Without warning, Nyle's modest world fills with protective masks, evacuations, contaminated food, disruptions, and mistrust.Nyle adjusts to the changes. As long as the fallout continues blowing to the East, Nyle, Gran, and the farm can go on. But into this uncertain haven stumble Ezra Trent and his mother, "refugees" from the heart of the accident, who take temporary shelter in the back bedroom of Nyle's house.The back bedroom is the dying room: It took her mother when Nyle was six; it stole away her grandfather just two years ago. Now Ezra is back there and Nyle doesn't want to open her heart to him. Too many times she's let people in, only to have them desert her.Karen Hesse's voice and vision are grounded in truth; she takes on a nearly unharnessable subject, contains it, and makes it resonate with honesty. Part love story, part coming of age, this is a tour de force by a gifted writer.

    Before they know it, the two find themselves at the center of an international art scandal, where no one — neighbors, parents, teachers — is spared from suspicion. As Petra and Calder are drawn clue by clue into a mysterious labyrinth, they must draw on their powers of intuition, their problem-solving skills, and their knowledge of Vermeer. Can they decipher a crime that has left even the FBI baffled?

    She feels as if she's being taken out of the country against her will. Certainly no one asked her opinion. Dinnie is used to change-with her family constantly moving from state to state while her father searches for one new "opportunity" after another. But when her aunt and uncle whisk her away to an international school in Lugano, Switzerland, Dinnie feels that this might be one "opportunity"that isn't right for her.Suddenly Dinnie's surrounded by kids from many different cultures, backgrounds, and beliefs. Home, and her first life, seem so far away. Can she adapt to a new country, a new home, and new friends? Or will it just be easier to close herself off-just survive-and never realize all the "bloomabilities" that are possible?

    Ragweed is determined to see the world. He leaves his family and cozy country home and sets off by train for the big city. What wonders await him: music, excitement, new friends...and cunning, carnivorous cats!Silversides is the purring president of F.E.A.R. (Felines Enraged About Rodents), a group dedicated to keeping cats on top, people in the middle, and mice on the bottom. Can Ragweed and his motley yet musical crew of city nice—Clutch, Dipstick, Lugnut, and Blinker—band together to fight their feline foe?

    After a car plunges over a dangerous cliff, killing its four teenage occupants, one of the four returns as a ghost, tormented by guilt and wishing somehow to prevent another tragedy.

    Isabelle describes the scene at school with bemused accuracy--the self-important (but really not bad) English teacher, the boy that is constantly fixated on Ashley Barnum, the prettiest girl in class, and the dynamics of the lunchroom, where tables are turf in a all-eyes-open awareness of everybody's relative social position.But everything is not normal, really. Since the dealth of her father, Isabelle's family has only functioned on the surface. Her mother, who used to take care of herself, now wears only lumpy, ill-fitting clothes, cries all night, and has taken every picture of her dead husband and put them under her bed. Isabelle tries to make light of this, but the underlying tension is expressed in overeating and then binging. As the novel opens, Isabelle's little sister, April, has told their mother about Isabelle's problem. Isabelle is enrolled in group therapy. Who should show up there, too, but Ashley Barnum, the prettiest, most together girl in class.