In the aftermath, Walt forms two new relationships: one with Ginger Newton, a privileged, reckless, Harvard undergraduate who is interviewing women about their lives for a book called Girls I Know, and the other with 11-year-old Mercedes Bittles, whose parents were killed in the restaurant. Wounded but resilient, all three must deal with loss and grief and the consequences that come when their lives change in unexpected ways.

    And yet you've never heard of him. Or his book. The whole thing is a little hard to explain. To unravel the tangled threads of reality you have to go back to the beginning. To a New Year's Eve party in Cambridgeshire in 1996. Or earlier, when an unsuccessful novelist called Roderick Bent embarked on a train journey that turned into a nightmare. Actually, it doesn't matter where you start from. The point is that you'll soon understand why there's never been another book like it. And, more importantly, why you can't remember that you've already read it.

    It’s firmly rooted in familial embarrassment (the Kellys’ house is “decorated like the inside of somebody’s hut in Guatemala”), reinforced by an abiding love of Dee Dee Ramone and other (lesser) gods of the rock pantheon, and cemented by the secret of a remarkable religious epiphany Francis experiences at the age of twelve.Clare and Francis become happy adults with rewarding careers and loving spouses. But when tragedy strikes, Francis finds his faith shattered and his life horribly transformed, and Clare doesn’t know how to help the brother she loves but has never fully understood.Nearly flattened by sadness, Francis turns to the angry, propulsive music that sustained him through adolescence and finds that you’re never too old to be punk rock. With the help of a bass guitar and the support of Clare and some unlikely new friends, Francis gradually finds his way back from the depths of despair to a life that feels worth living.Told in Clare’s wry, compassionate voice, Long Way Back is an original, moving novel about grief, guitars, and grace. It shows that the Velvet Underground didn’t lie: Your life really can be saved by rock and roll.From the Hardcover edition.

    Shortly before the story opens he has endured a ridiculously humiliating incident that put him off his instrument—as part of a string quartet, he was sent unaware by the Musicians’ Union to “open” for a reunion tour of over-the-hill Hessian metal-gods Volstagg (based on Meat Loaf), who threw the classical musicians offstage. Biding his time until he can afford to leave Philth Town (a tweaked Philadelphia), he now works in a deli run by a despotic Dutchman and lives in a boarding house (The Desmon), among whose other residents are Armless Rob (self-explanatory), Yancey Fishnet (dominatrix), Emmylou Mattressback (basically what you’d expect), and others. Including Tinsel Greetz, an ill-informed anarchist prone to disaster, and Charlie's best friend.As the story opens, Tinsel has founded a “barter system” economy for the various misfits in the Desmon and its affiliated businesses (The Grain Shack, the dive bar Maxine’s, a veterinary office) which results in the destruction of the Shack, a huge pack of dogs being left at the Desmon for Tinsel to deal with, threats of lawsuits and bodily harm, and Tinsel hiding out with his inexplicably understanding girlfriend Zelda. Charlie has been supplementing his deli paycheck via the “Willard Rounds,” the illegal method Philth Town’s Sanitation Department has evolved to deal with its out-of-control sewer rat problem: paying “slag-hands” to go down into the sewers armed with pipes and duffel bags and pays them a fee per quantity of dead rats (“Willard,” above, and “Ben,” as the rats are collectively called, are references to the movies Willard [1971, recently remade starring Crispin Glover] and Ben [1972] in which rats avenge the wrongs done to their human guardians). Tinsel is persona non grata and has lost his gig playing guitar at a bar, so Charlie initiates him into life as a slag-hand, ending in a ridiculously generous haul. To celebrate, Charlie and Tinsel get drunk and—unfortunately—trash Zelda's apartment just as a foreign investor is about to come buy some of her photographs for a French media conglomerate. Furious, Zelda throws them out whereupon they are beaten up by skinheads and end up waking up the next morning worse for wear in a hotel room in one of the poshest hotels in the city, with Louise (the “investor,” who's actually a French journalist). Charlie is instantly, stupidly in love with Louise, reduced to stammering incoherence and suddenly relating to the lyrics of “Total Eclipse of the Heart.” And strange as it might seem, it appears to be mutual.Over the next forty-eight hours, Charlie is on a hellbent journey from disaffected, self-destructive, downwardly mobile slacker to redeeming his former creativity and maturity, as Tinsel and Louise vie for his loyalties. Along the way there are hilarious scenes where the two cleaned-up slag-hands attempt to navigate the stressful environment of a nice restaurant (complete with compulsive table-crumbers and a schmaltzy table-side troubadour who receives his comeuppance when Charlie takes his violin and bears down with classical fury, getting a standing ovation); the three play a vicious game of Death Match culminating in watching a Felix Trinidad-Hector Camacho fight at Maxine’s; and a final denouement in which fallen cinematic genius Delvin Corollo is shooting a vapid costume drama outside the hotel (based on Martin Scorsese and The Age of Innocence) and Tinsel and Charlie conspire to destroy the shoot.Brewing under the surface, Charlie is being forced to confront the “hate” part of his “love-hate” relationship with his extremely trying friend. Louise has offered to take him with her when she leaves town—to cover an uprising in New Guinea, and whatever comes next. Tinsel shows no sign of abandoning his hare-brained schemes—he’s planning to rob a bank now—and Charlie has become disgusted with himself for putting up with Tinsel’s behavior, which includes not only a lack of hygiene and normalcy, but more seriously a streak of casual misogyny and xenophobia that Charlie has always assumed was a joke, but now is not so sure. In a final scene both hilarious and poignant, Charlie takes his revenge on the evil Dutchman who persecuted him at the deli and gives Tinsel the means to attempt the bank job—in other words, enough rope to hang himself.

    Close friendships were forged as Natasha, Prudence, Rachel and Maisie worked together under the benevolent rule of the two Markham brothers. Now, in 1980, Natasha, newly divorced and back from America with a fifteen-year-old daughter, decides there must be a reunion. Pru, always the mysterious one, deeply involved with her commune in Cornwall, unexpectedly offers Prospect House, a property she has inherited in the Malvern hills where they may all forgather. Rachel, married to her former boss, a Liberal MP, gladly leaves a tangled domestic situation to join the friends she hasn't seen for so long. And Maisie ... Maisie, perhaps the most vulnerable of the four, mother of five children, married to the unpredictable Edward, fails to arrive at Prospect House. The drama of her disappearance has a far-reaching effect on the lives and destinies of them all. Come Rain or Shine is a poignant and unforgettable story of the particularly close friendships that women enjoy - and of the complications that can arise when friends meet again after many years have passed.

    Burgess’ humor is a city to which his hero, Denham, J. W., businessman, forty, British, returns on leave from the Far East to find the face of England hardened into a standardized grimace. He is appalled by his observations in all quarters of cheapness, shallowness, vice. He is appalled also by monotony. But monotony reigns only briefly. Soon Everett, the broken-down poet, and Winterbottom, the printer, have involved him in affairs which put a strain on his holiday spirit. And with the appearance of Mr. Raj, Ceylonese gentleman, persistent lecher and unflagging sociologist, speed quickens and control diminishes as Denham is carried helpless down the homestretch of his grueling comic course. Mr. Burgess’ humor stems from the depth of life rather than from its surface. His people are so vividly alive, and the anger, laughter and melodrama of their experiences so affecting that their story takes on dimension rare in novels so thoroughly entertaining.

    Usually a quiet and undisturbed place situated on an estuary, Hanmouth becomes the centre of national attention when an eight-year-old girl vanishes.

    On the northern bank of the water, people live spoiled, luxurious lives. They feast on lamb and shop boutiques and want for nothing. On the southern side of the river, however, life is quite the opposite. Downtown residents know nothing but destitution and poverty, and they are not welcomed by their northern neighbors. Spinster Ursula Underwood shares an apartment with a gray and white cat on the impoverished southern side. Because of the loss and hardship she’s endured, Ursula has earned the nickname “Unfortunate”. She harbors great resentment at her lot in life, but a call on a diner payphone changes her outlook and gives her new purpose. Unfortunate Ursula Underwood takes us on a journey through an unknown world riddled with prejudice and hate, but one woman may change it all− as she learns to love the unlovable, forgive the undeserving and heal the intolerance in her heart.

    He thought he understood the way the world worked, but now, as a sacrificial lamb of the credit crunch he finds himself drifting... drifting into the clutches of the ever resourceful Pete who could find the angle in a Fairy Liquid bubble... and into the arms of the enigmatic hippy girl, Astrid, who’s about to introduce Tony to rabbits, magic caves and the joys of mushrooms. eBook of the Month Club describes ‘The Return of the Hippy’ as “The funniest and most heart warming novel of the year.”

    Until the feisty young prostitute, Tibs Tyler, takes her under her wing, and the two girls, one dark, one fair, set themselves up as a music hall act. As they desperately try to break free from Tibs's violent pimp, and to avoid the educated and wealthy yet sinister Dr Tressing, they are also hoping to make a new life for themselves as the new century breaks.

    To mask betrayal, or deceit. But what happens when those lies start to catch up with us? When our lives begin to be shaped by the lies of others?The late 'noughties'. A global recession looms. A group of old friends, all leading outwardly successful, interesting lives. All in apparently loving, secure relationships. Yet all, in some way, lying to those closest to them, concealing secret worries, jealousies, desires. This group of friends is about to discover that the truth won't stay buried for ever...Welcome to the darker side of love.

    But it's taken its toll on a hard-working and tight-knit community. Despite going through the very worst of times - the never-ending fight against poverty, rationing and bombs - the residents of Paragon Place have been brought closer together by laughter and tears in the face of despair. There is Sally Brady, who is torn between two men, local drunk Alf Porter, the prim Carey sisters, the gossips and the villains. After surviving the horror of the war, they face new dramas as they rebuild their lives together...

    She flees to Burlington, Vermont, home of Aunt May, her mother's only living relative. There she adopts Beulah, a Labrador puppy in training to become a companion dog for the blind. Not for a moment does Janey suspect that this "year of the dog" will change her life forever.Shelby Hearon is an acknowledged master at illuminating the nuances of relationships. In Year of the Dog, she explores the surprising ways that the heart heals after a betrayal. While Janey is training Beulah, Beulah leads Janey to a new love, James Maarten, a smart, "fidgety" teacher they meet at the dog park. As Janey soon discovers, James has suffered a betrayal of his own that makes it hard for him to open up and trust her with even the smallest details of his past. While Janey tries to help James, she also reaches out to her enigmatic Aunt May, a retired librarian reputed to be the friend, perhaps even the lover, of popular mystery writer Bert Greenwood. When Janey attempts to solve the twin mysteries of why her great aunt has distanced herself from the family—and what her true relationship is with Bert Greenwood—Beulah provides the clues that lead Janey to uncover the secrets of her aunt's life. By the time Beulah's stay with Janey comes to an end, the people whose lives she's linked will discover that healing and reconciliation can come in the most unexpected ways.

    She senses her biological clock ticking away and wants children while he doesn't. Not because he doesn't like children but because he feels a child would be just one responsibility too many.Nick's problem is his parents. He's devoted to them of course, but sometimes even he finds his patience wearing a little thin which in turn brings on the guilt. But they are rather a handful. They're conservative, highly eccentric and increasingly infirm. His Mum's so enormously overweight that her heart's now a bit dicky and she is certainly no longer up to looking after Dad by herself. He's got Parkinson's Disease - not the shaking kind, as Mum's always reminding people - but he's unable to do even the simplest task himself and needs constant care and attention.Nick knows the time has come to take the matter in hand but things need to be handled carefully. And so he and Laura take them to Malta for what they hope will be a happy final family holiday. Nick thinks his only problem is going to be avoiding Laura's amorous advances but this particular island turns out to be a sun-kissed cupboard with more than its fair share of skeletons...Tackling a taboo subject with sensitivity, understanding, great affection and good humour, What We Did On Our Holiday is a remarkably uplifting, moving and reassuring novel about a time in our lives when it seems roles are reversed and we find ourselves looking after the very people we'd always assumed would be there to look after us.

    Over the course of a year, each of these women’s lives becomes intertwined, both through the books they read and the real-life stories they tell.Inspired by a shared desire for conversation, a good book and a glass of wine, Clare, Harriet, Nicole, Polly and Susan undergo startling revelations and transformations despite their difference in background, age and respective dilemmas.In The Reading Group, Noble reveals the many complicated paths in life we all face as well as the power and importance of friendship.