More than a tale of possession, the novel probes disturbing depths of guilt, paranoia, and sexual obsession with an unsparing detachment.

    Fairy Tales). This 1st edition in English has followed the arrangement Hesse made for the final collected edition of his works, where he added an 8th story, "Flute Dream". The new note so clear in Demian was 1st sounded, Hesse believed, in some of these tales written during 1913-18, the period that brought him into conflict with supporters of the war, with his country & its government, with conventional intellectual life, with every form of orthodoxy both in the world & in himself. Unlike his earlier work, from Peter Carmenzind thru Knulp, the stories in Strange News from Another Star don't allow for an essentially realistic interpretaion. They are concerned with dream worlds, the subconscious, magical thinking & the numinous experience of the soul. Their subject is the distilling of wisdom. The stories are "Augustus", "The Poet", "Flute Dream", "Strange News from Another Star", "The Hard Passage", "A Dream Sequence", "Faldum" &--perhaps the masterpiece of the collection--"Iris".

    In these four stories, Stefan Zweig shows his gift for the acute analysis of emotional dilemmas. His four tragic and moving cameos of the human condition are played out against cosmopolitan and colonial backgrounds in the first half of the twentieth century.

    Benson.There's nothing sinister about a London bus. Nothing supernatural could occur on a busy Tube platform. There's nothing terrifying about a little caterpillar. And a telephone, what could be scary about that? Don't be frightened of the dark corners of your room. Don't be alarmed by a sudden, inexplicable chill. There's no need for a ticking clock, a limping footstep, or a knock at the door to start you trembling. There's nothing to be scared of. Nothing at all.

    

    Fine line-drawings by Laszlo Kubinyi enhance the mysterious and sometimes chilling mood.The lady's maid's bell (1904)The eyes (1910)Afterward (1910)Kerfol (1916)The triumph of night (1914)Miss Mary Pask (1925)Bewitched (1925)Mr Jones (1928)Pomegranate seed (1931)The looking glass (1935)All souls' (1937)

    P. Lovecraft, and of course, Neil Gaiman.A Study in Emerald draws listeners in through carefully revealed details as a consulting detective and his narrator friend solve the mystery of a murdered German noble. But with its subtle allusions and surprise ending, this mystery hints that the real fun in solving this case lies in imagining all the details that Gaiman doesn't reveal, and challenges listeners to be detectives themselves.

    But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.

    Campbell classic about an antarctic research camp that discovers and thaws the ancient, frozen body of a crash-landed alien. The creature revives with terrifying results, shape-shifting to assume the exact form of animal and man, alike. Paranoia ensues as a band of frightened men work to discern friend from foe, and destroy the menace before it challenges all of humanity! The story, hailed as "one of the finest science fiction novellas ever written" by the SF Writers of America, is best known to fans as THE THING, as it was the basis of Howard Hawks' The Thing From Another World in 1951, and John Carpenter's The Thing in 1982. With a new Introduction by William F. Nolan, author of Logan's Run, and his never-before-published, suspenseful Screen Treatment written for Universal Studios in 1978, this is a must-have edition for scifi and horror fans!

    The ensuing night brings new terrors to the house of the doomed man.

    While practicing in his rooms in Oxford, gifted violinist John Maltravers notices a strange phenomenon: whenever a certain air is played, a mysterious presence seems to enter. Unable to rationalize this away, Maltravers becomes increasingly unsettled, until he makes a startling discovery—tucked away in a hidden cupboard in his room is a priceless Stradivarius! Obsessed by his find, he becomes increasingly withdrawn from those around him, choosing instead to explore more sinister pursuits, little knowing the spell that this seemingly perfect violin is unleashing upon him. English poet and novelist J. Meade Falkner is best remembered for his novel, Moonfleet.

    This collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world - from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters.

    Splitfoot tracks two women in two times as they march toward a mysterious reckoning.Ruth and Nat are orphans, packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later, Ruth’s niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been? And who — or what — has she hidden in the woods at the end of the road?In an ingeniously structured dual narrative, two separate timelines move toward the same point of crisis. Their merging will upend and reinvent the whole. A subversive ghost story that is carefully plotted and elegantly constructed, Mr. Splitfoot will set your heart racing and your brain churning. Mysteries abound, criminals roam free, utopian communities show their age, the mundane world intrudes on the supernatural and vice versa.

    It was first published in paperback by Ballantine Books as the sixteenth volume of its celebrated Ballantine Adult Fantasy series in June 1970. It was the first themed collection of Smith's works assembled by Carter for the series. The stories were originally published in various fantasy magazines in the 1930s, notably Weird Tales. The book collects one poem and all sixteen tales of the author's Zothique cycle, set on the Earth's last continent in a far distant future, with an introduction and map and epilogue by Carter. Contents:"Introduction: When the World Grows Old", by Lin Carter "Zothique" (poem) "Xeethra" "Necromancy in Naat" "The Empire of the Necromancers" "The Master of the Crabs" "The Death of Ilalotha" "The Weaver in the Vault" "The Witchcraft of Ulua" "The Charnel God" "The Dark Eidolon" "Morthylla" "The Black Abbot of Puthuum" "The Tomb-Spawn" "The Last Hieroglyph" "The Isle of the Torturers" "The Garden of Adompha" "The Voyage of King Euvoran" "Epilogue: The Sequence of the Zothique Tales", by Lin Carter

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.