Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

    

    Using this opportunity to act out his resentment for the death of his mother and his father's leaving to fight in the war he does all he can to tyrannize his new family. Yet, thrown into the warmth of this country family, Wendall finds his resolve softening.

    Their first encounter is in 1944 at theirworkplace, an office in Senate House, Bloomsbury, London, where Juneworks as a linguist doing “… translation work for a project involving theadaptation of treadle sewing machines to power generation” (p. 135)and Bernard, originally a Cambridge science graduate, has “… a deskjob peripherally connected with the intelligence services.” (p. 135).Two years later, the newly-weds sign up as members of the CommunistParty, leave their jobs and travel to the former battlefields of Europewith the intention of building a new Europe. During their honeymoonthey also spend some time in the south of France where June is(almost) attacked by two huge black dogs. She manages to drive themaway but is deeply frightened. She sees them as an encounter with evil.Nevertheless June really enjoys the countryside of this area and buys ahouse there. Unfortunately, hers andBernard's worldviews are too different to combine and they live moreand more often apart from each other. Their children grow up partly inEngland and partly in France. Whereas June leaves the CommunistParty after a few months, due to the difference between Communistideas and the way these ideas were put into practice, Bernard stays forapproximately 10 years. [...]

    Nazi Germany. The country is holding its breath. Death has never been busier, and will be busier still.By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left behind there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordian-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found.But these are dangerous times. When Liesel's foster family hides a Jew in their basement, Liesel's world is both opened up, and closed down.In superbly crafted writing that burns with intensity, award-winning author Markus Zusak has given us one of the most enduring stories of our time.(Note: this title was not published as YA fiction)

    Her story of the moment involves a madman known as the Holy Ghost, a deranged serial killer who disfigures his victims. When Susan Trevett lives to tell about her encounter with the Holy Ghost, she picks a young farmboy out of a police lineup. But then Susan does a dramatic turnaround: she insists that the boy is innocent, and that she disfigured herself to repent for past sins. The jury delivers a not guilty verdict, and Garner is left with an ending to her book she fears might not tell the whole story. To compensate, Garner plunges headlong into another case. A media firestorm has erupted around celebrated sculptor Dane Blackmoor. Body parts have been found in his lifelike sculptures, and Garner, who has tangled with the enigmatic artist in the past, thinks she knows the villain's identity. As she becomes increasingly involved in the Blackmoor story, she realizes she's being stalked by a cold-blooded killer who knows her like a book. Garner suddenly understands that there's a small space between the words true and crime: make one mistake in judgment, and it may come back to haunt you - with a vengeance.

    Wright’s Clara Callan fans will adore, October effortlessly weaves a haunting coming-of-age story set in World War II Quebec with a contemporary portrait of a man still searching for answers in the autumn of his life.In England to see his daughter, Susan, who is gravely ill, James Hillyer, a retired professor of Victorian literature, encounters by chance a man he once knew as a boy. Gabriel Fontaine, a rich and attractive American he met one summer during the war, when he was sent on a holiday to the Gaspé, is a mercurial figure, badly crippled by polio. A s an adolescent, James was both attracted to and repelled by Gabriel’s cocksure attitude and charm. He also fell hopelessly in love with Odette, a French- Canadian girl from the village, only to find himself in competition with the careless Gabriel. Now, at this random meeting over six decades later—as he struggles with the terrible possibility that he could outlive his own daughter—James is asked by Gabriel to accompany him on a final, unthinkable journey. A t last, James begins to see that all beginnings and endings are inexorably linked.A classic Richard B. Wright novel, defined by superb storytelling, subtle, spare writing and characters who travel psychological territory as familiar—and uncharted—as our own, October is an extraordinary meditation on mortality, childhood and memory.

    Here the reader is offered a glimpse of Mark Twain's sustained creative process, in what many critics consider the finest fiction of his later years. Begun in 1897 and revised first in 1902 and then 1908, the third version was the only manuscript titled The Mysterious Stranger. These texts offer a rare opportunity to observe Mark Twain's sustained literary struggle with a central theme.

    Have foreigners shaped China’s history to a greater extent than has previously been acknowledged, reaching back possibly millennia? Was Confucius’ most famous book, the Analects, inspired by entheogenic medicines imported from abroad, possession of which in the 1930s brought one before the firing squad in the name of Confucius? In these book review essays by Isham Cook, foreign devils, old China Hands, eccentric expatriates, and a few Chinese tell an offbeat history of China’s last two centuries, with a backward glance at ancient China as told by Western mummies.

    Seth is controlling and all they seem to do anymore is fight. If that’s what love is, Hanna doesn’t want any part of it. Besides, she has something else on her mind: graduation. But she’s been ignoring the school’s community service requirement, and now she needs to rack up some hours in a hurry.Hanna volunteers as a caretaker for her neighbor Mrs. Schoenmaker—an elderly woman with advanced Parkinson’s whose husband can’t always be there to watch over her. While caring for Mrs. S., Hanna becomes mesmerized by an audiobook that the older woman is listening to, a love story of passion, sacrifice, and complete devotion. She’s fascinated by the idea that love like that really exists, and slowly, the story begins to change her. But what Hanna doesn’t know is that the story she’s listening to is not fiction—and that Mrs. Schoenmaker and her husband’s devotion to each other is about to reach its shattering, irrevocable conclusion....Spellbinding, timeless, and achingly poignant, How It Ends is a story of how love ends, how it begins, and how people and events have the ability to change who we are without our even realizing it.

    Her father’s will bequeathed the land to whichever of his offspring would put in a crop and stake a claim to it. Olivia insists, “I’m sprung off him just as much as Avis or Tobey.”The problem: she’s seventeen, female, and it’s 1841.She has a friend who would make a perfect partner for this endeavor. Mourning Free knows how to run a farm, having worked many years for local farmers. More importantly, Olivia has complete trust in him and no fear of a romantic entanglement developing between them. Mourning will put in the crop for her and she will then help him buy land of his own.The problem: Mourning is black, the orphaned son of runaway slaves, and reluctant to travel and work with a white girl. He especially fears the private agents from the south who patrol the free states, hunting fugitive slaves.Olivia believes she and Mourning can make their partnership work and they set off together. All goes well, despite the drudgery of survival in an isolated log cabin. Incapable of acknowledging her feelings for Mourning, Olivia thinks her biggest problem is her unrequited romantic interest in their young, single neighbor. Then she is betrayed and violated and her world falls apart.Strong-willed, vulnerable, and compassionate, Olivia is a compelling protagonist on a journey to find a way to do the right thing in a world in which so much is wrong.Awards2010 YWO Book of the Year2013 Amazon Breakthrough Novel Award, Quarter-Finalist

    From the author of Semi-Tough, the hilarious continuing adventures of Billy Clyde Puckett—injured football player and TV sports commentator—featuring his wife, the former Barbara Jane Bookman, and his old friend, Shake Tiller.

    In this new edition, the original topics have been brought up to date, added to and elaborated upon: Abbreviations, for example, now includes an essential array of chat room acronyms; Fashion boasts a complete list of British Hairdressers of the Year; and Music features a comprehensive listing of every Top Ten single of the last 40 years.

    Searching for work, sex and big-city life is Ted Owen, who quickly finds himself swept into the complicated lives of the young and the jaded, people who thrive in a strange world of hip fashion and surreal night-clubs.