Now, ten years later, they seem to have it all. Jessica is in the limelight, a TV personality whose star is on the rise. Ellie is an optimist, happily engaged in the quest for love. Shereen is a stunning and powerful executive, and Yolanda, the strong-willed leader of the group, has defied her roots to capture her vision of the American dream. But years before, these four women banded together to keep a devastating secret-and now, ten years later, someone will do anything to see the secret brought to light. None of them anticipated the consequences of keeping the secret-and now, someone is trying to shatter all their lives. Intense, powerful, page-turning, and emotional, The Sisters of Theta Phi Kappa will keep you guessing and will make you think about the depths of friendship, the price of loyalty, and the bonds of sisterhood.

    She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle's, estimation, but she's also the brightest. Rozelle--beautiful, charismatic, and light-skinned--exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at "the farmhouse" on the edge of town, where Rozelle beds local men for money.But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle's grasp without ruinous--even fatal--consequences?

    Sugar moves next door to Pearl, who is still grieving for the daughter who was murdered fifteen years before. Over sweet-potato pie, an unlikely friendship begins, transforming both women's lives--and the life of an entire town.Sugar brings a Southern African-American town vividly to life, with its flowering magnolia trees, lingering scents of jasmine and honeysuckle, and white picket fences that keep strangers out--but ignorance and superstition in. To read this novel is to take a journey through loss and suffering to a place of forgiveness, understanding, and grace.  McFadden is the author of the novels Gathering of Waters, Glorious, and This Bitter Earth.

    That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

     When Washington, D.C., chiropractor Yardley Brown goes to his local bank, it isn't only to make deposits into his account. He has long since accrued some interest in Rayne Waters, a bank employee who's too beautiful to be true -- and too beautiful to be single. At least that's what Yardley believes, which is why he has never approached her. Little does he know that Rayne is anything but taken. Not for want of trying, of course. But after barely surviving a dating disaster with her hairdresser's brother and then falling for a member of her church band who, it turns out, is celibate, she's on the verge of giving up. That is, until Yardley -- discouraged by his own slew of dead-end romances -- finally works up the courage to give her a try. The true craziness, however, is just beginning, thanks to a cast of characters who seem bent on botching the young couple's relationship. There's Rayne's erratic mother, who constantly boasts about being a "good whore"; Yardley's playboy buddies, always trolling for sex; and, worst of all, past lovers who make a habit of popping up and ruining things as only old flames (or previous mistakes) can. Weaving the carnal and the comical in true Zane fashion, Rayne and Yardley's struggle to find love in a world gone mad is a timeless talk about everything that can go wrong in the dating game -- and a few things that can go right.

    Recognizing this as a chance to start over, Charley and her eleven-year-old daughter, Micah, say good-bye to Los Angeles.They arrive just in time for growing season but no amount of planning can prepare Charley for a Louisiana that’s mired in the past: as her judgmental but big-hearted grandmother tells her, cane farming is always going to be a white man’s business. As the sweltering summer unfolds, Charley must balance the overwhelming challenges of her farm with the demands of a homesick daughter, a bitter and troubled brother, and the startling desires of her own heart.Penguin has a rich tradition of publishing strong Southern debut fiction—from Sue Monk Kidd to Kathryn Stockett to Beth Hoffman. In Queen Sugar, we now have a debut from the African American point of view. Stirring in its storytelling of one woman against the odds and intimate in its exploration of the complexities of contemporary southern life, Queen Sugar is an unforgettable tale of endurance and hope.

    Jadine Childs is a black fashion model with a white patron, a white boyfriend, and a coat made out of ninety perfect sealskins. Son is a black fugitive who embodies everything she loathes and desires. As Morrison follows their affair, which plays out from the Caribbean to Manhattan and the deep South, she charts all the nuances of obligation and betrayal between blacks and whites, masters and servants, and men and women.

    Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks' duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy. The psychological maneuvers that accompany attraction have seldom been more shrewdly captured than in André Aciman's frank, unsentimental, heartrending elegy to human passion. Call Me by Your Name is clear-eyed, bare-knuckled, and ultimately unforgettable.

    Just when she's resigned herself to her fate, she sees a movie that will change her life--Sixteen Candles. But in her case, life doesn't imitate art. Tormented in school and hopelessly in unrequited love with a handsome football player, Davie finds it bittersweet to dream of Molly Ringwald endings. When a cruel school prank goes too far, Davie leaves the life she knows and reinvents herself in the glittery world of Hollywood as a beautiful and successful lounge singer. Just as she's about to ride off into the L.A. sunset, the past comes back with a vengeance, threatening to crush Davie's dreams--and break her heart again.With wholly original characters and a cinematic storyline, 32 Candles introduces Ernessa T. Carter, a new voice in fiction with smarts, attitude, and sassiness to spare.

    Though the doctor has one majime looking face but deep within he's a gentle soul. Not to mention he isn't afraid of showing his love or the fact that he's gay.The game of “trick-or-love” between the happy-go-lucky father and the scary but popular pediatrician! Normally the paths of a shrewd man and a stoic man would never cross…

    Stevie is a bookworm, yet she longs to fit in with the cool crowd. Fighting her mother every step of the way, she begins to experiment with talkin' trash, "kicking butt," and boys.With the assassination of Dr. King she gains a new political awareness, which makes her decide to wear her hair in a 'fro instead of straightened, to refuse to use skin bleach, and to confront the prejudice she observes in blacks as well as whites. April Sinclair writes frankly about a young black woman's sexuality, and about the confusion Stevie faces when she realizes she's more attracted to the school nurse—who is white—than her teenage boyfriend. As readers follow Stevie's at times harrowing, at times hilarious story, they will learn what it was like to be black before black was beautiful.

    Think wedding destination, white sandy beaches, lurve… except at the moment Joshua is struggling to pay the electricity bill, they’ve no paying customers, and even if they did they can’t afford the repairs from the devastating hurricane that struck three years ago – and to top it off they have to take in Daniel, a grumpy businessman who has been ordered by his doctor to take some time off before he has a heart attack from too much stress.Funnily enough, Daniel owns a very expensive hotel chain that has been trying to buy the island for the past two years. Not that Joshua knows that yet, and boy are sparks gonna fly when he thinks he’s been set up.Of course, sparks of a different kind are also soon flying between them.Then there’s Matt who just got let out of prison, Charlie who ran away from home, and Ben, a famous model until a devastating house fire destroyed his face.Welcome to Rainbow Key – held together by love, family, and sticky tape.

    A chance meeting with a young American chased away the fear that he would always be alone and brought him the prospect of a new existence.Dustin Earl joined the military and escaped his small town Southern upbringing with the hope that he could give his mentally challenged brother a better life. But Dustin had never known real love, an honest hug, or a simple kiss. He considered his sexuality a weakness; a threat that had been used against those he cared about.For eight months their relationship blossomed until Dustin suddenly returned home. He cherished Stephen, but felt his responsibilities to his brother outweighed his own chance at happiness.Shattered, unable to function and unwilling to accept Dustin’s departure, Stephen flew three thousand miles to get Dustin back and rekindle what they had. But what he would learn when he got there… he could never have imagined.

    As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand Vivek’s escalating crisis—the mystery gives way to a heart-stopping act of violence in a moment of exhilarating freedom. Propulsively readable, teeming with unforgettable characters, The Death of Vivek Oji is a novel of family and friendship that challenges expectations—a dramatic story of loss and transcendence that will move every reader.

    Opening dramatically at  Sweet Tamarind, a rice and cotton plantation on an island off South Carolina's coast, we watch as recently emancipated Bette Mayfield says her goodbyes before fleeing for the mainland. With her granddaughter, Eudora, in tow, she heads to Charleston. There, they carve out lives for themselves as fortune-teller and seamstress. Dora will marry, the Mayfield line will grow, and we will follow them on a journey through the watershed events of America's troubled, vibrant history—from Reconstruction to both World Wars, from the Harlem Renaissance to Vietnam and the modern day. Shange and Bayeza give us a monumental story of a family and of America, of songs and why we have to sing them, of home and of heartbreak, of the past and of the future, bright and blazing ahead.