Woodrow Wilson lands in Washington, DC, in March of 1913, a day before he is set to take the presidential oath of office. He is surprised by the modest turnout. The crowds and reporters are blocks away from Union Station, watching a parade of eight thousand suffragists on Pennsylvania Avenue in a first-of-its-kind protest organized by a twenty-five-year-old activist named Alice Paul. The next day, The New York Times calls the procession “one of the most impressively beautiful spectacles ever staged in this country.” Mr. President, How Long Must We Wait? weaves together two storylines: the trajectories of Alice Paul and Woodrow Wilson, two apparent opposites. Paul’s procession of suffragists resulted in her being granted a face-to-face meeting with President Wilson, one that would lead to many meetings and much discussion, but little progress for women. With no equality in sight and patience wearing thin, Paul organized the first group to ever picket in front of the White House lawn—night and day, through sweltering summer mornings and frigid fall nights. From solitary confinement, hunger strikes, and the psychiatric ward to ever more determined activism, Mr. President, How Long Must We Wait? reveals the courageous, near-death journey it took, spearheaded in no small part by Alice Paul’s leadership, to grant women the right to vote in America. “A remarkable tale” (Kirkus Reviews) and a rousing portrait of a little-known feminist heroine, this is an eye-opening exploration of a crucial moment in American history one century before the Women’s March.

    The “angel in the house” rarely expressed an opinion, and certainly not one that challenged the status quo.But not so within the social sphere of the seance–a mysterious, lamplit world dominated by enterprising women whose apparent ability to move between the realms of the dead and the living rewarded them with otherwise unthinkable fame and power. Such talents allowed them to cross rigid boundaries of gender and class, and to summon unique political voices–voices capable of reaching some of the era’s most famous personalities, including even Victoria herself.Out of the Shadows, which draws on original diaries, letters, and memoirs, tells the stories of six such visionary Victorians. The clairvoyance of Kate, Leah, and Maggie Fox, three sisters from upstate New York, inspired some of the era’s best-known female suffrage activists and set off an international séance craze. British performer Emma Hardinge Britten left behind a career on Broadway for the life of a “trance lecturer,” whose oration on the death of Abraham Lincoln was celebrated by tens of thousands. The meteoric rise of Victoria Woodhull, born into poverty in Ohio, took her from childhood medium to Wall Street broker to America’s first female presidential candidate. And Georgina Weldon, whose interest in spiritualism nearly saw her confined to an asylum, went on to become a favorite of the press and a successful campaigner against Britain’s archaic lunacy laws.

    Victoria Woodhull (1872), Margaret Chase Smith (1964), and Shirley Chisholm (1972) each challenged persistent barriers confronted by women presidential candidates. Their quest illuminates today s political landscape, showing that Hillary Clinton s 2016 campaign belongs to a much longer, arduous, and dramatic journey.The tale begins during Reconstruction when the radical Woodhull became the first woman to seek the presidency. Although women could not yet vote, Woodhull boldly staked her claim to the White House, believing she might thereby advance women s equality. Republican Senator Margaret Chase Smith came into political office through the widow s mandate. Among the most admired women in public life when she launched her 1964 campaign, she soon confronted prejudice that she was too old (at 66) and too female to be a creditable presidential candidate. She nonetheless became the first woman to have her name placed in nomination for President by a major party. Democratic Congresswoman Shirley Chisholm ignored what some openly described as the twin disqualifications of race and gender in her spirited 1972 presidential campaign. She ran all the way to the Democratic convention, inspiring diverse followers and angering opponents, including members of the Nixon administration who sought to derail her candidacy.As The Highest Glass Ceiling reveals, women s pursuit of the Oval Office, then and now, has involved myriad forms of influence, opposition, and intrigue."

    Yet as the sole woman among powerful, charismatic men, someone whose personal ambition was secondary to her passion for her cause, she has received little mainstream recognition—until now. In her memoir, Dr. Height, now ninety-one, reflects on a life of service and leadership. We witness her childhood encounters with racism and the thrill of New York college life during the Harlem Renaissance. We see her protest against lynchings. We sit with her onstage as Martin Luther King Jr. delivers his "I Have a Dream" speech. We meet people she knew intimately throughout the decades: W.E.B. DuBois, Marcus Garvey, Eleanor Roosevelt, Mary McLeod Bethune, Adam Clayton Powell Sr., Langston Hughes, and many others. And we watch as she leads the National Council of Negro Women for forty-one years, her diplomatic counsel sought by U.S. presidents from Eisenhower to Clinton. After the fierce battles of the 1960s, Dr. Height concentrates on troubled black communities, on issues like rural poverty, teen pregnancy and black family values. In 1994, her efforts are officially recognized. Along with Rosa Parks, she received the Presidential Medal of Freedom, the nation's highest civilian honor.

    In Jefferson's Daughters, Catherine Kerrison, a scholar of early American and women's history, recounts the remarkable journey of these three women - and how their struggle to define themselves reflects both the possibilities and the limitations that resulted from the American Revolution. Although the three women shared a father, the similarities end there. Martha and Maria received a fine convent school education while they lived with their father during his diplomatic posting in Paris - a hothouse of intellectual ferment whose celebrated salonnières are vividly brought to life in Kerrison's narrative. Once they returned home, however, the sisters found their options limited by the laws and customs of early America. Harriet Hemings followed a different path. She escaped slavery - apparently with the assistance of Jefferson himself. Leaving Monticello behind, she boarded a coach and set off for a decidedly uncertain future. For this groundbreaking triple biography, Kerrison has uncovered never-before-published documents written by the Jefferson sisters when they were in their teens, as well as letters written by members of the Jefferson and Hemings families. She has interviewed Hemings family descendants (and, with their cooperation, initiating DNA testing) and searched for possible descendants of Harriet Hemings.The eventful lives of Thomas Jefferson's daughters provide a unique vantage point from which to examine the complicated patrimony of the American Revolution itself. The richly interwoven story of these three strong women and their fight to shape their own destinies sheds new light on the ongoing movement toward human rights in America - and on the personal and political legacy of one of our most controversial Founding Fathers.

    The suffragists endured hunger strikes, forced feedings, and jail terms. First written in 1920 by Doris Stevens, this version was edited by Carol O’Hare. Includes an introduction by Smithsonian curator Edith Mayo, along with appendices, an index, historic photos, and illustrations.

    But Susan Ware uncovered a much broader and more diverse story waiting to be told. Why They Marched is a tribute to the many women who worked tirelessly in communities across the nation, out of the spotlight, protesting, petitioning, and insisting on their right to full citizenship.Ware tells her story through the lives of nineteen activists, most of whom have long been overlooked. We meet Mary Church Terrell, a multilingual African American woman; Rose Schneiderman, a labor activist building coalitions on New York’s Lower East Side; Claiborne Catlin, who toured the Massachusetts countryside on horseback to drum up support for the cause; Mary Johnston, an aristocratic novelist bucking the Southern ruling elite; Emmeline W. Wells, a Mormon woman in a polygamous marriage determined to make her voice heard; and others who helped harness a groundswell of popular support. We also see the many places where the suffrage movement unfolded—in church parlors, meeting rooms, and the halls of Congress, but also on college campuses and even at the top of Mount Rainier. Few corners of the United States were untouched by suffrage activism.Ware’s deeply moving stories provide a fresh account of one of the most significant moments of political mobilization in American history. The dramatic, often joyous experiences of these women resonate powerfully today, as a new generation of young women demands to be heard.

    This one-of-a-kind intersectional anthology features the writings of the most well-known suffragists, such as Elizabeth Cady Stanton and Susan B. Anthony, alongside accounts of those often overlooked because of their race, from Native American women to African American suffragists like Ida B. Wells and the three Forten sisters. At a time of enormous political and social upheaval, there could be no more important book than one that recognizes a group of exemplary women--in their own words--as they paved the way for future generations. The editor and introducer, Sally Roesch Wagner, is a pre-eminent scholar of the diverse backbone of the women's suffrage movement, the founding director of the Matilda Joslyn Gage Foundation, and serves on the New York State Women's Suffrage Commission.

    The enemy sits across the table and sleeps in the next room. Her husband of twenty-one years is plotting against her because he feels increasingly threatened - by Elizabeth's intellect, independence, and unwillingness to stifle her own thoughts. So Theophilus makes a plan to put his wife back in her place. One summer morning, he has her committed to an insane asylum.The horrific conditions inside the Illinois State Hospital in Jacksonville, Illinois, are overseen by Dr. Andrew McFarland, a man who will prove to be even more dangerous to Elizabeth than her traitorous husband. But most disturbing is that Elizabeth is not the only sane woman confined to the institution. There are many rational women on her ward who tell the same story: they've been committed not because they need medical treatment, but to keep them in line - conveniently labeled "crazy" so their voices are ignored.No one is willing to fight for their freedom and, disenfranchised both by gender and the stigma of their supposed madness, they cannot possibly fight for themselves. But Elizabeth is about to discover that the merit of losing everything is that you then have nothing to lose...

    Kennedy and Me.Betty Ford: First Lady, Women’s Advocate, Survivor, Trailblazer is the inspiring story of an ordinary Midwestern girl thrust onto the world stage and into the White House under extraordinary circumstances. Setting a precedent as First Lady, Betty Ford refused to be silenced by her critics as she publicly championed equal rights for women, and spoke out about issues that had previously been taboo—breast cancer, depression, abortion, and sexuality. Privately, there were signs something was wrong. After a painful intervention by her family, she admitted to an addiction to alcohol and prescription drugs. Her courageous decision to speak out publicly sparked a national dialogue, and in 1982, she co-founded the Betty Ford Center, which revolutionized treatment for alcoholism and inspired the modern concept of recovery.Lisa McCubbin also brings to light Gerald and Betty Ford’s sweeping love story: from Michigan to the White House, until their dying days, their relationship was that of a man and woman utterly devoted to one another other—a relationship built on trust, respect, and an unquantifiable chemistry.Based on intimate in-depth interviews with all four of her children, Susan Ford Bales, Michael Ford, Jack Ford, and Steven Ford, as well as family friends, and colleagues, Betty Ford: First Lady, Women’s Advocate, Survivor, Trailblazer is a deeply personal, empathic portrait of an outspoken First Lady, who was first and foremost a devoted wife and mother. With poignant details and rare insight, McCubbin reveals a fiercely independent woman who had a lively sense of humor, unwavering faith, and an indomitable spirit—the true story behind one of the most admired and influential women of our time.

    Now the number one New York Times bestselling author and renowned political commentator—praised in USA Today as a "custodian of time-honored values"—continues the story of early America's influential women with Ladies of Liberty. In her "delightfully intimate and confiding" style (Publishers Weekly), Roberts presents a colorful blend of biographical portraits and behind-the-scenes vignettes chronicling women's public roles and private responsibilities.Recounted with the insight and humor of an expert storyteller and drawing on personal correspondence, private journals, and other primary sources—many of them previously unpublished—Roberts brings to life the extraordinary accomplishments of women who laid the groundwork for a better society. Almost every quotation here is written by a woman, to a woman, or about a woman. From first ladies to freethinkers, educators to explorers, this exceptional group includes Abigail Adams, Margaret Bayard Smith, Martha Jefferson, Dolley Madison, Elizabeth Monroe, Louisa Catherine Adams, Eliza Hamilton, Theodosia Burr, Rebecca Gratz, Louisa Livingston, Rosalie Calvert, Sacajawea, and others. In a much-needed addition to the shelves of Founding Father literature, Roberts sheds new light on the generation of heroines, reformers, and visionaries who helped shape our nation, giving these ladies of liberty the recognition they so greatly deserve.

    But they all made a significant contribution to the cultural and intellectual history of America and ultimately changed the course of the twentieth century, in spite of the men who often undervalued or dismissed their work. These ten women—Dorothy Parker, Rebecca West, Hannah Arendt, Mary McCarthy, Susan Sontag, Pauline Kael, Joan Didion, Nora Ephron, Renata Adler, and Janet Malcolm—are united by what Dean calls “sharpness,” the ability to cut to the quick with precision of thought and wit. Sharp is a vibrant depiction of the intellectual beau monde of twentieth-century New York, where gossip-filled parties at night gave out to literary slugging-matches in the pages of the Partisan Review or the New York Review of Books. It is also a passionate portrayal of how these women asserted themselves through their writing in a climate where women were treated with extreme condescension by the male-dominated cultural establishment. Mixing biography, literary criticism, and cultural history, Sharp is a celebration of this group of extraordinary women, an engaging introduction to their works, and a testament to how anyone who feels powerless can claim the mantle of writer, and, perhaps, change the world.

    A brilliant, unconventional rebel vilified for her strikingly modern notions of education, family, work, and personal relationships, she nevertheless strongly influenced political philosophy in Europe and a newborn America. Now acclaimed biographer Lyndall Gordon mounts a spirited defense of this courageous woman whose reputation has suffered over the years by painting a full and vibrant portrait of an extraordinary historical figure who was generations ahead of her time.

    Anthony were two heroic women who vastly bettered the lives of a majority of American citizens. For more than fifty years they led the public battle to secure for women the most basic civil rights and helped establish a movement that would revolutionize American society. Yet despite the importance of their work and they impact they made on our history, a century and a half later, they have been almost forgotten.Stanton and Anthony were close friends, partners, and allies, but judging from their backgrounds they would seem an unlikely pair. Stanton was born into the prominent Livingston clan in New York, grew up wealthy, educated, and sociable, married and had a large family of her own. Anthony, raised in a devout Quaker environment, worked to support herself her whole life, elected to remain single, and devoted herself to progressive causes, initially Temperance, then Abolition. They were nearly total opposites in their personalities and attributes, yet complemented each other's strengths perfectly. Stanton was a gifted writer and radical thinker, full of fervor and radical ideas but pinned down by her reponsibilities as wife and mother, while Anthony, a tireless and single-minded tactician, was eager for action, undaunted by the terrible difficulties she faced. As Stanton put it, "I forged the thunderbolts, she fired them." The relationship between these two extraordinary women and its effect on the development of the suffrage movement are richly depicted by Ward and Burns, and in the accompanying essays by Ellen Carol Dubois, Ann D. Gordon, and Martha Saxton. We also see Stanton and Anthony's interactions with major figures of the time, from Frederick Douglass and John Brown to Lucretia Mott and Victoria Woodhull. Enhanced by a wonderful array of black-and-white and color illustrations, Not For Ourselves Alone is a vivid and inspiring portrait of two of the most fascinating, and important, characters in American history.

    Breckinridge was married, and he once declared women's chastity "the cornerstone of human society." He seduced Pollard, and when his wife died, he asked for her hand. After a decade-long affair, they were to be married--but then Breckinridge broke off the engagement and suddenly married another woman.In 1893, Pollard sued Breckinridge for breach of promise, and their affair--in all its indecorous detail--became shockingly public. With premarital sex considered irredeemably ruinous for a woman, Pollard was asserting the unthinkable: that the sexual morality of men and women should be judged the same way. In court, she said, "I'll take my share of the blame. I only ask that he take his." The sensational five-week trial woke Victorian women up to the harsh injustice of double standards. And, surprisingly, Pollard won.Nearly 125 years after the Breckinridge-Pollard scandal, we're still obsessed with sexual morality and the role women play in maintaining it. From concern about the decline of marriage and the rise of "hook-up" culture to battles over contraception and abortion, the underlying concern is the regulation of appropriate sexual behavior for women. Bringing Down Breckinridge is the story of one of the earliest women to take a stand against that regulation. Using trial transcripts, newspaper coverage, personal journals, and letters, the journalist Patricia Miller chronicles the fascinating and virtually unknown Pollard-Breckinridge trial, arguing for its rightful place within the history of women's rights.