On a top-secret dive into the Pacific Ocean's deepest canyon, Jonas Taylor found himself face-to-face with the largest and most ferocious predator in the history of the animal kingdom. The sole survivor of the mission, Taylor is haunted by what he's sure he saw but still can't prove exists - Carcharodon megalodon, the massive mother of the great white shark. The average prehistoric Meg weighs in at twenty tons and could tear apart a Tyrannosaurus rex in seconds. Taylor spends years theorizing, lecturing, and writing about the possibility that Meg still feeds at the deepest levels of the sea. But it takes an old friend in need to get him to return to the water, and a hotshot female submarine pilot to dare him back into a high-tech miniature sub. Diving deeper than he ever has before, Taylor will face terror like he's never imagined. MEG is about to surface. When she does, nothing and no one is going to be safe, and Jonas must face his greatest fear once again.

    

    Specifically, it explores the structure of feeling that is emerging today in tandem with new digital technologies, together with economic globalization and the financialization of more and more human activities. The 20th century was the age of film and television; these dominant media shaped and reflected our cultural sensibilities. In the 21st century, new digital media help to shape and reflect new forms of sensibility. Movies (moving image and sound works) continue to be made, but they have adopted new formal strategies, they are viewed under massively changed conditions, and they address their spectators in different ways than was the case in the 20th century. The book traces these changes, focusing on four recent moving-image works: Nick Hooker's music video for Grace Jones' song Corporate Cannibal; Olivier Assayas' movie Boarding Gate, starring Asia Argento; Richard Kelly's movie Southland Tales, featuring Justin Timberlake, Dwayne Johnson, and other pop culture celebrities; and Mark Neveldine and Brian Taylor's Gamer.

    The marks, scuffs, and tears on the cover and pages are an intentional design element.Stranger things have happened. . . .When the first season of Stranger Things debuted on Netflix in the summer of 2016, the show struck a nerve with millions of viewers worldwide and received broad critical acclaim. The series has gone on to win six Emmy Awards, but its success was driven more than anything by word of mouth, resonating across generations. Viewers feel personal connections to the characters. Now fans can immerse themselves in the world—or worlds—of Hawkins, Indiana, like never before. Inside you’ll find• original commentary and a foreword from creators Matt and Ross Duffer• exclusive interviews with the stars of the show, including Millie Bobby Brown, Finn Wolfhard, and David Harbour• the show’s earliest drafts, pitches to Netflix, and casting calls• insights into the Duffers’ creative process from the entire crew—from costume and set designers to composers and visual-effects specialists• deep dives into the cultural artifacts and references that inspired the look and feel of the show• a map of everyday Hawkins—with clues charting the network of the Upside Down• the Morse code disk Eleven uses, so you can decipher secret messages embedded throughout the text• a look into the future of the series—including a sneak preview of season three!Adding whole new layers to enrich the viewing experience, this keepsake is essential reading for anyone and everyone who loves Stranger Things.

    Important elements of early Japanese history persist in present-day Japan more tenaciously than is sometimes realized. Hane traces the key developments of Japanese history in the premodern period, including the establishment of the imperial dynasty, early influences from China and Korea, the rise of the samurai class and the establishment of feudalism, the culture and society of the long Tokugawa period, the rise of Confucianism and Shinto nationalism, and, finally, the end of Tokugawa rule.Although the book is structured around major political developments, Hane also carefully integrates the social, economic, cultural, and intellectual aspects of Japanese history. His revisions incorporate important recent scholarship on this formative period of Japan's history.

    The year is 1627. And so begins a drama that will ultimately span centuries, as destinystrands a handful of luckless European voyagers in the most inhospitable jungle on the Earth. In a world unfathomed, they must bury their dead and push on deep into the dark and savage land explorers will one day call Amazon. For them, there is no going back--only treacherous miles of lush, impenetrable beauty that camouflages sudden and terrible death. And there are others waiting and watching, ready to destroy to preserve what no one may truly possess. But here, in this strange and violent place of wondrous discovery, a small band of settlers is determined to endure at all costs, to build a new life in a merciless wilderness--and to forge a remarkable society that will be there to greet another group of the desperate lost more than three hundred years in the future.Based on the acclaimed television phenomenon, Peter Benchley'sAmazon, here is the extraordinary untold beginning of an adventure to stagger the imagination.

    But his work is interrupted when, surrounded by thirty miles of refuse,  the ship and its high tech systems are plagued by a series of strange malfunctions and the crew is battered by a raging storm.When the storm fades and the sun rises, the beaten crew awakens to find themselves anchored in the protective cove of a tropical island...and no one knows how they got there. Even worse, the ship has been sabotaged, two crewman are dead and a third is missing. Hawkins spots signs of the missing man on shore and leads a small team to bring him back. But they quickly discover evidence of a brutal history left behind by the Island’s former occupants: Unit 731, Japan’s ruthless World War II human experimentation program. Mass graves and military fortifications dot the island, along with a decades old laboratory housing the remains of hideous experiments.As crew members start to disappear, Hawkins realizes that they are not alone. In fact, they were brought to this strange and horrible island. The crew is taken one-by-one and while Hawkins fights to save his friends, he learns the horrible truth: Island 731 was never decommissioned and the person taking his crewmates may not be a person at all—not anymore.

    Reference, History

    DeMille lived a life as epic as any of his cinematic masterpieces. As a child DeMille learned the Bible from his father, a theology student and playwright who introduced Cecil and his older brother, William, to the theater. Tutored by impresario David Belasco, DeMille discovered how audiences responded to showmanship: sets, lights, costumes, etc. He took this knowledge with him to Los Angeles in 1913, where he became one of the movie pioneers, in partnership with Jesse Lasky and Lasky’s brother-in-law Samuel Goldfish (later Goldwyn). Working out of a barn on streets fragrant with orange blossom and pepper trees, the Lasky company turned out a string of successful silents, most of them directed by DeMille, who became one of the biggest names of the silent era. With films such as The Squaw Man, Brewster’s Millions, Joan the Woman, and Don’t Change Your Husband, he was the creative backbone of what would become Paramount Studios. In 1923 he filmed his first version of The Ten Commandments and later a second biblical epic, King of Kings, both enormous box-office successes. Although his reputation rests largely on the biblical epics he made, DeMille’s personal life was no morality tale. He remained married to his wife, Constance, for more than fifty years, but for most of the marriage he had three mistresses simultaneously, all of whom worked for him. He showed great loyalty to a small group of actors who knew his style, but he also discovered some major stars, among them Gloria Swanson, Claudette Colbert, and later, Charlton Heston. DeMille was one of the few silent-era directors who made a completely successful transition to sound. In 1952 he won the Academy Award for Best Picture with The Greatest Show on Earth. When he remade The Ten Commandments in 1956, it was an even bigger hit than the silent version. He could act, too: in Billy Wilder’s classic film Sunset Boulevard, DeMille memorably played himself. In the 1930s and 1940s DeMille became a household name thanks to the Lux Radio Theater, which he hosted. But after falling out with a union, he gave up the program, and his politics shifted to the right as he championed loyalty oaths and Sen. Joseph McCarthy’s anticommunist witch hunts. As Scott Eyman brilliantly demonstrates in this superbly researched biography, which draws on a massive cache of DeMille family papers not available to previous biographers, DeMille was much more than his clichéd image. A gifted director who worked in many genres; a devoted family man and loyal friend with a highly unconventional personal life; a pioneering filmmaker: DeMille comes alive in these pages, a legend whose spectacular career defined an era.

    How Will You Survive? In the apocalyptic world we live in, Mother Nature is angry. Danger waits at every turn, and catastrophes like the Los Angeles sharknados have taught us that we need to be ready for anything. Too many lives have already been lost. But fear not. How to Survive a Sharknado and Other Unnatural Disasters is the first and only comprehensive guide to surviving the very worst that Mother Nature can throw our way. Inside this life-saving reference, you’ll find: • Vital information about dozens of unnatural disasters and ungodly monsters that can injure, maim, or kill you, from arachnoquakes and ice twisters to piranhacondas and mega pythons; • Easy-to-understand survival tips for avoiding a bloody demise; • Inspirational words of wisdom from survivors, including Fin Shepard and April Wexler; • Useful resources, such as the Shepard Survival Assessment Test (S.S.A.T), and much more. With this essential book in hand, you too can be a hero who laughs in the face of calamity while saving friends and family. Or you can just avoid getting savagely ripped apart by a sharktopus. Either way, you’ve been warned. Now be prepared.

    Nor do they know that they head toward a remote colony and military outpost.  This pocket of humanity at the very edges of space is at the mercy of a general names Spears with an agenda all his own.  Now Billie, Wilks, and Bueller face a new nightmare, and it is nothing they could ever have imagined: a gift of madness from an alien world, unbalanced mind, and the experiences of a mysterious pilot named Lieutenant Ellen Ripley.The Female War:Lieutenant Ellen Ripley awoke from her long journey in space with a hole in her memory and an overwhelming drive to survive.  When she meets Wilks and Billie, two battered veterans in the war against the alienss she realizes she's found two comrades in arms--and she's ready to take up the fight.  Only then does she discover the devastating secret that lurks behind her long sleep.  When she, Wilks, and Billie prepare to meet the aliens head-on to turn a powerful alien queen against her spawn in a battle intended to save Earth, that secret becomes her greatest weapon--and her greatest liability.  As the fate of Earth hangs in the balance, Ripley and Billie must come to terms with what it means to be an alien . . . and what it means to be human.

    ten years ago to sing in a Japanese nightclub. Ever since, she's been plagued with nightmares of terror. There is only one man can help her -- Alex Hunter. Ten years ago he saw her picture in the papers -- as a senator's daughter who had disappeared. Now he has to bring her memories back to her, memories of a past more terrifying than they dreamed possible...

    Producer Michael Deeley, an urbane Englishman in Hollywood, had to fight wars to get these movies made, from defending the legendary sex scene of Don't Look Now from a disapproving Warren Beatty to seizing control of Convoy from a cocaine-ridden Sam Peckinpah. This is a no-holds-barred look at the true stories behind some of the greatest cult movies ever made.

    She left her 1st husband and he committed suicide and she never left another man. She made them leave her. Men and women love this story she knew how to walk the walk and talk the talk.