When Lily's fierce-hearted black "stand-in mother," Rosaleen, insults three of the deepest racists in town, Lily decides to spring them both free. They escape to Tiburon, South Carolina--a town that holds the secret to her mother's past. Taken in by an eccentric trio of black beekeeping sisters, Lily is introduced to their mesmerizing world of bees and honey, and the Black Madonna. This is a remarkable novel about divine female power, a story women will share and pass on to their daughters for years to come.

    A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.

    It is a literary triumph.The Guest Book follows three generations of a powerful American family, a family that “used to run the world”.And when the novel begins in 1935, they still do. Kitty and Ogden Milton appear to have everything—perfect children, good looks, a love everyone envies. But after a tragedy befalls them, Ogden tries to bring Kitty back to life by purchasing an island in Maine. That island, and its house, come to define and burnish the Milton family, year after year after year. And it is there that Kitty issues a refusal that will haunt her till the day she dies.In 1959 a young Jewish man, Len Levy, will get a job in Ogden’s bank and earn the admiration of Ogden and one of his daughters, but the scorn of everyone else. Len’s best friend Reg Pauling has always been the only black man in the room—at Harvard, at work, and finally at the Miltons’ island in Maine.An island that, at the dawn of the 21st century, this last generation doesn’t have the money to keep. When Kitty’s granddaughter hears that she and her cousins might be forced to sell it, and when her husband brings back disturbing evidence about her grandfather’s past, she realizes she is on the verge of finally understanding the silences that seemed to hover just below the surface of her family all her life.An ambitious novel that weaves the American past with its present, The Guest Book looks at the racism and power that has been systemically embedded in the US for generations. Brimming with gorgeous writing and bitterly accurate social criticism, it is a literary tour de force.

    Though skilled at bookkeeping, she cannot find a job in the miserable Irish economy. When an Irish priest from Brooklyn offers to sponsor Eilis in America--to live and work in a Brooklyn neighborhood "just like Ireland"--she decides she must go, leaving her fragile mother and her charismatic sister behind.Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, a blond Italian from a big family, slowly wins her over with patient charm. He takes Eilis to Coney Island and Ebbets Field, and home to dinner in the two-room apartment he shares with his brothers and parents. He talks of having children who are Dodgers fans. But just as Eilis begins to fall in love with Tony, devastating news from Ireland threatens the promise of her future.

    It tells of an ordinary American family overtaken by the devastating epidemic of the Spanish influenza of 1918. The book begins on the day before the armistice in a small midwestern town, and the events are seen from the perspective, in turn, of eight-year-old Peter Morison--called Bunny; of his older brother, Robert; and of their father. They are witnesses to a domestic tragedy that is written with beauty and a quite magnificent tenderness. William Maxwell has been described by The Washington Post as "one of America's most distinguished and distinctive stylists." John Updike has said that "Maxwell's voice is one of the wisest in American fiction; it is, as well, one of the kindest." The Times Literary Supplement declares that "Maxwell offers us scrupulously executed, moving landscapes of America's twentieth century, and they do not fade." The Saturday Review said,"They Came Like Swallows is one of those rare tales in which child-hood is reflected in the simplicity and intensity of its own experience."

    Frank Baum's intrepid wife, Maud--from the family's hardscrabble days in South Dakota to the Hollywood film set where she first meets Judy Garland. Maud Gage Baum, widow of the author of the book The Wonderful Wizard of Oz, met Judy Garland, the young actress playing the role of Dorothy on the set of The Wizard of Oz in 1939. At the time, Maud was seventy-eight and Judy was sixteen. In spite of their age difference, Maud immediately connected to Judy--especially when Maud heard her sing "Over the Rainbow," a song whose yearning brought to mind the tough years in South Dakota when Maud and her husband struggled to make a living--until Frank Baum's book became a national sensation.This wonderfully evocative two-stranded story recreates Maud's youth as the rebellious daughter of a leading suffragette, and the prairie years of Maud and Frank's early days when they lived among the people--especially young Dorothy--who would inspire Frank's masterpiece. Woven into this past story is one set in 1939, describing the high-pressured days on The Wizard of Oz film set where Judy is being badgered by the director, producer, and her ambitious stage mother to lose weight, bind her breasts, and laugh, cry, and act terrified on command. As Maud had promised to protect the original Dorothy back in Aberdeen, she now takes on the job of protecting young Judy.

    No other work of fiction so faithfully conveys both the sharp physical realities and the mythic sweep of the transformation of the American frontier—and the transformation of the people who settled it. Cather's heroine is Alexandra Bergson, who arrives on the wind-blasted prairie of Hanover, Nebraska, as a girl and grows up to make it a prosperous farm. But this archetypal success story is darkened by loss, and Alexandra's devotion to the land may come at the cost of love itself.At once a sophisticated pastoral and a prototype for later feminist novels, O Pioneers! is a work in which triumph is inextricably enmeshed with tragedy, a story of people who do not claim a land so much as they submit to it and, in the process, become greater than they were.

    As formative events go, nothing else comes close. With these words Edgar Mint, half-Apache and mostly orphaned, makes his unshakable claim on our attention. In the course of Brady Udall’s high-spirited, inexhaustibly inventive novel, Edgar survives not just this bizarre accident, but a hellish boarding school for Native American orphans, a well-meaning but wildly dysfunctional Mormon foster-family, and the loss of most of the illusions that are supposed to make life bearable. What persists is Edgar’s innate goodness, his belief in the redeeming power of language, and his determination to find and forgive the man who almost killed him. The Miracle Life of Edgar Mint is a miracle of storytelling, bursting with heartache and hilarity and inhabited by characters as outsized as the landscape of the American West.

    Though she's always worked by her father’s side as the son he never had, now that Rosetta is a wife she's told her place is inside with the other women. But Rosetta decides her true place is with Jeremiah, no matter what that means, and to be with him she cuts off her hair, hems an old pair of his pants, and signs up as a Union soldier.   Rosetta drills with the men, prepares herself for battle, and faces the tension as her husband comes to grips with having a fighting wife. Fearing discovery of her secret, Rosetta’s strong will clashes with Jeremiah’s as their marriage is tested by war. Inspired by over two hundred and fifty documented accounts of the women who fought in the Civil War while disguised as men, I Shall Be Near To You is the intimate story, in Rosetta’s powerful and gorgeous voice, of the drama of marriage, one woman’s amazing exploits, and the tender love story that can unfold when two partners face life’s challenges side by side.

    Five months pregnant, Grace Holland is left alone to protect her two toddlers when her husband, Gene, joins the volunteer firefighters. Along with her best friend, Rosie, and Rosie's two young children, Grace watches helplessly as their houses burn to the ground, the flames finally forcing them all into the ocean as a last resort. They spend the night frantically protecting their children and in the morning find their lives forever changed: homeless, penniless, awaiting news of their husbands' fate, and left to face an uncertain future in a town that no longer exists. In the midst of this devastating loss, Grace discovers glorious new freedoms--joys and triumphs she could never have expected her narrow life with Gene could contain--and her spirit soars. Then the unthinkable happens and Grace's bravery is tested as never before.

    As in her previous novels, Mones’s captivating story also brings into focus a changing China -- this time the hidden world of high culinary culture.When Maggie McElroy, a widowed American food writer, learns of a Chinese paternity claim against her late husband’s estate, she has to go immediately to Beijing. She asks her magazine for time off, but her editor counters with an assignment: to profile the rising culinary star Sam Liang.In China Maggie unties the knots of her husband’s past, finding out more than she expected about him and about herself. With Sam as her guide, she is also drawn deep into a world of food rooted in centuries of history and philosophy. To her surprise she begins to be transformed by the cuisine, by Sam’s family -- a querulous but loving pack of cooks and diners -- and most of all by Sam himself. The Last Chinese Chef is the exhilarating story of a woman regaining her soul in the most unexpected of places.

    This spare, piercing, and unforgettable novel bridges two centuries and two intense love stories as Hannah and Conary's fate is interwoven with the tale of a marriage that took place in Dundee a hundred years earlier.

    In the belief that Steinbeck already adequately explored the subject matter, Babb's lyrical novel about a farm family's relentless struggle to survive in both Depression-era Oklahoma and in the California migrant labor camps gathered dust for decades. Rescued from obscurity by the University of Oklahoma Press, the members of the poor but proud Dunne family and their circle of equally determined friends provide another legitimate glimpse into life on the dust-plagued prairies of the Southwest and in the fertile, but bitterly disappointing, orchards and vineyards of the so-called promised land. Babb, a native of Oklahoma's arid panhandle and a volunteer with the Farm Security Administration in Depression-era California, brings an insider's knowledge and immediacy to this authentically compelling narrative. A slightly less political, more female-oriented, companion piece to The Grapes of Wrath.

    A real historical figure, Elizabeth married into the family of Governor John Winthrop of the Massachusetts Bay Colony. In those times of hardship, famine, and Indian attacks, many believed that the only way to prosper was through the strong, bigoted, and theocratic government that John Winthrop favored. Defying the government and her family, Elizabeth befriends famous heretic Anne Hutchinson, challenges an army captain, and dares to love as her heart commanded. Through Elizabeth’s three marriages, struggles with her passionate beliefs, and countless rebellions, a powerful tale of fortitude, humiliation, and ultimate triumph shines through.

    Smith, amiable, charming, yet strangely determined to keep suspicion simmering. For in his pocket, he has what seems to be an order for a thousand pounds, a huge amount, and he won't explain why, or where he comes from, or what he can be planning to do in the colonies that requires so much money.Should the New York merchants trust him? Should they risk their credit and refuse to pay? Should they befriend him, seduce him, arrest him; maybe even kill him?As fast as a heist movie, as stuffed with incident as a whole shelf of conventional fiction, Golden Hill is both a novel about the 18th century, and itself a book cranked back to the novel's 18th century beginnings, when anything could happen on the page, and usually did, and a hero was not a hero unless he ran the frequent risk of being hanged.This is Fielding's Tom Jones recast on Broadway - when Broadway was a tree-lined avenue two hundred yards long, with a fort at one end flying the Union Jack and a common at the other, grazed by cows.Rich in language and historical perception, yet compulsively readable, Golden Hill has a plot that twists every chapter, and a puzzle at its heart that won't let go till the last paragraph of the last page.Set a generation before the American Revolution, it paints an irresistible picture of a New York provokingly different from its later self: but subtly shadowed by the great city to come, and already entirely a place where a young man with a fast tongue can invent himself afresh, fall in love - and find a world of trouble.