Sarah can’t help but be curious about him, an animal who supposedly doesn’t have a soul, but who is seemingly intent on keeping her safe.Because the dragon knows something she doesn’t. He has arrived at the farm with a prophecy on his mind. A prophecy that involves a deadly assassin, a cult of dragon worshippers, two FBI agents in hot pursuit—and somehow, Sarah Dewhurst herself.

    Except his agency is a front for the CIA. It’s 1959 and the cold war is going strong. But Will doesn’t think he’s a warrior—he’s just a good-hearted Detroit ad guy who can’t seem to figure out Parisian girls.Zoya is a beautiful young woman wandering les boulevards, sad-eyed, coming off a bad breakup. In fact, she impaled her ex on a spike. Zoya, it turns out, has been a beautiful young woman for hundreds of years; she and her far more traditionally witchy-looking companion, Elga, have been thriving unnoticed in the bloody froth of Europe’s wars.Inspector Vidot is a hardworking Paris police detective who cherishes quiet nights at home. But when he follows a lead from a grisly murder to the abode of an ugly old woman, he finds himself turned into a flea.Oliver is a patrician, fun-loving American who has come to Paris to start a literary journal with the help of friends in D.C. who ask a few favors in return. He’s in well over his head, but it’s nothing that a cocktail can’t fix. Right?Add a few chance encounters, a chorus of some more angry witches, a strung-out jazzman or two, a weaponized LSD program, and a cache of rifles buried in the Bois de Bologne—and that’s a novel! But while Toby Barlow’s Babayaga may start as just a joyful romp through the City of Light, it quickly grows into a daring, moving exploration of love, mortality, and responsibility.

    The Return of Merlin is a brilliantly realized narrative that begins in Arthurian times and jumps boldly to our own 20th-century dark age of war, pollution, predation, and hatred--with a message of hope.

    She doesn't know she's also left an opening for a far more malevolent force. Years later, thanks to the actions of several angry young men, Brenna discovers the terrible potential of that gateway. With a devastating plague unfolding abruptly around her, she must depend on her wits, a stranger she doesn't trust, and a mysterious stray dog who becomes more than just a faithful companion as she struggles to drive back the threat of a modern Black Death. Welded by a desperate sacrifice, woman, man, and dog face the feral darkness together.

    The young man from a shadowy government entity approaches Mel, a low-level faculty member, with an incredible offer. The only condition: she must sign a nondisclosure agreement in return for the rather large sum of money.Tristan needs Mel to translate some very old documents, which, if authentic, are earth-shattering. They prove that magic actually existed and was practiced for centuries. But the arrival of the scientific revolution and the Age of Enlightenment weakened its power and endangered its practitioners. Magic stopped working altogether in 1851, at the time of the Great Exhibition at London’s Crystal Palace—the world’s fair celebrating the rise of industrial technology and commerce. Something about the modern world "jams" the "frequencies" used by magic, and it’s up to Tristan to find out why.And so the Department of Diachronic Operations—D.O.D.O. —gets cracking on its real mission: to develop a device that can bring magic back, and send Diachronic Operatives back in time to keep it alive . . . and meddle with a little history at the same time. But while Tristan and his expanding operation master the science and build the technology, they overlook the mercurial—and treacherous—nature of the human heart.Written with the genius, complexity, and innovation that characterize all of Neal Stephenson’s work and steeped with the down-to-earth warmth and humor of Nicole Galland’s storytelling style, this exciting and vividly realized work of science fiction will make you believe in the impossible, and take you to places—and times—beyond imagining.

    Following a cataclysmic battle, the enchantments of Eivar were lost–now a song is only words and music, and no more. But when a dark power threatens the land, poets who thought only to gain fame for their songs face a task much greater: to restore the lost enchantments to the world. And the road to the Otherworld, where the enchantments reside, will imperil their lives and test the deepest desires of their hearts.

    It was there that he wrote most, if not all, of his works, completing the last in about 1470. Some fifteen years later William Caxton published the entire collection of his tales in one volume, "Le Morte Darthur."