Over time, this fascination deepened until it triggered a journey around the world in search of ruined places. Now, in this genre-smashing graphic memoir, she leads us through deserted cities in the American Midwest, an Icelandic town buried in volcanic ash, islands in the Philippines, New York City, and the delicate passageways of the human heart. Along the way, we learn about her family and a rare genetic heart disease that has been passed down through generations, and revisit tragic events in America's past.A narrative that is at once narrative and factual, historical and personal, Radtke's stunning illustrations and piercing text never shy away from the big questions: Why are we here, and what will we leave behind?(With black-and-white illustrations throughout; part of the Pantheon Graphic Novel series)

    In early 2001 cartoonist Guy Delisle became one of the few Westerners to be allowed access to the fortress-like country. While living in the nation's capital for two months on a work visa for a French film animation company, Delisle observed what he was allowed to see of the culture and lives of the few North Koreans he encountered; his findings form the basis of this graphic novel.Guy Delisle was born in Quebec City in 1966 and has spent the last decade living and working in the South of France with his wife and son. Delisle has spent ten years, mostly in Europe, working in animation, an experience that taught him about movement and drawing. He is now currently focusing on his cartooning. Delisle has written and drawn six graphic novels, including "Pyongyang," his first graphic novel in English.

    In the next installment of her graphic travelogue series, Displacement, Knisley volunteers to watch over her ailing grandparents on a cruise. (The book s watercolors evoke the ocean that surrounds them.) In a book that is part graphic memoir, part travelogue, and part family history, Knisley not only tries to connect with her grandparents, but to reconcile their younger and older selves. She is aided in her quest by her grandfather s WWII memoir, which is excerpted. Readers will identify with Knisley s frustration, her fears, her compassion, and her attempts to come to terms with mortality, as she copes with the stress of travel complicated by her grandparents frailty."

    Her boyfriend Naruo is permanently crashing at her apartment because his job as a freelance illustrator doesn't pay enough for rent. And her parents in the country keep sending her boxes of veggies that just rot in her fridge. Straddling the line between her years as a student and the rest of her life, Meiko struggles with the feeling that she's just not cut out to be a part of the real world.

    Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents.When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the "crazy closet"—with predictable results—the tools that had served Roz well through her parents' seventies, eighties, and into their early nineties could no longer be deployed.While the particulars are Chast-ian in their idiosyncrasies—an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades—the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care.An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant will show the full range of Roz Chast's talent as cartoonist and storyteller.

    The people who roamed Early Earth were much like us: curious, emotional, funny, ambitious, and vulnerable. In this series of illustrated and linked tales, Isabel Greenberg chronicles the explorations of a young man as he paddles from his home in the North Pole to the South Pole. There, he meets his true love, but their romance is ill-fated. Early Earth's unusual and finicky polarity means the lovers can never touch.      As intricate and richly imagined as the work of Chris Ware, and leavened with a dry wit that rivals Kate Beaton's in Hark! A Vagrant, Isabel Greenberg's debut will be a welcome addition to the thriving graphic novel genre.

    While Jack dives deeper and deeper, he seems to pull further and further away from his young wife and their unborn son. Then one night, deep in the icy solitude of the ocean floor, Jack has a mysterious and supernatural encounter that will change the course of his life forever.Equal parts blue-collar character study and mind-bending mystery, The Underwater Welder is a graphic novel about fathers and sons, birth and death, memory and reality, and the treasures we all bury deep below the surface.

    And paperbacks! And ebooks! And bookstores! And libraries! Book Love is a gift book of comics tailor-made for tea-sipping, spine-sniffing, book-hoarding bibliophiles. Debbie Tung’s comics are humorous and instantly recognizable—making readers laugh while precisely conveying the thoughts and habits of book nerds. Book Love is the ideal gift to let a book lover know they’re understood and appreciated.

    He embarks on a road trip to escape it all, and he soon discovers the only one he can count on completely is his faithful, recently adopted dog, who helps him see the light at the end of the tunnel. Illustrating the valuable lessons of friendship and loyalty, this is a heartwarming tale of two endearing characters and their shared adventure into the unknown.

    Suddenly forced to fend for himself, Russell struggles to survive in Marshfield, a dilapidated town haunted by a sadistic animal killer and a ring of malicious boys who bully Russell for being “queer.” Rescued from his booze-swilling father by Wen and Jian Mah, a Chinese immigrant couple who long for a child, Russell betrays their generosity by running away with their restaurant’s proceeds.

    Studying English literature in college, she imagined writing a successful novel and leading the idealized life of an author. But she’s been working at the same advertising agency for the past five years and the only thing she’s written is . . . copy. Corrina knows there must be more to life, but and she faces the same question as does everyone in her generation: how to find it? Here is the brilliant debut graphic novel about a young woman’s search for happiness and self-fulfillment in the big city.(With two-color illustrations throughout.)

    She's smart, independent and very much in love with her best friend, Francine. Then Katchoo meets David, a gentle but persistent young man who is determined to win Katchoo's heart. The resulting love triangle is a touching comedy of romantic errors until Katchoo's former employer comes looking for her and $850,000 in missing mob money. As her idyllic life begins to fall apart, Katchoo discovers no one can be trusted and that the past she thought she left behind now threatens to destroy her and everything she loves, including Francine.

    I think I am in friend-love with you. What’s friend-love? It’s that super-awesome bond you share with someone who makes you happy every time you text each other, or meet up for an epic outing. It’s not love-love. You don’t want to swap saliva; you want to swap favorite books. But it’s just as intense and just as amazing. And it’s this search for that connection that comic-book artist Yumi Sakugawa captures in I Think I Am in Friend-Love with You. It’s perfect if you've ever fallen in friend-love and want to show that person how much you love them...in a platonic way, of course.

    Mother, Come Home is Hornschemeier's graphic novel debut—the quietly stunning tale of a father and son struggling, by varying degrees of escapism and fantasy, to come to terms with the death of the family's mother. The story seamlessly weaves through the surreal and the painfully factual, guided by the careful, somber colors and inventive pacing unique to Hornschmeier's storytelling. Mother, Come Home extracts almost tangible drama from the most tranquil of moments, making that which is unspoken in each panel easily audible, and almost uncomfortably experienced.

    Millionaire inventor Reginald Hargreeves adopted seven of the children; when asked why, his only explanation was, "To save the world."These seven children form the Umbrella Academy, a dysfunctional family of superheroes with bizarre powers. Their first adventure at the age of ten pits them against an erratic and deadly Eiffel Tower, piloted by the fearsome zombie-robot Gustave Eiffel. Nearly a decade later, the team disbands, but when Hargreeves unexpectedly dies, these disgruntled siblings reunite just in time to save the world once again.Collecting: The Umbrella Academy: Apocalypse Suite 1-6, as well as out-of-print short stories and an expanded sketchbook section featuring work by Gabriel Bá, James Jean, and Gerard Way