When a Nazi death squad raided his village at the outset of World War II, Jewish five-year-old Alex Kurzem escaped. After surviving the Russian winter by foraging for food and stealing clothes off dead soldiers, he was discovered by a Nazi-led Latvian police brigade that later became an SS unit. Not knowing he was Jewish, they made him their mascot, dressing the little ?corporal? in uniform and toting him from massacre to massacre. Terrified, the resourceful Alex charmed the highest echelons of the Latvian Third Reich, eventually starring in a Nazi propaganda film. When the war ended he was sent to Australia with a family of Latvian refugees. Fearful of being discovered?as either a Jew or a Nazi?Alex kept the secret of his childhood, even from his loving wife and children. But he grew increasingly tormented and became determined to uncover his Jewish roots and the story of his past. Shunned by a local Holocaust organization, he reached out to his son Mark for help in reclaiming his identity. A survival story, a grim fairy-tale, and a psychological drama, this remarkable memoir asks provocative questions about identity, complicity, and forgiveness.

    Historian Victor Brooks argues that 1944 was, in effect, “the longest year” for Americans of that era, both in terms of casualties and in deciding the outcome of war itself.Brooks also argues that only the particular war events of 1944 could have produced the “reshuffling” of the cards of life that, in essence, changed the rules for most of the 140 million Americans in some fashion. Rather than focusing on military battles and strategy alone, the author chronicles the year as a microcosm of disparate military, political, and civilian events that came together to define a specific moment in time.As war was raging in Europe, Americans on the home front continued to cope (with some prospering). As US forces launched an offensive against the Japanese in the Mariana Islands and Palau, folks at home enjoyed morale-boosting movies and songs such as "To Have and Have Not" and “G.I. Jive.” And as American troops invaded the island of Leyte—launching the largest naval battle during the war—President Franklin D. Roosevelt and Thomas E. Dewey were in the home stretch leading up to the election of 1944.It has been said that the arc of history is long. Throughout American history, however, some years have been truly momentous. The Longest Year makes the case that 1944 was one such year.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    On one occasion Mary delivered a Wellington bomber to an airfield, and as she climbed out of the aircraft the RAF ground crew ran over to her and demanded to know where the pilot was! Mary said simply: ‘I am the pilot!’ Unconvinced the men searched the aircraft before they realized a young woman had indeed flown the bomber all by herself.After the war she accepted a secondment to the RAF, being chosen as one of the first pilots, and one of only three women, to take the controls of the new Meteor fast jet. By 1950 the farmer's daughter from Oxfordshire with a natural instinct to fly became Europe's first female air commandant.In this authorized biography the woman who says she kept in the background during her ATA years and left all the glamour of publicity to her colleagues, finally reveals all about her action-packed career which spans almost a century of aviation, and her love for the skies which, even in her nineties, never falters.She says: ‘I am passionate for anything fast and furious. I always have been since the age of three and I always knew I would fly. The day I stepped into a Spitfire was a complete joy and it was the most natural thing in the world for me.’

    Suffering under her strict mother, she ran away from home and never turned back. Iris leads us on an enchanted journey around the world and through the Far East to what were then remote colonies of European empires during the 1930’s. Reaching Hong Kong, she falls in love, but soon after, the Japanese invade the island and bomb her new home with her and her young family inside it. Opting to escape prison camp, they flee across China, over the “Hump” of the Himalayas, to India, Kashmir and beyond. Her outgoing and positive personality captivates the reader, and her old photos and postcards add an extra dimension of interest to this historical account of her extraordinary life as a rebellious, independent woman in a bygone era of colonial powers and decadence, of the brutal war in the Pacific, and of the growth of the Far East into the powerhouse that Asia is today.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

     Letty is waiting to die. She is 90 years old and eaten by regret. She once told her story of survival to her grandson to help him through a tragedy when he was a child. Now in his thirties, he rushes to learn the details of her story before it disappears, because in it are answers to questions that have haunted his life. When World War II began, seventeen-year-old Letty from a rigid Orthodox Jewish family in Belgium is trapped in a resort nestled in the French Pyrenees with her mother and two sisters. Her oldest sister disowns the family to save herself as her mother’s distress turns into violent panic attacks. Ahead of Letty lay razzias, the French police round-ups of Jews, Nazi aircraft, young love, and uncertainty about who to trust or where to go in a country hell-bent on capturing her. Now her family’s fate, whether triumph or catastrophe, hinges on Letty’s escape plan. At its core, FAKE PAPERS is about a girl coming of age in a time of brutal intolerance and how it shapes her relationship with her grandson years later, addressing identity, and the tangled emotions and patterns of family relationships, repeated through generations, that make us who we are. FAKE PAPERS is a reminder; you never know the effect sharing your story will have on the people you love.

    Tells the history of the Nazi regime from a fascinating new perspective” (Military History Monthly).   Hitler’s Third Reich is covered in countless books and films: no conflict of the twentieth century has prompted such interest or such a body of literature. Here, two leading World War II historians offer a new way to look at the subject—through objects that come from this time and place, much like a museum exhibit.   The photographs gathered by the authors represent subjects including the methamphetamine known as Pervitin, Hitler’s Mercedes, jackboots, concentration camp badges, a 1932 election poster, Wehrmacht mittens, Hitler’s grooming kit, the Tiger Tank, fragments of flak, and, of course, the swastika and Mein Kampf, among dozens more—along with informative text that sheds new light on both the objects themselves and the history they represent.

    But when they did arrive, their orders were to put the “Final Solution” into effect with deliberate speed. Soros, a Jewish lawyer in Budapest, secured fake Christian identities for himself, his wife, and his two sons following the German invasion of Hungary on March 19, 1944. In a narrative reminiscent of the great Primo Levi, Soros recounts his experiences with a beguiling humor, deep humanity, and a wisdom that is humbling. Superbly translated by Humphrey Tonkin, Masquerade is a unique account of how one man managed not only to survive but to retain his integrity, compassion, family unity, and humor by “dancing around death.” Like Klemperer’s Diary of the Nazi Years, this very personal, low-key testament of the Holocaust is a gripping depiction of “normal” daily life under the Nazis—told by a man who triumphed by leading an ordinary life under extraordinary and terrifying circumstances.

    A WWII thrill ride.” ―Kirkus Reviews  An unforgettable and thrilling tale of two WWII American bomber pilots who forged an unexpected friendship in the flak-filled skies over Nazi Germany. The air battle over Nazi Germany in WWII was hell above earth. It lasted three years and cost 125,000 Allied aircrew men, including 26,000 Americans from the US Army's Eighth Air Force in England, their lives. For bomber crews, every day they flew was like D-Day, exacting tremendous amounts of emotional uncertainty and trauma. Some men, like twenty-year-old U.S. Captain Werner Goering, accepted this, even thrived on and welcomed the adrenaline rush. They knew that death could come in a variety of ways: an unlucky flak burst, Luftwaffe fighters that could appear anywhere at any time, or pilot error while flying less than twenty feet apart. Werner Goering was an exceptional pilot. He was also the nephew of Herman Goering, leading member of the Nazi party and Commander in Chief of the Luftwaffe. When Werner qualified to become a bomber commander in 1942, J. Edgar Hoover issued a top secret order to ensure that if his plane was downed for any reason over Nazi-occupied Europe, someone would be there in the cockpit to shoot Captain Werner Goering dead. The FBI and the American military would not prevent Werner from serving his American homeland in war, but neither would they risk the propaganda coup that his desertion, or even his live capture, would represent for Nazi Germany. So in early 1943, FBI agents fanned out across the United States to find a man capable of and willing to shoot Werner dead in the cockpit, and one who could then get the plane back home. They found Jack Rencher, a tough, insular, B-17 instructor in Yuma, Arizona, who also happened to be one of the Army's best pistol shots. That Jack and Werner became unlikely friends is just one more twist in Hell Above Earth, one of the most incredible untold tales to come out of WWII.

    Who was this enigmatic officer Pearl Good had spoken of so often?After five years of research--interviewing survivors, assembling a team that could work to open German files untouched for fifty years, following every lead he could, Good was able to uncover the amazing tale of one man's remarkable courage. And in April 2005 Karl Plagge joined Oskar Schindler and 380 other Germans as a "Righteous among Nations," honored by the State of Israel for protecting and saving Jewish lives during the Holocaust.This expanded edition features new photographs and a new epilogue on the impact of the discovery of Karl Plagge--especially the story of 83-year-old Alfons von Deschwanden, who, after fifty years of silence, came forward as a veteran of Plagge's unit. His testimony is now part of this growing witness to truth.

    In the following twenty-three years she experienced many of the terrors of her fellowEuropean Jews: early Nazi oppression in Berlin; post-"Anschluss" Vienna; Nazi occupied Prague; and deportation to Theresienstadt in 1942. But the truehorrors of the Nazi "Final Solution" awaited her in Birkenau, the woman's concentration camp where she survived her internment, beginning in January, 1943, for two years. These months of hell were followed by a "Death March" and incarceration in Ravensbrück from which she and a group of fellow inmates walked away to freedom.As Professor Emerita in German literature at UNC-Charlotte, Dr. Cernyak-Spatz continues to teach and to lecture about the Holocaust. This book is a rare firsthand testament of a Holocaust survivor. The audiobook version, narrated by the author, is now available on her website.

    With no other family, except each other, they build a world that revolves around Sidonia's extraordinary talent with a needle and thread to create beautiful garments while Hanna serves as her dutiful model. As Sidonia becomes well-known in western Massachusetts and northern Connecticut for her remarkable sewing talent, she continues to keep her inner secrets about her past hidden not only from her daughter but from everyone else. Determined to craft a life of pride, self-reliance and perseverance, Sidonia teaches her daughter to "stand up straight" in fashion and in life. Sidonia's Thread uses sewing metaphors to tell the tale of these two women as though stitched together like a handmade garment. Why did Sidonia keep these significant life secrets, and why was Hanna so afraid to ask about them? When Sidonia moves to elderly housing, Hanna steals some of her old letters and photographs hoping to find clues to her paternity, her mother's reclusive behavior, and her heritage. Combined with a trip to her mother's Hungarian homeland and a phone conversation with her father, Hanna's surprising discoveries inspire a revised view of her life with her mother, replacing her conflicting emotions toward her mother with true reverence.

    Perhaps less familiar are Carin, Emmy, Magda, Margaret, Lina, Ilse and Gerda... These are the women behind the infamous men—complex individuals with distinctive personalities who were captivated by Hitler and whose everyday lives were governed by Nazi ideology. Throughout the rise and fall of Nazism these women loved and lost, raised families and quarreled with their husbands and each other, all the while jostling for position with the Fuhrer himself. Until now, they have been treated as minor characters, their significance ignored, as if they were unaware of their husbands' murderous acts, despite the evidence that was all around them: the stolen art on their walls, the slave labor in their homes, and the produce grown in concentration camps on their tables.James Wyllie's Nazi Wives explores these women in detail for the first time, skillfully interweaving their stories through years of struggle, power, decline and destruction into the post-war twilight of denial and delusion.

    In this first volume of his two-volume autobiography, Wiesel takes us from his childhood memories of a traditional and loving Jewish family in the Romanian village of Sighet through the horrors of Auschwitz and Buchenwald and the years of spiritual struggle, to his emergence as a witness for the Holocaust's martyrs and survivors and for the State of Israel, and as a spokesman for humanity.  With 16 pages of black-and-white photographs."From the abyss of the death camps Wiesel has come as a messenger to mankind--not with a message of hate and revenge, but with one of brotherhood and atonement."--From the citation for the 1986 Nobel Peace Prize

    Mr. Arad reports as a controlled and effective witness for the prosecution.... Mr. Arad's book, with its abundance of horrifying detail, reminds us of how far we have to go."--New York Times Book Review..". some of the most gripping chapters I have ever read.... the authentic, exhaustive, definitive account of the least known death camps of the Nazi era." --Raul HilbergArad, historian and principal prosecution witness at the Israeli trial of John Demjanjuk (accused of being Treblinka's infamous "Ivan the Terrible"), uses primary materials to reveal the complete story of these Nazi death camps.