Bakura is on the edge of known space and the first to meet the Ssi-ruuk, cold-blooded reptilian invaders who, once allied with the now dead Emperor, are approaching Imperial space with only one goal: total domination. Princess Leia sees the mission as an opportunity to achieve a diplomatic victory for the Alliance. But it assumes even greater importance when a vision of Obi-Wan Kenobi appears to Luke Skywalker with the message that he must go to Bakura—or risk losing everything the Rebels have fought so desperately to achieve. Even as the Alliance arrives, the aliens have almost overcome the Bakura Imperial garrison, whose desperate commander will accept help from any quarter—even Rebel—against an insidious foe that enslaves Human minds to pilot their invincible machines of war and destruction. While marshalling the tattered Imperial forces, Luke, Han Solo, and Princess Leia must win the trust and cooperation of the Bakurans. For although Imperial Governor Nereus has granted the Rebels temporary amnesty there is the possibility of treachery among those whose first allegiance lies with the Empire. On the eve of the final explosive onslaught, Rebel and Imperial forces must finally come to terms with each other…or lose the entire galaxy to the hideous servitude promised by a victorious alien enemy. Capturing the sweep and excitement of the original Star Wars saga, The Truce at Bakura plants a seed of hope for peace, sees the formation of a timeless love, and stands witness to a Jedi's undying sacrifice to defend Humanity against an alien nemesis.

    Seth is whisked from fighting teenage punks in Michigan to being part of a quest—along with Tirsa the telepath, Rame the faun, and Vidav the giant—when he falls through the ice.

    You don't just kill vampires for the money, you do it for the satisfaction. You do it because somebody has to. You do it no matter what it does to you. And you drink'a lot. Some jobs just suck. This one bites.But nobody does it better than Jack Crow, the leader of VAMPIRE$ Inc. His crack team of hunters takes down the blood suckers with a lethal combination of cojones and crossbows.After members of Jack's team are ambushed and slaughtered; however, the survivors need to rethink their strategy. With a new recruit from the Vatican? A priest who's not afraid to wield a stake'and a sharpshooter loaded up with silver bullets, it's payback time. The only problem is that the vampires have no intention of going down easy. They have their own hit list, and Jack Crow's name is scrawled in blood right at the top.

    George. Elaine. Kramer. We've followed their misadventures for nearly ten years on Thursday nights. Here, finally, are the scripts of the first two seasons that will take you back to the beginning of Seinfeld.Featuring the first 17 episodes ever aired, The Seinfeld Scripts contains all the great lines that have kept us laughing for years: the pilot episode, "The Seinfeld Chronicles," where it all began; George introduces his importer/exporter altar ego Art Vanderlay in "The Stakeout"; Kramer becomes obsessed with cantaloupe in "The Ex-Girlfriend"; Jerry and George meet Elaine's dad in "The Jacket"; is Jerry responsible for a poor Polish woman's death when he makes "The Pony Remark"?; Jerry and Elaine decide to become intimate again in "The Deal"; what will George do when he is banned from the executive bathroom in "The Revenge"?; and Jerry, George, and Elaine wait for a table in "The Chinese Restaurant."It's all here: the award-winning writing of Seinfeld, "the defining sitcom of our age". Created by Larry David and Jerry Seinfeld.Elaine: My roommate has Lyme disease. Jerry: Lyme disease? I thought she had Epstein-Barr syndrome? Elaine: She has this in addition to Epstein-Barr. It's like Epstein-Barr with a twist of Lyme disease. George: She calls me up at my office she says, "We have to talk." Jerry: The four worst words in the English language. Kramer: What a body. Yeeaaah...that's for me. Jerry: Yeah and you're just what she's looking for, too--a stranger, leering through a pair of binoculars ten floors up.

    The danger is not. Once the greatest samurai in all Rokugan, Toturi has managed to hold the Empire together despite warring clans and internal treacheries. But nothing has prepared him for the hordes of vile spirits ravaging his beloved realm. As the Spirit Wars rage, Toturi and his children are the only hope for Rokugan. The prelude to an upcoming Legend of the Five Rings series. This novel introduces new characters and settings based on the events in the" "Legend of the Five Rings": The Spirit Wars" card set. This book also sets up the story for future novels in the upcoming series The Four Winds Saga.

    Original.

    The Clans hover on the brink of ruinous war. Only one man, Toturi Sezaru, knows the true danger threatening the Empire. In a desperate attempt to stop chaos from destroying the world, he must travel beyond the mortal realms into the very heart of the universe.

    When the Colonial Marines vessel Sulaco docks with space station and military installation Anchorpoint, a new form of Xenomorph appears. Written by Hugo Award-winning novelist and "Queen of Cyberpunk" Pat Cadigan, based on Gibson's never-produced first draft.The Sulaco--on its return journey from LV-426--enters a sector controlled by the "Union of Progressive Peoples," a nation-state engaged in an ongoing cold war and arms race. U.P.P. personnel board the Sulaco and find hypersleep tubes with Ripley, Newt, and an injured Hicks. A Facehugger attacks the lead commando, and the others narrowly escape, taking what remains of Bishop with them.The Sulaco continues to Anchorpoint, a space station and military installation the size of a small moon, where it falls under control of the military's Weapons Division. Boarding the Sulaco, a team of Colonial Marines and scientists is assaulted by a pair of Xenomorph drones. In the fight Ripley's cryotube is badly damaged. It's taken aboard Anchorpoint, where Ripley is kept comatose. Newt and an injured Corporal Hicks are awakened, and Newt is sent to Gateway Station on the way to Earth. The U.P.P. sends Bishop to Anchorpoint, where Hicks begins to hear rumors of experimentation--the cloning and genetic modification of Xenomorphs.The kind of experimentation that could yield a monstrous hybrid, and perhaps even a Queen.ALIEN 3 TM & (c) Twentieth Century Films. All rights reserved.

    It is a world where the intrigue of reality exceeds that of fiction. What is an invisible photo used for? What does it take to build a quiet helicopter? How does one embed a listening device in a cat? If these sound like challenges for Q, James Bondas fictional gadget-master, think again. Theyare all real-life devices created by the CIAas Office of Technical Serviceaan ultrasecretive department that combines the marvels of state-of-the-art technology with the time-proven traditions of classic espionage. And now, in the first book ever written about this office, the former director of OTS teams up with an internationally renowned intelligence historian to take readers into the laboratory of espionage. Spycraft tells amazing life and death stories about this littleknown group, much of it never before revealed. Against the backdrop of some of Americaas most critical periods in recent historyaincluding the Cold War, the Cuban Missile Crisis, and the war on terrorathe authors show the real technical and human story of how the CIA carries out its missions.

    Published bi-monthly for over ten years, the pages of "AX "contain the most creative and cutting-edge works of independent comics in the world's largest comics industry. Now, Top Shelf presents this collection of stories from ten years of AX history, and features work by such visionaries as Yoshihiro Tatsumi, Akino Kondoh, Kazuichi Hanawa, and Shinichi Abe.

    He saw the skin peel from the rocket beehive, men thus revealed running, running, mouths shrieking, soundless. Space was a black mossed well where life drowned its roars and terrors. Scream a big scream, but space snuffed it out before it was half up your throat. Men scurried, ants in a flaming matchbox; the ship was dripping lava, gushing steam, nothing!Journey with the century's most popular fantasy writer into a world of wonder and horror beyond your wildest dreams.Contents:- The Fog Horn (1951)- The Pedestrian (1951)- The April Witch (1952)- The Wilderness (1952)- The Fruit at the Bottom of the Bowl (1948)- Invisible Boy (1945)- The Flying Machine (1953)- The Murderer (1953)- The Golden Kite, the Silver Wind (1953)- I See You Never (1947)- Embroidery (1951)- The Big Black and White Game (1945)- A Sound of Thunder (1952)- The Great Wide World Over There (1952)- Powerhouse (1948)- En la Noche (1952)- Sun and Shadow (1953)- The Meadow (1953)- The Garbage Collector (1953)- The Great Fire (1949)- Hail and Farewell (1953)- The Golden Apples of the Sun (1953)

    Scott Poole is a whip-smart piece of pop culture detailing the story of cult horror figure Vampira that actually tells the much wider story of 1950s America and its treatment of women and sex, as well as capturing a fascinating swath of Los Angeles history.In Vampire, Poole gives us the eclectic life of the dancer, stripper, actress, and artist Maila Nurmi, who would reinvent herself as Vampira during the backdrop of 1950s America, an era of both chilling conformity and the nascent rumblings of the countercultural response that led from the Beats and free jazz to the stirring of the LGBT movement and the hardcore punk scene in the bohemian enclave along Melrose Avenue. A veteran of the New York stage and late nights at Hollywood's hipster hangouts, Nurmi would eventually be linked to Elvis, Orson Welles, and James Dean, as well as stylist and photographer Rudi Gernreich, founder of the Mattachine Society and designer of the thong. Thanks to rumors of a romance between Vampira and James Dean, his tragic death inspired the circulation of stories that she had cursed him and, better yet, had access to his dead body for use in her dark arts.In Poole's expert hands, Vampira is more than the story of a highly creative artist continually reinventing herself, but a parable of the runaway housewife bursting the bounds of our straight-laced conventions with an exuberant display of camp, sex, and creative individuality that owed something to the morbid New Yorker cartoons of Charles Addams, the evil queen from Disney's Snow White, and the popular, underground bondage magazine Bizarre, and forward to the staged excesses of Madonna and Lady Gaga. Vampira is a wildly compelling tour through a forgotten piece of pop cultural history, one with both cultish and literary merit, sure to capture the imagination of Vampira fans new and old.

    Take the smartest, liveliest writers in contemporary letters and let them loose on the most vital and popular corners of cinema history: midnight movies, the New Hollywood of the sixties and seventies, film noir, screwball comedies, international cult classics, and more. Passionate and idiosyncratic, each volume of Deep Focus is long-form criticism that's relentlessly provocative and entertaining.Kicking off the series is Jonathan Lethem's take on They Live, John Carpenter's 1988 classic amalgam of deliberate B-movie, sci-fi, horror, anti-Yuppie agitprop. Lethem exfoliates Carpenter's paranoid satire in a series of penetrating, free-associational forays into the context of a story that peels the human masks off the ghoulish overlords of capitalism. His field of reference spans classic Hollywood cinema and science fiction, as well as popular music and contemporary art and theory. Taking into consideration the work of Barbara Kruger, Jenny Holzer, James Brown, Fredric Jameson, Shepard Fairey, Philip K. Dick, Alfred Hitchcock, and Edgar Allan Poe, not to mention the role of wrestlers—including They Live star “Rowdy" Roddy Piper—in contemporary culture, Lethem's They Live provides a wholly original perspective on Carpenter's subversive classic.

    . . so strong that the Jedi Council, despite misgivings, entrusted young Obi-Wan Kenobi with the mission of training him to become a Jedi Knight. Obi-Wan, like his slain Master Qui-Gon, believes Anakin may be the chosen one, the Jedi destined to bring balance to the Force. But first Obi-Wan must help his undisciplined apprentice, who still bears the scars of slavery, find his own balance.Dispatched to the mysterious planet of Zonama Sekot, source of the fastest ships in the galaxy, Obi-Wan and Anakin are swept up in a swirl of deadly intrigue and betrayal. They sense a disturbance in the Force unlike any they have encountered before. It seems there are more secrets on Zonama Sekot than meet the eye. But the search for those secrets will threaten the bond between Obi-Wan and Anakin . . . and bring the troubled young apprentice face-to-face with his deepest fear--and his darkest destiny.

    With an American TV actor named Clint Eastwood and a script based on a samurai epic, Leone wound up creating "A Fistful of Dollars", the first in a trilogy of films (with "For a Few Dollars More" and "The Good, the Bad, and the Ugly") that was violent, cynical, and visually stunning. Along with his later masterpiece, "Once Upon a Time in the West", these films came to define the Spaghetti Western