Arguing that the Barrier Reef is a product of human as much as natural history, created by minds as well as corals, McCalman describes encounters between peoples and places, ideas and environments, over the past two centuries and more.Where today the Reef is known for its astonishing underwater beauty and diversity, once it was notorious for the shipwrecks in its treacherous waters. Navigators struggled to chart a safe passage through, and scientists later theorised about the creation of this massive structure - the largest marine environment on the planet. Quixotic individuals spent years sailing the globe for an answer, and the fiery debate between Darwinists and creationists caught the world's attention. Then came successive waves of resource hunters and exploiters, followed by beachcombers and artists who fought to stop them, and the marine specialists who first became aware of the threats to the Reef's survival.In between, the Indigenous peoples of the Reef gave succour to castaways like Eliza Fraser, and were then vilified for it. Other survivors of shipwrecks lived for years with the clans of the region, were adopted by them and taught their traditional ways of life.The first social, cultural and environmental history to be written of the Great Barrier Reef, The Reef is an effortlessly readable and often moving story of one of the seven natural wonders of the world.

    Because of those lessons in observation, Stott now carries his binoculars and camera with him everywhere he travels. Of the 9,000 different bird species in the world, Stott estimates he has seen about 2,500! In this unique and intriguing book he takes seriously Jesus' exhortation in the Sermon on the Mount, "Behold the fowls of the air" (Matt. 6:26 KJV). He reveals lessons on faith from the feeding of ravens, on repentance from the migration of storks, on freedom from the flight of the eagle, on joy from the song of the lark, and more. The Birds Our Teachers is lavishly illustrated with full-color photographs taken by the author in his travels around the world. Stott humorously calls his work "an introduction to the science of orni-theology," for he combines information about birds with biblical truths and personal anecdotes in a way that will fascinate bird-lovers and Bible readers everywhere.

    This volume highlights the research and findings of this natural scientist. Powerful modern microscopes have confirmed the accuracy of Haeckel's prints, which even in their day, became world famous. Haeckel's portfolio, first published between 1899 and 1904 in separate installments, is described in the opening essays. The plates illustrate Haeckel's fundamental monistic notion of the -unity of all living things- and the wide variety of forms are executed with utmost delicacy. Incipient microscopic organisms are juxtaposed with highly developed plants and animals. The pages, ordered according to geometric and -constructive- aspects, document the oness of the world in its most diversified forms. This collection of plates was not only well-received by scientists, but by artists and architects as well. Rene Binet, a pioneer of glass and iron constructions, Emile Galle, a renowned Art Nouveau designer, and the photographer Karl Blossfeld all make explicit reference to Haeckel in their work.