A thought provoking novel, in which the normal and the abnormal, the ordinary and the extraordinary, illusion and reality, resignation and desire rub shoulders.

    At its head lies Red Fort, once the home of the gem-encrusted Peacock Throne, symbol of the Mughal Empire's dazzling might, and of its downfall.

    But the world knew her as an evil, ugly and immoral seductress called Soorpanakha who had dared to fall in love with Lord Rama’s brother, Lakshmana. In this fascinating story, Ravana’s Sister (Meenakshi), best selling author of The Rise of Sivagami, Anand Neelakantan, tells the poignant tale of a woman whose ears, nose and breasts are chopped off by a man as punishment for seeking love from a superior being. Overturning what popular myths and legends may have endorsed about Meenakshi aka Soorpanakha, this story is about every woman who may have lost in love, but gained much more from life in general.

    The East India Company is seeking to make inroads into the region and the local people—in particular the Abor and Mishmee tribes—fear their coming and are doing all they can to keep them out of their territories. The author takes a recorded historical event—the mysterious disappearance of a French priest, Father Nicolas Krick in the 1850s and the execution of Kajinsha from the Mishmee tribe for his murder—and woven a gripping, densely imagined work of fiction around it. And, even as the novel tells the story of an impossible journey and an elopement, it explores the themes of the lure of unknown worlds, the love people have for each other and their land and the forces of history. Gimur, a girl from the Abor tribe, runs away with Kajinsha from the Mishmee tribe, and they settle down on his land near the Tibetan border. Father Krick’s attempts to reach Tibet to set up a Jesuit mission are foiled repeatedly by the local people not because of any personal animus towards the priests or their work, but because they feel—rightly—that once the priests come, the British, with their guns and their garrisons will follow. The story revolves around events in Gimur’s and Kajinsha’s villages and is also seen from the point of view of Father Krick, a gentle, intelligent man, devout but no bigot, whose determination to reach Tibet no matter what the cost, impacts tragically on all those who encounter him.

    Filmmaker and writer Anungla Zoe Longkumer brings together, for the first time, a remarkable set of stories, poems, first-person narratives, and visuals that showcase the breadth of Naga women’s creative and literary expression. The essays are written in English, a language the Nagas—who had no tradition of written literature—made their own after the arrival of Christianity in the region during the nineteenth century. In The Many That I Am, each writer speaks of the many journeys women undertake to reclaim their pasts and understand their complex present.

    A meeting is in progress to decide the fate of the establishment and its residents. And the zeitgeist of the 1990s appears to have touched everyone and everything around them.Ira is now a journalist on the civic beat, unearthing stories of corruption and indolence, and trying to push back memories of a lost love. Kartik works a corporate job with an MNC, and leads a secret, agonising, exhilarating second life. Between and around them throbs the living, beating heart of Mumbai, city of heaving inequities and limitless dreams.Milk Teeth is subtle, incisive, unputdownable.

    Arranged Marriage, her first collection of stories, spent five weeks on the San Francisco Chronicle bestseller list and garnered critical acclaim that would have been extraordinary for even a more established author.For the young girls and women brought to life in these stories, the possibility of change, of starting anew, is both as terrifying and filled with promise as the ocean that separates them from their homes in India. From the story of a young bride whose fairy-tale vision of California is shattered when her husband is murdered and she must face the future on her own, to a proud middle-aged divorced woman determined to succeed in San Francisco, Divakaruni's award-winning poetry fuses here with prose for the first time to create eleven devastating portraits of women on the verge of an unforgettable transformation.

    A time promising wealth for the corrupt, but terrifying with sterilization for the poor and jail for the critical, the Emergency changes forever the lives of both women.

    Set in the old-world Calcutta of the Raj, these stories featuring the astute investigator and his chronicler friend Ajit are still as gripping and delightful as when they first appeared.Byomkesh’s world, peopled with wonderfully delineated characters and framed by a brilliantly captured pre-Independence urban milieu, is fascinating because of its contemporary flavor. In the first story, Byomkesh works undercover to expose an organized crime ring trafficking in drugs. In ‘The Gramophone Pin Mystery’, he must put his razor-sharp intellect to good use to unearth the pattern behind a series of bizarre roadside murders. In ‘Calamity Strikes’, the ace detective is called upon to investigate the strange and sudden death of a girl in a neighbour’s kitchen. In the next story, he has to lock horns with an old enemy who has vowed to kill him with an innocuous but deadly weapon. And in ‘Picture Imperfect’, Byomkesh Bakshi unravels a complex mystery involving a stolen group photograph, an amorous couple, and an apparently unnecessary murder.Available in English for the first time in a superb translation, these stories will captivate every lover of crime fiction, young and old alike.

    When Sangita catches the eye of Gautam Sinclair she is a simple, homely girl; utterly unaware of her charms & capabilities. She has the devil’s own time in overcoming her inhibitions, hesitation, and her family’s orthodox and outdated rules before recognising her love for Gautam. Will Gautam be able to solve Sangita’s Dilemma or will she be forever trapped in her past?NOTE: This extensive edition comes with two extra chapters (10000 words)

    Every afternoon, at precisely 3 o'clock, she hears the sound of unknown footsteps. Every afternoon, she peeks out ... but no one is there. In a state of growing panic, Amma Bi considers moving to an old people's home, before finally taking in a lodger - a winsome young woman named Sabiha. Her arrival fills Amma Bi's lonely world with love and laughter, and Jumman, the household help, is transformed as well. When Sabiha finds herself in trouble, Amma Bi must draw on hidden reserves of skill and empathy in order to resolve the situation... Dopehri - legendary film and theatre personality Pankaj Kapur's first novel - is a wonderfully evocative work of great charm, wry humour and quiet power, a story that readers will fall in love with.

    The pages of this book contain stories of every bachelor who fell in love, did stupid things and discussed India's foreign policy at the neighbourhood tea stall.'Bakar Puran' is the past, present and the future of those bachelors which will always be the same. The language and style has the realism of a bachelor pad. Here, there is no garb of elitism in expression. Whatever it is, it just is.

    Critics around the world have embraced the book as a major work by this exciting young writer.

    * New Edition. * Includes a new translation of 'Fotikchand'.

    A quintessential Premchand story.