He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. Now, thirty years later, Vincent is being released.Duchess is a thirteen-year-old self-proclaimed outlaw. Her mother, Star, grew up with Walk and Vincent. Walk is in overdrive trying to protect them, but Vincent and Star seem bent on sliding deeper into self-destruction. Star always burned bright, but recently that light has dimmed, leaving Duchess to parent not only her mother but her five-year-old brother. At school the other kids make fun of Duchess―her clothes are torn, her hair a mess. But let them throw their sticks, because she’ll throw stones. Rules are for other people. She’s just trying to survive and keep her family together.A fortysomething-year-old sheriff and a thirteen-year-old girl may not seem to have a lot in common. But they both have come to expect that people will disappoint you, loved ones will leave you, and if you open your heart it will be broken. So when trouble arrives with Vincent King, Walk and Duchess find they will be unable to do anything but usher it in, arms wide closed.Chris Whitaker has written an extraordinary novel about people who deserve so much more than life serves them. At times devastating, with flashes of humor and hope throughout, it is ultimately an inspiring tale of how the human spirit prevails and how, in the end, love―in all its different guises―wins.

    She lived in an upper middle class neighborhood in Santa Monica with her mom, dad, and Berkeley-bound older brother. She was a good girl, living a good life...but one party changed everything. One party, where she took one taste—and liked it. Really liked it.Social drinking and drugging lead to more, faster, harder... She convinced herself that she was no different from anyone else who liked to party. But the evidence indicates otherwise: Soon she was she hanging out with an edgy crowd, blowing off school and everything she used to care about, all to find her next high.But what goes up must come down, and everything—from her first swig, to her last breath—is chronicled in the diary she left behind.

    Eric Parrish is the Chief of the Psychiatric Unit at Havemeyer General Hospital outside of Philadelphia. Recently separated from his wife Alice, he is doing his best as a single Dad to his seven-year-old daughter Hannah. His work seems to be going better than his home life, however. His unit at the hospital has just been named number two in the country and Eric has a devoted staff of doctors and nurses who are as caring as Eric is. But when he takes on a new patient, Eric's entire world begins to crumble. Seventeen-year-old Max has a terminally ill grandmother and is having trouble handling it. That, plus his OCD and violent thoughts about a girl he likes makes Max a high risk patient. Max can't turn off the mental rituals he needs to perform every fifteen minutes that keep him calm. With the pressure mounting, Max just might reach the breaking point. When the girl is found murdered, Max is nowhere to be found. Worried about Max, Eric goes looking for him and puts himself in danger of being seen as a "person of interest" himself. Next, one of his own staff turns on him in a trumped up charge of sexual harassment. Is this chaos all random? Or is someone systematically trying to destroy Eric's life?

    At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged—a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence, and to that moment in a girl’s life when everything can go horribly wrong.

    She feels lost in social situations, saying the wrong thing or acting the wrong way. She just can't read people. She prefers the quiet solitude of books or playing chess to being around others. Apart from Jonathan. She liked being around him, but she hasn't seen him for ten years. Until now that is. And she's not sure he'll want to see her again after what happened all those years ago. Annika Rose likes being alone.Except that, actually, she doesn't like being alone at all.The Girl He Used to Know is an uplifting novel full of surprising revelations that keep you turning the page. Perfect for fans of Jojo Moyes, Gail Honeyman, Jill Santopolo and Sliding Doors.

    His mother's suicide and his young wife's death at the hands of burglars left him to bring up his young twins alone. And now one of them has died in a grotesque accident as a result of bullying.Bryony, the remaining twin, has always been the family's great hope: a golden teenager, in love with her cello and her pony, clever, sweet and eager to please. Now that she is all Terence has left, he realises that his one duty in life is to keep her safe from the world's malign forces, whatever that may take. As he starts to follow his grieving daughter's movements, and enforces a draconian set of rules purely for her own safety, the voices in his head convince him to protect her innocence at any cost.

    She is a stay-at-home mother-of-three with boundless reserves of patience, energy, and love. After being friends for a decade, this is how Liz sees Jess. Then one moment changes everything. Dark thoughts and carefully guarded secrets surface—and Liz is left questioning everything she thought she knew about her friend, and about herself. The truth can’t come soon enough.

    Her nephew, Travis, was also in the car, along with Travis’s girlfriend. All three are alive—but barely. The car was smashed against a tree along a remote and winding road, beautiful but deadly, in their rural Texas Hill Country town.In the wake of the car crash, the close-knit family is tested like never before. Jenna, Travis’s mother, blames Jordan—as well as her sister, Sandy—after reports surface that Jordan had been driving. As the young adults struggle to survive, tension between their parents escalates. But when trust is broken and a shocking family secret is exposed, it creates a perfect storm of harrowing consequences. Rumors in the small town spread like wildfire. When details of the accident are questioned, Sandy and Jenna wonder if their family has been destroyed beyond repair.As always, there’s much more to the story…if the family is to survive, they will have to come together to confront the terrible truth and overcome their pain. But are some betrayals unforgivable?

    But once she arrives at the bustling Port Authority, she is confronted with the terrifying truth: she is alone and out of options. Then she meets Devon, a good-looking, well-dressed guy who emerges from the crowd armed with a kind smile, a place for her to stay, and eyes that seem to understand exactly how she feels. But Devon is not what he seems to be, and soon Michelle finds herself engulfed in the world of child prostitution where he becomes her “Daddy” and she his “Little Peach.” It is a world of impossible choices, where the line between love and abuse, captor and savior, is blurred beyond recognition. This hauntingly vivid story illustrates the human spirit’s indomitable search for home, and one girl’s struggle to survive.

    All that’s required is to look pretty and hang on his every word. Sexual favours are optional.Though more than thirty years her senior, Gabe, a handsome corporate finance attorney, seems like the perfect candidate, and within a month, they are madly in love. At least, Nat is…Gabe already has a family, whom he has no intention of leaving.So when he abruptly ends things, Nat can’t let go. She begins drinking heavily and stalking him: watching him at work, spying on his wife, even befriending his daughter, who is not much younger than she is. But Gabe’s not about to let his sugar baby destroy his perfect life. What was supposed to be a mutually beneficial arrangement devolves into a nightmare of deception, obsession, and, when a body is found near Gabe’s posh Upper East Side apartment, murder.

    She attended glamorous parties, dated handsome men, rode in fast cars. But somewhere along the way, the stage lights Sonya lived for dimmed to black. In their absence, came darkness—blackouts, empty cupboards, hazy nights she could not remember.Haunted by her failed career and lingering trauma from her childhood, Sonya fell deep into an alcoholic abyss. What kept her from losing herself completely was Tommy, her son. But her love for Tommy rivaled her love for the bottle. Addiction amplified her fear of losing her child; every maternal misstep compelled her to drink. Tommy’s precious life was in her shaky hands. Eventually Sonya was forced to make a choice. Give up drinking or lose Tommy—forever.

    Next door, Lorrie, a working single mother, struggles with a heinous act committed by her own teenage son. Separated by only a silvery stretch of trees, the two parents are emotionally stranded, isolated by their great losses--until an unfamiliar sixteen-year-old girl shows up, bridges the gap, and changes everything.Evangeline's arrival at first feels like a blessing, but she is also clearly hiding something. When Isaac, who has retreated into his Quaker faith, isn't equipped to handle her alone, Lorrie forges her own relationship with the girl. Soon all three characters are forced to examine what really happened in their overlapping pasts, and what it all possibly means for a shared future.With a propulsive mystery at its core, What Comes After offers an unforgettable story of loss and anger, but also of kindness and hope, courage and forgiveness. It is a deeply moving account of strangers and friends not only helping each other forward after tragedy, but inspiring a new kind of family.

    Decades later, old wounds are reopened when her son, Theo, hires ex-journalist Kate Aitken to create an archive of his mother's work.From Miranda's vast maze of personal effects, Kate pieces together a portrait of a vibrant artist buckling under the pressures of ambition, motherhood, and marriage. As the summer progresses, Kate navigates vicious local rumors and her growing attraction to the enigmatic Theo, all while unearthing the shocking details of Miranda's private life. But Kate has secrets of her own, and when she stumbles across a diary that may finally resolve the mystery of Miranda's death, her curiosity starts to spiral into a dangerous obsession.With breathtaking and haunting imagery, Take Me Apart paints a vivid picture of two magnetic young women, separated by years, but bonded by shared struggles. Sara Sligar draws readers into a web of secrets and lies, alternating between the present and the past and revealing the truth about Miranda's death through the objects she left behind.

    Waking up from a drug-induced sleep, she finds herself in a squalid warehouse. Chloe can only imagine the worst. After several days of total isolation and utter despair, Chloe faces a new threat when her kidnapper appears, but she also feels a sense of relief. His revelation that she is being held as ransom for a prisoner exchange, however, does little to allay her fears. The weeks pass and, haunted by terrifying dreams and with only her thoughts to keep her company, Chloe fights to remain calm in an impossible situation. At least her kidnapper, although cold and distant, visits frequently, often bringing gifts. Before long, Chloe begins to have feelings for him that take her by surprise. Though still fearing for her safety, she now fantasizes about a life together. And is it her imagination, or does her captor share those feelings? Even when she is finally released, Chloe vows to protect her captor at any cost. This powerful psychological thriller, written by renowned novelist Edeet Ravel, leaves readers wondering at every suspenseful turn: Is Chloe experiencing Stockholm syndrome?

    They are happy, and the day has been close to perfect. But what Joan sees as she hustles her son toward the exit gate minutes before closing time sends her sprinting back into the zoo, her child in her arms. And for the next three hours—the entire scope of the novel—she keeps on running. Joan’s intimate knowledge of her son and of the zoo itself—the hidden pathways and under-renovation exhibits, the best spots on the carousel and overstocked snack machines—is all that keeps them a step ahead of danger.A masterful thrill ride and an exploration of motherhood itself—from its tender moments of grace to its savage power—Fierce Kingdom asks where the boundary is between our animal instinct to survive and our human duty to protect one another. For whom should a mother risk her life?