Edward was a formidable military leader whose strengths and subtlety have not been fully recognized.This reassessment of Edward's military role, and of the Wars of the Roses in which he played such a vital part, gives a fascinating insight into Edward the man as well as the politics and the fighting. Based on contemporary sources and the latest scholarly research, Edward IV and the Wars of the Roses brings to life an extraordinary period of English history.

    At the center of a triangle of Anglo Saxons, Vikings, and Normans all jostling for control of England, Emma was a political pawn who became an unscrupulous manipulator. Regarded by her contemporaries as a generous Christian patron, an admired regent, and a Machiavellian mother, Emma was, above all, a survivor: hers was a life marked by dramatic reversals of fortune, all of which she overcame.

    Where can you find the 'Devil's footprints'? What happened at the 'hangman's stone'? Did Sweeney Todd, the demon barber of Fleet Street, ever really exist? Where was King Arthur laid to rest? Bringing together tales of hauntings, highwaymen, family curses and lovers' leaps, this magnificent guide will take you on a magical journey through England's legendary past.

    Published to coincide with the 500th anniversary of Henry's accession to the throne, 'Henry: Virtuous Prince' is a radical re-evaluation of the monarchy's most enduring icon. Henry VIII was Britain's most powerful monarch, yet he was not born to rule. Thrust into the limelight after the sudden death of his elder brother, Prince Arthur, Henry ascended the throne in 1509, marking the beginning of a reign that altered the course of English history. In his youth Henry was highly intelligent, athletic and musically talented. He excelled in Latin and Mathematics and was an accomplished musician. On his accession to the throne, aged just seventeen, after the tumultuous rule of his father, he provided England with hope of a new beginning. Nobody could have foreseen how radical Henry's rule would prove to be. Often overshadowed by the bloody saga of his six marriages, his reign has left a lasting legacy. An absolute monarch, Henry's quest for fame was as obsessive as any modern celebrity.His fierce battles against Papal authority mark one of the most dramatic and defining moments in the history of Britain. Yet his early life was insecure. The Tudor regime was viewed by many as rule by usurpers and the dark shadows of the Wars of the Roses often threatened to tear England apart once more. The culmination of a lifetime's research, David Starkey gives a radical and unforgettable portrait of the man behind the icon; the Renaissance prince turned tyrant, who continues to tower over history.

    It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.

    The only medieval chronicle to have Orkney as the central place of action, it tells of an era when the islands were still part of the Viking world, beginning with their conquest by the kings of Norway in the ninth century. The saga describes the subsequent history of the Earldom of Orkney and the adventures of great Norsemen such as Sigurd the Powerful, St Magnus the Martyr and Hrolf, the conqueror of Normandy. Savagely powerful and poetic, this is a fascinating depiction of an age of brutal battles, murder, sorcery and bitter family feuds.

    It was 4 August 1265 and he was about to face the royal army in the final battle of a quarrel that had raged between them for years. Outnumbered, outmanoeuvred and certain to lose, Simon chose to fight, knowing that he could not possibly win the day. The Song of Simon de Montfort is the story of this extraordinary man: heir to a great warrior, devoted husband and father, fearless crusader knight and charismatic leader. It is the story of a man whose passion for good governance was so fierce that, in 1258, frustrated by the King’s refusal to take the advice of his nobles and the increasing injustice meted out to his subjects, he marched on Henry III’s hall at Westminster and seized the reins of power. Montfort established a council to rule in the King’s name, overturning the social order in a way that would not be seen again until the rule of Oliver Cromwell in the seventeenth century. Having defeated the King at the Battle of Lewes in 1264, Montfort and his revolutionary council ruled England for some fifteen months, until the enmity between the two sides exploded on that August day in 1265. When the fighting was over, Montfort and a host of his followers had been cut down on the battlefield, in an outpouring of noble blood that marked the end of chivalry in England as it had existed since the Norman Conquest. Drawing on an abundance of sources that allow us to trace Montfort’s actions and personality in a depth not possible for earlier periods in medieval history, Sophie Thérèse Ambler tells his story with a clarity that reveals all of the excitement, chaos and human tragedy of England’s first revolution.

    It represents the ideal of an unattainable yet infinitely desirable goal, the possibility of perfection. Initially conceived in literature, it became a Christian icon which has been re-created in a multitude of forms over time even though the Grail has no specific material attributes or true religious significance.Richard Barber traces the history of the legends surrounding the Holy Grail, beginning with Chretien de Troyes's great romances of the twelfth century and the medieval Church's religious version of the secular ideal. He pursues the myths through Victorian obsessions and enthusiasms to the popular bestsellers of the late twentieth century that have embraced its mysteries. Crisscrossing the borders of fiction and spirituality, the quest for the Holy Grail has long attracted writers, artists, and admirers of the esoteric. It has been a recurrent theme in tales of imagination and belief which have laid claim to the highest religious and secular ideals and experiences. From Lancelot to Parsifal, chivalric romances to Wagner's Ring, T. S. Eliot to Monty Python, the Grail has fascinated and lured the Western imagination from beyond the reach of the ordinary world.

    But, as Graham Phillips shows through a wealth of literary and scientific evidence, King Arthur was a real man, Camelot a real place, and the legendary Excalibur a real sword--and Phillips has located them all. Phillips examines the earliest stories of Arthur as well as previously unknown ancient manuscripts preserved in the vaults of the British Library in London, such as the work of the 9th-century monk Nennius, to pinpoint the exact locations of Arthur’s tomb, the ruins of Camelot, and the sword Excalibur. He reveals the mythic king as the real-life leader Owain Ddantgwyn, who united the British to repel invasion from Germany around 500 AD. Moving his quest from library vaults to the real sites of Arthur’s life, the author confirms his research through a Dark Age monument, hidden away in the mountains of western Britain, that bears an inscription about a powerful warlord who went by the battle title “Arthur.” He visits archaeological excavations at the ruins of Viroconium, near Wroxeter in Shropshire, clearly identifying the ancient city as Camelot, the fortified capital of Arthur’s Britain. Working with specialist divers and marine archaeologists, he surveys the depths of an ancient lake in the English countryside to reveal the resting place of Excalibur. Enlisting a team of scientists and sophisticated geophysics equipment, he uncovers the lost grave of the historical King Arthur, buried with his shield, just as told in legend. The culmination of 25 years of research, including new translations of primary source material, this book provides the necessary evidence to allow King Arthur to finally be accepted as the authentic British king he was.

    Within a week of setting sail, they were all caught up in the horrifying disaster of the Titanic’s sinking, one of the biggest news stories of the century. Today, we can see their stories and the Titanic’s voyage as the beginning of the end of the established hierarchy of the Edwardian era. Writing in his elegant signature prose and using previously unpublished sources, deck plans, journal entries, and surviving artifacts, Gareth Russell peers through the portholes of these first-class travelers to immerse us in a time of unprecedented change in British and American history. Through their intertwining lives, he examines social, technological, political, and economic forces such as the nuances of the British class system, the explosion of competition in the shipping trade, the birth of the movie industry, the Irish Home Rule Crisis, and the Jewish-American immigrant experience while also recounting their intimate stories of bravery, tragedy, and selflessness. Masterful in its superb grasp of the forces of history, gripping in its moment-by-moment account of the sinking, revelatory in discounting long-held myths, and lavishly illustrated with color and black and white photographs, this absorbing, accessible, and authoritative account of the Titanic’s life and death is destined to become the definitive book on the subject.